A small celadon box by in the shape of an elephane by Akiyama Yo enclosed in the original signed wooden box titled Zo Kogo. Kogo are used to carry Shaped Incense. It is 2 x 2-1/2 x 2-1/2 inches (6 x 5 x 6.5 cm) and is in excellent condition.
Akiyama Yo was born in Yamaguchi, home of Hagi pottery) in 1953, but went to Kyoto to study at the Kyoto Municipal University of Arts in 1976. He has an impressive list of exhibitions both domestic and abroad. He was recipient of the prestigious JCS...

THREE LASTS

Lasts for 'Yuki-gutsu' as traditional Japanese snow boots made of straw.
Rustic and beautiful. Well-used and warmhearted 'mingei' tools as seen.

Large: approx. L 48cm (18.89in), W 10cm (3.93in)
Small: approx. L 25cm (9.84in), W 10cm (3.93in)


selected by Jinta




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purch...

Early vintage albumen print of the two large bronze Kannons near the Senso-ji Temple in Asakusa, Tokyo, with children. Numbered in Japanese "277". Mounted on coeval cardboard. Condition: fine, minimally faded, left border of photo with a small loss. Dimension: photo: 21.4 cm x 27.4 cm, cardboard: 34.8 cm x 43.9 cm.

Chinese 18th Century bronze censer. The base cast with a sixteen-character inscription incorporating an apocryphal Xuande date, reading Da Ming Xuande wunian Jiandu Gongbu guanchen Wu Bangzuo zao (Made by Wu Bangzuo, supervisor of the Ministry of Works, in the 5th year of Xuande of the Great Ming). 16,5 cm diameter.2048 gram weight. Censer has smooth dent (please see on the picture) No crack or repair. original patina.

Bamboo brush pot with two Cranes sitting on a pine tree. Background has a Sage standing on a small mountain. Age: Qing- Early 19th century. Size: 14cm. height- 10cm. width. Condition: No repairs.

A heavy six-sided porcelain deep bowl decorated on the outside with famille rose enamels depicting ladies and boys in a garden landscape. The base bears the six character seal mark ( painted in iron red) of the Tongzhi emperor (1862-1874). Condition: there are enamel losses to the turquoise glazed interior: no losses to the famille rose enamels: no chips or cracks to the porcelain body and no restoration. 21 cm (8.5 inches) across; 9 cm (3.6 inches) high.

An xxl superb 64 cm high male attendant carrying his masters pibe and tobacco pouch. The figure is decorated with red, black and white pigmented colors. The glazed areas are held in green and yellow sancai colors. It dates to the Ming Dynasty 1368-1644 AD.

Exceptional quality pottery figure with precise and detailed painting and glazing. The height and the fact that it's done in realistic life-like proportions makes this figure massive and heavy. The head was made seperately as alway...

Four different pages from a 17th/18th century Tibetan manuscript, painted on thick paper each with four images of Goddesses holding various attributes with traces of inscriptions beneath each. Largest 36 x 13 cm. sewn cloth at top. Some damage and losses as shown. Can be viewed in central London and shipped worldwide.

Toko Shinoda (b. 1913)
Title: Autumnal
Size: Approximately 28.5 x 20.5 inches.
Date: 1990s-2000s.
Edition: 16/38.
Medium: Lithograph with brushstrokes.
Condition: A very slight difference in the tone of the white outside the image area. The print was once matted.

Rare and early vintage albumen print of the Shimbashi Railway Station in Tokyo, with festive decoration and banners wearing the imperial seal "kiku-mon". The Tokyo to Yokohama rail line opened on 14th October 1872, with a great ceremony as the emperor took the first official ride, arriving at Shimbashi Station in a Western carriage. Mounted on coeval cardboard. Condition: fine, minimally faded, a tiny hole. Dimension: photo: 20.1 cm x 25.9 cm, cardboard: 34.8 cm x 43.8 cm.

Thick shima-cho, a sample book of cortton shima (stripes) with about 870 fragments. The age is written on the cover "Meiji 3 (1870), however the age of the fragments range from very late Edo (mid 19th century) to Taisho (1920s). The first 770 fragments are late Edo and Meiji (the second half of the 19th century) and the second 101 fragments are woven in Taisho period (1912~1925). In excellent condition. 16cm x 21cm x 5cm

Height: 20 cm (8 in)
Width: 11.5 cm (4.6 in)

Rare Chinese porcelain arrow vase; depicts figures in a rural setting; calligraphy present (possibly a poem); Kangxi six-character mark; one small rim chip (5mm x 2mm); good condition; email for additional photos

Meiji (1868-1912) Japanese Seifu Yohei III Studio Porcelain Yellow Vase

It is 5.5 inches (14 cm) tall by 3.1 inches (8 cm) wide. It is 0.75 Lb.

It is in good condition with no repairs, chips or cracks, except rubbing of gold and stains (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally pa...

A lovely hollowed out root forming a basket; an anonymous 20th century work of Mingei art. It is roughly 18 x 13 x 10 inches (45 x 33 x 25 cm) and in fine condition.

A modernist form in white decorated with a simple zen circle by Yoshikawa Masamichi enclosed in the original signed wooden box titled simply Utsuwa (vessel) and dating circa 1985. The minimalist approach is a feature of this artists work, and accentuates the aesthetic Mono-no-aware (p an awareness of impermanence)and the circle on front seems to remind us “keep it simple”. It is 11 x 16 x 18 cm (4-1/4 x 6-1/2 x 7 inches) and in excellent condition.
Yoshikawa Masamichi was born in Ka...

Chinese yixing teapot from Tek sing cargo shipwreck. 11 cm wide.7 cm body diameter. Teapot has small chipped at the rim (Please see on the pictures). No repair.

A small bag made of deer skin with shibori (tie-dye) pattern. The brown color is dyed with the technique called "fusube-gawa". The deer skin is smoked with burning rice straws and gets brown color. Fusube-gawa is used for armors or wallets in Edo period. It has silk cords and lining. In excellent condition. Late 19th to early 20th century. 15cm x 18cm

One of the finest, most daring, and well-crafted works I have seen by this legendary artist who is known for his non-conformist and bold style. Suzuki Goro has outdone himself with this Rose Oribe ceremonial tea bowl. Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). The most common types in this genre are Oribe-guro with jet-black glazes and feldspar ornamentation, Ao-Oribe with dark-green glazes, followed by the somewhat rarer type of Oribe known as...