Traditional brush and ink Chinese painting of birds done in the style of Jin Cheng 金城. This homage was done in the 20th century and is very attractively mounted a silk scroll. Jin Cheng travelled internationally and was a founding member of the influential Chinese Painting Research Society (Zhongguo huaxue yanjiuhui) that became later known as the Hu Society (Hu she). The writing at the top right is an apocryphal dedication- gifted to Yu Po 1907...

Very rare small celadon Yueyao lugged jar from a Zhejiang Kiln, circa Five Dynasties/Early Northern Song. This type of ceramic was a precursor to Longquan ware. There is a firing crack and some fritting (caused by pockets of air trapped beneath the glaze during firing) on one side- noted in enlargements. D: 9cm/3.5in and H: 6cm/24in.

Rare early “si zhi” (four straight lines) style inkstone carved from an old fired brick. The characters on the brick are in an archaic style, no longer in use today. The square shaped flat bottomed inkstone with sloping grinding surface did not become popular until the Song Dynasty, so it is possible this was made into a inkstone long after it was a brick. Chinese are very fond of creating ink stones out of “found objects” such as roof tiles etc...

Two boxes with 18 black and gold decorated moulded ink sticks showing the 18 Lohans. Boxes 29x20 cm. All sticks in excellent condition, no cracks or chips. Undated, estimated to be early 20th century. Can be seen in central London and shipped worldwide.

A Panorama of Ceramics in the Collection of the National Palace Museum : Chun Wares Best book ever written on Jun stoneware, great close ups. In excellent condition, one scuff on upper right hand dust cover, with original box. These sell for $700- $900 on Amazon and the other usual suspects...

This book sells between $2400 new to $280. used. As this is in excellent condition I would describe as almost new. A few some scuffs on the edge of the dust cover. ISBN-13: 9789627101161 ISBN-10: 9627101168 Author: KAO, Mayching, editor Edition: First Edition Binding: Hardcover Publisher: Chinese University of Hong Kong Published: 1990

Ming Dynasty Tudigong 土地公 Rare Ming Dynasty (1368-1644 CE) pottery image of the Taoist “folk” God, Tudi Gong. He is a very popular God and is considered a community guardian, which is why you will see his small shrines in rural villages and urban neighborhoods, venerated by common people. Literally he is an erath God (God of the soil)...

Two Chinese Qing dynasty hardwood carved panels with tabs at the top and bottom indicating they likely were originally inset into a larger piece of furniture. Each panel features a bat above a central double-happiness symbol flanked on both sides by ruyi forms. Gourds hang from vines. The slightly smaller panel includes a deer at the center bottom. The backs are flat. The smaller panel is mounted for hanging...

Very rare large “Swatow” bowl from the Zhangzhou kiln, Fujian Province, China. This is a Binh Tuan shipwreck recovery piece, discovered off the coast of Vietnam in 2001...

Chinese Yuan dynasty flattened rounded form twin-handled moon flask covered in an amber-brown glaze, each face with moulded relief figural decoration possibly depicting dancers and musicians. The high foot with unglazed, recessed base has two typical pierced holes. The shape was derived from flasks carried along the Silk Road by West Asian merchants. The loop handles allowed the flask to be secured to a saddle. 8 1/4" high x 7" wide x 3” deep. Circa 13th/14th century...

A Beautiful necklace was assembled by 41 amber beads.The condition is perfect.

Date: Early 20th C.

Width:14cm.

Length: 50cm

The size of the biggest bead:1.7cm

A beautiful necklace was stringed by 23 agate beads.The condition is perfect.

The size of the biggest bead is 2.0cm.

Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in

Unusual Ming Dynasty stoneware celadon glazed censer on a reddish clay body, possibly Longquan or an allied kiln, uncommon to see fine translucent craquelure. Good condition- no cracks or damage just some bits of kiln grit adhering to the glaze surface. D: 11.5cm/4.5in and H: 5.5cm/2.1in

Good Qing Dynasty, Chinese nephrite jade carving of a lotus seed pod. In Chinese culture this symbolizes fertility and a desire to have many children on another level the lotus reflects purity, strength and rebirth- as it rises from the mud and blooms into something beautiful. H: 3.5cm/1.4in and W: 4.2cm/1.6in x 3.1cm/1.3in. Good condition- no chips or cracks. 61grams.

Pair of large Han Dynasty “ear cups”- er’bei. These are have an outstanding rich green lead glaze, with paraffin patina and high relief wave pattern on the sides. Please note last two enlargements- there are two professional quality repairs. L: 13cm/5.1in, W: 12cm.5/4.8in and H: 4cm/1.6in.

A Chinese snuff bottle made in repoussed silver with some guilloche decoration and colorful enamel, gilt rims. Showing two young ladies, one is playing the flute. The stopper is en suite, bone spoon. Condition: traces of usage, wear to gilding, little verdigris. Dimension: height: c. 6.3 cm.

Magnificent pottery Ding. The long legs and “cockscomb” design where, the legs join the body, are in keeping with bronze vessels from the Zhou to Warring States period, which pottery pieces were trying to emulate. There are traces of a repetitive meandering impressed band below mid circumference. The body is thinly potted with very light gray clay and originally had a dark gray slip applied to the outside (the original gray slip is still intact in the cavity)...