DESCRIPTION: An attractive scholar's calligraphy brush, crafted using long brown horsehair bristles attached to a bulbous ox-horn ferrule and segmented, solid ox- horn shaft. A very handsome brush in good condition from the latter Qing Dynasty, which would have been used for calligraphy or painting. DIMENSIONS: 14” long (35.5 cm).

Small statue of Buddha, in monk's robes, standing on a lotus, his hands in abhaya and varada mudras. Hollowed at the back. Tenon below the lotus. Bronze, with reddish-green patina and traces of soil encrustations. China, Tang Dynasty. Height: 9.8 cm. Tiny casting defect on the lower left side of the robes, otherwise very good condition.

A fine wakizashi in saya of crushed aogai shell in lacquer with engraved silver fittings adorned with a family crest wrapped with matching Kozuka. Kyoto license number 59007 Heisei 9.
blade length: 38.9 cm
sori:0.7 cm
motohaba:2.4 cm
motokasane: 0.6 cm It is in excellent condition.

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) illustrating a scene from the 1951 kabuki production "Genji Moyo Furisode Hinagata" (Dress Patterns in Genji Style). The scene is set in a meadow and features in the left panel the actor Ichikawa Danjuro VIII in the role of the handsome protagonist Lord Ashikaga Jiro (Mitsuuji) engaged in a sword fight. In the center panel is Bando Shuka I in the role of Fuji no kata (the concubine of Mitsuuji's father, Yoshim...

A really rare type of chawan: wan shaped tea bowl with a rounded brim, made of light coarse clay. The fine iron bearing clay was nearly fully covered with glaze mixed from wood ash and feldspat.

The iron oxide in the body turned the glaze to a bright orange where thin. The bowl shows a fantastic discoloration from tea as a result of many years of careful use.

This chawan was manufactured in the early stage of the 17th cent. or earlier in the kiln of the Japanese trading ...

A finely embroidered silk River or Lakeside Landscape made in Japan for export during the late 19th or early 20th Century. This item was framed in the UK by Boots the Chemist's, circa 1910 - 1925 Condition: excellent. Frame: 37cm (14.5 inches) wide;29.3cm (11.5 inches) high.

A bronze mirror, wakyo, decorated with a classic Autumn pattern that evolved in the Heian period which features a pair of birds, sparrows, water weeds, ashi, water, and a wave washed sandy beach, suhama. The design is cut by a single ring. The design of the inverted pistil boss and the density of the design, horror vacui, dates the mirror to the late Kamakura period 1275-1325. A great deal of the detail has been lost as a result of wear and over polishing. See British Museum 1927 – 1014.5 (...

A very large rare string of ceramic beads from the neolithic period. The necklace measures 106 centimeters from end to end. The condition is very fine considering the age.These beads date back to 500 to 1000 BC

A beautiful early 20th C. Chinese Dehua porcelain seated gaunyin Buddha with original wooden stand in excellent condition . H:10” without stand. Marked China. Sold to Australia

Finely cast bronze censer on three cloud-shaped feet with a décor on the body of an elephant on one side, a baku or tapir on the other on a background of very fine repetitive fretwork, patinated in a rich brown. Stick-like handles parallel to the body. Bottom left undecorated, with a seal: Seimin sei (Cast by Seimin). Japan, Edo period, early 19th century.
Original cover lost and replaced by a wooden Chinese cover.

H w/o cover 3-1/8 in.; H w. cover 4-1/2 in; W 4-1/4; diam. 3-1/2 in.<...

A Set of Three Small Thai Market Chinese Canton Enamel Cosmetic Boxes 19thC The dark blue enamel with gilt decoration. The interiors with turquoise enamel and the bases with paler blue. Two boxes with composition finials. Chinese 19thC. Diameters: 6.2, 5.3 and 4.1 cm. Condition: some wear to gilding, minor small chips and a flake. The actual colour of the enamel is darker than in the images.

A large, Museum Quality pottery figure of a male attendant carrying a fan or a book under his arm. The figure dates to Ming Dynasty, 1368-1644 AD.

The figure is placed on a large Lotus throne on top of high hexagonal plint, both in fine Sancai colours - a two-colour green and yellow glazed robe.

He wears a high hat. Finely painted facial details. Lotus thrones are very rare for Ming pottery figures.

The head is attachable as often seen on the largest figures...

A good quality mirror of comparatively small proportions decorated with a fine line drawn pattern of a double and single Chrysanthemum supported by a fence and a banded hedge set against a fine sand textured ground to the reverse of the mirror. Fine line drawing in this style first appears in the eighteenth century. The mirror is signed on the left hand side Fujiwara Mitsumasa. A Mirror signed by a kagamishi with this name is included in the Kyoto National Museum Collection (EK248-85) and is...

A Japanese handled mirror, e-kagami, decorated with a Hoo Bird in flight, a harbinger of Peace, combined with Waka Matsu, Young Pine, a common motif associated with the celebration with the New Year. The design can therefore be seen as symbolising a wish for a Peaceful New Year. In the right hand portion of the mirror reverse is a set of four characters reading Fujiwara Mitsunaga. Two individuals with this name operated as Mirror makers, kagamishi, during the Edo period, one operated during the...

A Large and Fine Thai Market Benjarong Bowl. Finely decorated with four Celestial Buddha images between Celestial Angels on a black ground with pink flames. A floral circular medallion on a green ground to th interior. The rim and foot bound with a metal band. Chinese 18/19thC. Diameter: 7" (17.8 cm) Condition: Hairline crack from rim 7.5 cm. Two chips in foot filled with lacquer.

A Japanese handled mirror, e-kagami, cast with a Hoo bird in flight, a symbol or harbinger of peace, and a Kiri tree to its right, auspicious symbols associated with the Empress of Japan, Kiri ni Hoo. Beneath which is pine tree set upon a rocky shoreline washed by seigaiha; a wave pattern symbolizing eternal peace and happiness. The design overall connoting a wish for Peace and Harmony. To the left of the pattern is a set of four characters reading Fujiwara Mitsunaga. Two individuals with this ...

Exceptional lacquered traveling altar with a bodhisattva riding an elephant inside. The carving is finely detailed and unbelievable. Late Meiji Period C.1900. Copper metal fittings on zushi. Excellent condition. Ask for shipping quote. Height:9" by 4" (when closed).

Height: 20.5 cm (8.2 in)
Width: 9 cm (3.5 in)

Good quality Chinese famille rose vase; polychrome floral work throughout with a gilded coral dragon wrapped around the shoulder; Qianlong mark but later; good condition