This exemplary work of 19th Century Korean folk art is sculpted in and painted on wood and metal and features the two most revered mythical creatures in Korea: The Yellow Dragon and The Blue Dragon. This creative composition has a patron couple who seem to have the dragons' tails coming out of them. The Dragon brings rain, blessings, and life. The Yellow Dragon writhes dynamically and shows its face at the top of this piece, while The Blue Dragon offers a foundation to the composition and makes ...

A set of rare Chinese pottery animals.

Age: China, Yuan Dynasty, A.D. 1271 - 1368
Size: Length 10.4 - 15.3 C.M. / Width 6 - 8.8 C.M. / Height 6.5 - 10.8 C.M.
Condition: Well-preserved old burial condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Orchids and Rocks Painting by Kim Eung Won aka Soho (1855-1921). Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids wer...

A Japanese soft and valuable boxwood netsuke depicting a young naked woman kneeling with towel and bucket in the onsen bath 温泉, the Japanese “thermal baths”. Finely sculpted with an excellent patina and soft touch. Himotoshi (holes that allow thread to pass through) large and small on the back. The Japanese consider “communion in nakedness” important as it is capable of breaking down barriers and introducing new people in the relaxed and familiar atmosphere of the onsen. ...

A Japanese large and unusual boxwood netsuke depicting a child playing the drum with his hands, held still with his feet. He wears a Shishi mask with articulated jaw that opens and shows the child’s face. It was worn during the famous shishimai festival 獅子舞 (lion dance), a sacred animal in Japanese mythology. It symbolizes courage and strength; also called Karashishi, it is a lucky symbol and auspicious wealth. Origin: Japan Period: Edo 19th century Dimensions: 4,3 x 3,8 ...

A pair of Chinese amber and green glazed pottery globular jar with lids, supported by three legs in the shape of bears. It is difficult to find Han jar in amber and green glaze like this.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size: Height 24.6 - 24.8 C.M. / Width 21.5 - 21.8 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adhering (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the...

BOOK OF MISCHIEVOUS KIDS

Old Japanese concertina miniature book with 22 various scenes of mischievous little children. Offset printing. Early Showa period, 20th century. 8.5 x 6.5 x 2.5cm (3.34 x 2.55 x 0.98in). Aged deterioration as is as seen.


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Height: 3 cm (1.2 in)
Width: 2.7 cm (1.1 in)
Depth: 3.8 cm (1.6 in)

Quality Japanese netsuke, carved from natural material to depict a man sharpening a tool; finely detailed throughout; inlaid horn eyes; signed on the base, Masakazu; light honey-coloured patina; good condition

Height: 25 cm (10 in)
Width: 15 cm (6 in)

Fine Chinese cinnabar vase; depicts individuals in mountainous settings; very well carved throughout; minor restoration and wear; good condition

Two pages of Islamic Arabic calligraphy. Naskhi script by Ali Muhammad Al-Taqani AH1312/1894 AD Pasted to card with recent marbled border. Hand written text on reverse. 48x40 cm

Large Chinese Qing dynasty Guangxu period porcelain jar decorated in famille verte enamels with two central panels on opposing sides. One panel features a veranda with a woman kneeling before an official and his attendant. The opposing panel depicts beauties and children in a garden setting. Between the two large panels are two smaller floral roundels. The panels are set against a cream-colored crackled glaze background densely covered in rust-red flowers and green scrolling foliage. 19th centur...

Inro 4 cases.Peonies in mother-of-pearl inlaid on a brown lacquered ground and gold dust. Japan earlier Edo 17th century.It is rare to find inros from this period, they are probably the first to have been created. The lacquer is dark red-brown, almost black, it is very solid and despite the shocks and more than three centuries of handling it has not chipped at all. The mother-of-pearl is also well preserved and there is only a tiny lack due to a direct impact. It is a good example of the solidit...

The Soma-Da school invented this style at the beginning of the 18th century. The color of the lacquer and the energetic design of the horses lead us to date this inro to the end of the 18th century. Below is glued a label referring to the prestigious collection of Doctor Mène which was dispersed in 1913 in Paris. This collection created around 1880 contained only exceptional objects. It must be possible to check in the catalogs of the sale.Good general condition, slight usual wear for a bicente...

Antique Japanese silver baluster form vase decorated with a scene of a pair of doves among branches and wild flowers. Finely chiseled and with mixed metal details in copper. Signed by Miyamoto Kinsei and with stamp on the bottom.

Age: Meiji/Taisho Period (early 20th century)

Dimensions: 12 1/4" high x 5 1/2" wide

Five cases inro. Black lacquered wood. Decor powdered with gold representing a couple of tigers and their cubs. Gold mosaic details. Signature of the illustrious family of Kajikawa lacquerers in 3 characters or in relief followed by a drawing of a vase in red lacquer also in relief. Kyo-Ji-Ro (+1682) was the founder and the best of the line of Kaji-Kawa lacquerers, his descendants all bore the same name. The excellent quality of the lacquer, the rare and much appreciated decoration of tigers and...

SHRINE AND MONKEY

Well-matched assortment of a naturally soot-colored wooden zushi (household shinto altar) with such blackened depth and a votive seated stone monkey sculpture in the ‘gassho’ praying pose with folded hands in such mountain-like well-abstracted silhouette due to aging.

Shrine: H 29.7 x W 19.3 x D 13.5cm (11.69 x 7.59 x 5.31in), Edo period, 19th century, Japan
Monkey: H 10.7 x W 8.4 x D 7.4cm (4.21 x 3.30 x 2.91in), Meiji period...

Chinese Qing dynasty rectangular form hardwood display stand with inset top, short waist with fine applied carved decorative elements, and apron carved with a horned monster head at the center. The four elephant-head form cabriole legs are attached by the curling trunk to a humpback stretcher raised on short tab feet. Woods are mixed with the apron, legs, and stretcher possibly zitan wood. 19th century or earlier. 11 3/4" wide x 8 7/8" deep x 4 3/4” high; weight: just under 2 lb. Minor crack...

An antique Khmer wood sculpture of Jayavarman VII /Mahā Paramasangata Pada), added to our family collection in 1930 from a private Japanese collection. It was made in mid 19th century.

Lacking any royal or divine attributes, this King Jayavarman VII statue represents a simple, spiritual man.

His facial expression is accentuated by semi-closed eyes, a slight smile, large forehead, lips that are neither thin nor thick, and long ear lobes. All of these traits represent the ...