A magnificent and seldom found set of Ao or Blue-Bizen Tokkuri Sake decanters dating from the Edo period enclosed in an ancient kiri-wood box. The hand-turned pieces are in excellent condition, with no chips or cracks. The undecorated clay of each pinched vessel is an unusual shade of blue/gray, thus the name. Each piece measures roughly 6 inches (15 cm) tall. An exceptional and highly sought after addition to a collection of Japanese ceramics.

This hair comb and kogai hair pin set is probably from the Taisho to early Showa period, 1920 to 1945. Tortoiseshell. There is an artist signature on the hair pin. Please wear this with a half of signature on each side for better fitting -- see enlargement6. Other than that, it is in good condition.

Antique Japanese silver and gilt Kanzashi; a hairpin with a humorous design of an old lock placed on "kinchuku", a moneybag, with coral beads. With a clear message, it will be a great gift to someone special. Length 7". Meiji period (1868-1912).

Large Japanese Imari charger, 18 3/8” in diameter, with vibrant enameling and excellent facial expressions. The subject matter is 'The Seven Sages of Bamboo Grove'. One hairline at the bottom rim and crazing on the rim. Meiji Period (1868-1912).

The delicate ladies in waiting Japanese hina dolls for the Japanese Girl's Days in February. They are extremely beautiful with delicately detailed gofun (crushed shell with paste) faces and hands. The photos could not caputured it. Their face, hair, hands and costumes are superior to many other "Jyokan" dolls, obviously the work of first rated Kyoto made dolls. The standing dolls are 8 7/8" tall. One of the sleeves on the standing doll is soiled (enlargement 8)...

A rare large wooden shrine dating from the late 19th or early 20th century (Meiji/Taisho period) covered in black and red lacquer with gold highlights featuring 12 fully carved wooden panels. Over the gold columns is a lovely carving of 2 dragons vying for possession of a flaming pearl; with clouds, cranes and angels carved around them. Below are panels with tempestuous seas inset into the base...

Exquisite antique Japanese Hina Ningyo (dolls) for Hina Matsuri festival, the Girl’s in Japan. The dolls are probably from the late Taisho to early Showa period, 1910 to 1940 and in excellent condition. The level indicates that they were made in Kyoko by Hinagata-ya, pre WWII in Kyoto, size 2 (second largest). The hair of the emperor and empress appears to be original and brittle. There will be some broken hair fallen whenever the dolls are moved...

A superb later 19th century (Bakumatsu-Meiji period) celadon image of a Rakan enclosed in a high quality wooden display box. The rather brutish features harken back to older styles seen in Korea and early Edo Japan. A stand has been carved to fit the base of the deity and slides into the box, and the figure stands6-3/4 inches (17.5 cm) tall. It is in excellent condition...

Large zushi of square shape with double doors. Outside black lacquer and bronze hard ware, finely engraved with meandering flowers, inside gold lacquer. Inside a sculpture of the deity Benten, or Benzaiten, in her appearance with eight arms. In her hands she holds sword, jewel, bow, halberd and wheel. Other attributes are missing. On her head she wears the typical crown with torii, referring to the island of Enoshima, where the big Benten shrine is...

A fantastic large tsubo vase by ceramic artist Teramoto Mamoru (1949-present) enclosed in the original signed wooden box. In spite of its size (almost 15 inches (37cm) tall), it is surprisingly light, and the colors are phenomenal. The slightly grooved surface is scored with primitive lines arching upward, filled with slip before firing. The artists signature is on the base of the piece, which is about 15 years old...

An incredibly detailed mid to late 19th century Izushi-yaki Hakuji (white porcelain) image of a samurai and his lover enjoying a moment together; the robes, accessories and musculature being extremely well shaped. The pair are made of solid white clay, sculpted in the style and with the attention to detail typical of Hirado ware however the glaze is more textured than work expected of that region, indicative of Izushi...

A superbly detailed story Ranma carving, likely from an altar, in which five figures reside among golden maple and cherry blossoms. On the left a colorful figure dips water from the cascading blue waters of a steep fall, a man in priests robes behind him. Three other gentlemen in white robes watch from close at hand, a bundle of sticks, perhaps for making tea, perched in the foreground. Each figure is meticulously carved and painted, the entire scene gilded in gold...

Pine boughs laden with snow shelter a pair of foraging raven in a spectacular scene reminiscent of paintings of the Kyoto school masters which decorates this Meiji period cloisonn$B!&(Bvase. The unusually tall tapered form swells at a tight shoulder to close about the wide neck wrapped with a band of darkly patinated silver. Silver wire defining the color is so thin as to be almost invisible...

An incredible amount of work went in to the burl-like lacquer finish of this early 20th century three-drawered calligraphy box. All surfaces excepting the bottom are covered in the unusual mottled finish known as wakasa, made by spattering on layers of various colored lacquers which are then rubbed down to a smooth, marbleized finish. Just when one thinks the artist has finished, the process is repeated. This small piece of furniture is the finest example of this technique we have come across...

A pair of brightly colored Mandarin ducks nestle down under cover of dried lotus in this

A surreal ink on cloth landscape by Kyoto artist Nakanishi Koseki (1807-1884) bordered in rich blue patterned silk and featuring radical flaring rosewood rollers. Soft ink tones and heavy washes of gray clash with the brisk strokes and jagged lines of the painting, creating a vivacious scene. The stamps on this match those on the next listing, a second scroll by Koseki. This scroll measures 19-3/4 by 76 inches (50.5 x 194 cm). There is one hard crease crossing the scroll above the large lowe...

An absolutely breathtaking set of two carved and gilded three tiered wooden stands in the form of blossoming lotus enclosed in the original kiri-wood box dating from the Meiji period. They stand 14 inches (35.5 cm) to the top flower, with each red-lacquered tier over three inches ((8 cm) in diameter. 13 individual fronds rise up to blossoms and leaves, each exquisitely carved and covered in gold lacquer over black. Despite the delicate appearance the stands are very stable. A truly unique se...

The character Take (bamboo) is struck with six brisk strokes of dark ink on this Chagake tea scroll signed Mitsuhiro (Karasuma Mitsuhiro, 1578-1638) and dated 1631. The calligraphy is exquisite. Mitsuhiro was born the son of Karasuma Mitsunobu (1543-1606) and, like his auspicious father, was a well known poet and songwriter accomplished in calligraphy. The paper is, as might be expected, repaired in several places and has marks and yellowing consistent with age, however is still supple and ea...