The character Take (bamboo) is struck with six brisk strokes of dark ink on this Chagake tea scroll signed Mitsuhiro (Karasuma Mitsuhiro, 1578-1638) and dated 1631. The calligraphy is exquisite. Mitsuhiro was born the son of Karasuma Mitsunobu (1543-1606) and, like his auspicious father, was a well known poet and songwriter accomplished in calligraphy...

This is a superb Bunraku puppet of the historical figure Minamoto Yoshitsune, one of the lead characters from the Tale of the Heikei and legendary fighter in Japan. The doll is incredibly mobile. Head moving up and down, his eyes open and close and move left to right. His eyebrows can be raised and lowered, and mouth opened or closed, all from toggles inside his kimono on the extended neck piece...

There is incredible detail in all aspects of this huge bronze sculpture of a jacketed monkey and his elder handler resting on a bronze base signed Shojun (also read Katsunori), dating from the mid 20th century (1935-1965). Taking a break between performances, the aged man pulls out his pipe and tobacco pouch, his wizened countenance seeming as if speaking some soothing words to the creature, perhaps otsukare-sama. A chain runs from his wrist to a collar around the animals neck...

A very unusual unglazed small tea pot decorated with various nuts and seeds all in three dimensional relief, featuring a mushroom shaped lid dating from the later 19th to early 20th century. Known as Banko in Japan, the kilns which produced these items were also responsible for the Sumidagawa pottery so popular in the west. This piece has 8 seeds about the shoulder, including peanut, pumpkin and sunflower...

A gentleman standing in courtly robes takes advantage of a warm spring night to get in some reading. Standing on the balcony he puts light to a hanging lantern, illuminating cherry blossoms wrapped in evenings misty veil beyond the rail. This is an excellent example of Meiji period Yamato-e signed Saiho which has been fully re-mounted in quality patterned brocade, and retaining the original bone rollers...

A square bottle vase by one of the most sought after and influential of all Japanese ceramic artists, Kawai Kanjiro (b. 1890), enclosed in the original kiri box signed by the master, which we have had authenticated at the Kawai Kanjiro Memorial Museum (now endorsed on the top by his daughter, Kyoha). The pale crackle glazed vase dates circa 1935, and is decorated with flower like dabs of rust and cobalt typical of this period, with dark iron fading out from the square mouth and base...

A framed calligraphy fan painting by important Edo period poet Kawano Tetsuto (1825-1867), published in the book Shijin Kano Tetsuto (1932). The ancient paper fan is mounted in a field of gold flake bordered with black lacquered wood, the frame measuring 11-1/2 by 23-1/2 inches (29 x 59.5 cm). There is one spot of damage to the flecked gold mounting in the lower right (see photos)...

A noborigama (multiple chamber climbing kiln) ascends the right side of this wildly brushed Autumnal Nihonga screen signed Takuji, which dates from the late 1920s or 1930s. Drastically contorted thatched buildings are shaded by a massive leafless tree which dominates the center of the scene. A few remaining leaves dangling after winters first frosts, shine with gold about the edges...

A fine Edo period portrait of a sinewy middle aged samurai proudly seated before a pair of swords, a table upon which rests an ink stone and book at his right elbow. Exquisite detail in the figures face and fine lines and shadows in the clothing are reminiscent of portraits by the great artist Watanabe Kazan. The portrait is signed Higashiyama Giryo and dated Tenpo 3 (1832) and the epitaph is signed Raijo. The portrait appears to be of a samurai named Kanda Hojo...

A pair of ancient iron tongs for working charcoal within the furo during the Japanese Tea Ceremony enclosed in an ancient wooden box titled HiBashi, Todaiji Kawara-Kugi, or charcoal tongs, Todaiji, Roof Tile Nails. One of the nails shows deterioration in the center where it rusted on the surface between the tile and the roof. The hand forged nails are just over 9 inches (23.5 cm) long, folded over on the flattened ends to form the head...

A collection of huts glow softly huddled in the protection of towering rocks in this lovely winter landscape by Akamatsu Unrei (1893-1958) enclosed in the original signed wooden box dated 1928, which itself is in turn enclosed in a protective red lacquered wooden box (nijubako). A true master of the genre, Unrei was born in Osaka, and apprenticed under Koyama and later the famous Nanga-ka Himejima Chikugai...

A lovely late Edo to early Meiji period square footed dish decorated with autumn grass and crosshatching in underglaze iron with a charming lacquer repair in one corner featuring a crescent moon expertly rendered. The dish has been formed on a cloth covered pattern; impressions remain visible in the surface through blanks in the thick white glaze. It was made with fluted corners, with 4 pressed on loop feet...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

The Nobori banners for Boy's Day in Japan are very eye-catching. It may be rare to see them actually used today but many that we have left feature colorful drawings of Samurai warriors, heroes from the past, or characters or animals from the stories.

The word NOBORU is to climb as in to climb up, amount to someone worthy or it could simply mean something visibly towering high in the battle field. The designs of earlier Nobori banners were much simpler; they were used to identify thei...

Three Jokan Dolls are part of a Hina doll set for the Japanese Girl's Day. They are to serve the Emperor and Empress with drinks and food. The young and pretty are usually choosen for this role. Many sets have one older married woman sitting in the middle, possibly a supervising figure? Her hair is usually done in a less attractive manner and she often has her teeth blackened. It was the sign of being a married woman at the time. Here, one of the dolls has a black line across her tee...

Museum quality Japanese kimono - uchikake wedding gown. The condition of this kimono is excellent, amazingly well preserved without damage or repair. The black area has different shades with a muddy black color, particularly on the sleeves and the middle section of kimono where the black gradually changes to white. The gown is thinly padded (silk wadding) throughout and feather light with very soft silk. The dimension: 50 1/2 inches sleeve to sleeve, 59 inches long. Not wearable, please.

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Large Japanese antique oshi-e ningyo(doll), Kabuki samurai "aragoto" actor on stage: Matsumoto Oshi-e bina (hina ningyo in Oshi-e style) was originally made by the Samurai family who served in the Matsumoto Castle to supplement their income sometime in the mid Edo period (1603-1868). They became quite quite popular in the 1800s, 400 million dollars sale (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e ningyo (dolls) are that the design is stuffed heavily ...

Large Japanese antique oshi-e ningyo(doll), Geisha playing the koto: Matsumoto Oshi-e bina (hina ningyo in Oshi-e style) was originally made by the Samurai family who served in the Matsumoto Castle to supplement their income sometime in the mid Edo period (1603-1868). They became quite quite popular in the 1800s, 400 million dollars sale (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e ningyo (dolls) are that the design is stuffed heavily with cotton and ...