Finely cast statue of Bodhidsattva Vajradhara, of typical Newari style, wearing diadem, necklace and dhoti, sitting on a double lotus throne,hands crossed on his breast, his left hand holding the bell, his right hand holding the vajra. Gilt bronze. Nepal, late Malla period, 16th century. Height: 7.2 cm. Gilding partly missing on some areas, otherwise very good condition.

Stunning 19th Century gilded wooden structure from Burma (ca. 1858, Mandalay) resembling Palace Throne. Composed of several large individual hand carved pieces, easily assembled and suitable as stunning large Mirror or entrance/passage into special alcove/room. High quality gilding. Good condition. Size: H. 114" x W. 71" Very rare, high impact!

Here we present our second Hagi Chawan from the famous Koraizaemon family. We already offered and sold a Hagi Chawan made by the first Saka Koraizaemon some month ago, please see item number 0211 on our website.

This chawan was made by the 6th. Koraizaemon Shinbei Saka (1739 - 1803), accompanied by a wood box with the certificate and appraisal of the 11th Saka Koraizaemon.

Toujin-bue (Chinese flute) flat shaped tea bowl made of coarse, unfined clay with a high content ...

On behalf of a Dutch collector

One of a kind. Wonderful and important Chinese Hawksbill Tortoise Tenmoku Chawan from the Jizhou kiln of Southern Sung. It has a wonderful crazing and still vivid colours. The tea bowl was part of the collection of Dr. Walther von Krenner, one of the best connaisseurs of Asian Art in the world and writer of several books on Chinese and Japanese ceramics.

It comes with a tailor made Japanese wooden box from a former owner. The Hakogaki reads: ...

Himalayan mask carved in relief, with a vivid expression. Wood, with a metal plate on the forehead and the chin to affix animal hair meant to represent the mask hair and beard. Nice age patina. Nepal, early 20th century. Height:29 cm. Very good condition

An important Vase decorated with the imperial symbols of 16 petal chrysanthemum and Go-shichi Nobori Kiri among over-glaze bamboo and floral designs by Ito Tozan I enclosed in the original signed wooden box. It is 8-3/4 inches (22.5 cm) tall (excluding the base) and in superb condition and comes wrapped in a stamped silk bag.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku. In 1862 he became a pupil of Kameya Kyokutei, as well as studying ...

Jade bi of light green colour, decorated in relief with an elaborate design representing on both sides dragons and chimeras. China, Han Dynasty period. Soil encrustations, with no damage on the design. Diameter: 5.5 cm. Very good condition.

Of Hon-kozane Ni-mai-do type composed of thin bands with multicolored silk lacing. A 62-plates Akoda-nari suji-kabuto in brown iron, signed Myochin Yoshihiza. A finely chiseled bronze and gilt brass tehen with 5 levels. The golden brass kuwagata dai is carved with a floral decoration. The fukigaeshi are covered with leather and 6 rivets. The mabizashi is also covered with leather and silk strap, riveted and fukurin. The shikoro is imposing with 4 blades. The Mempô, of the reissei (aggressive) t...

A Japanese bronze ritual brazier from the Muromachi period. It has an even tonal verdigris patina throughout the object. The scalloped edge lip is decorated with alternating Ruyi cutouts and continuous curved lines.

The low brazier rests on 3 protruding rounded feet elevating it for the ideal purpose of burning scented woods or providing warmth. The Chinese term for Ruyi means “as you wish.” The curved decorative Lingzi (mushroom scepter) serves in ceremonial Chinese Buddhist r...

A massive museum quality Chinese style Pot by leading Kyoto artist Ito Tozan enclosed in the original signed wooden box. The bulb-form body is sculpted with 14 flutes, a pair of beast heads serve as handles. The glaze is olive covered in red, bleeding through in places, the combination of color quite striking. The vase is 18 inches (46 cm) tall, 14 inches (36 cm) diameter and in perfect condition and comes with the original rosewood stand. The box is simply titled Horo-Kama Kabin signed insid...

Finely crackled which glaze covers this late Meiji Chinese inspired form clearly stamped inside the footring Tozan Ito Tozan. There is an incredible sense of mastery in the concise lines and perfectly sculpted form. It is 13 inches (33 cm) tall, 10 inches (26 cm) diameter and in excellent condition, enclosed in an older custom made wooden box.

A large Ukibori vase covered in iron with yellow slip raised imagery of birds in a pomegranate tree by Ito Tozan I enclosed in the original signed wooden box dated 1917. It is 16 inches (40 cm) tall 10-1/2 inches (26 cm) diameter and in fine condition.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Koizumi Togaku. In 1862 he became a pupil of Kameya Kyokutei, as well as studying under Takahashi Dohachi III and Kanzan Denshichi (who made the dishes for t...

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color. The foot ring is ...

Here is one of the most important chawans of our collection: rounded wan shaped tea bowl with high foot of the bamboo node style in the typical O-Ido shape. The light, little coarse clay with enclosures is expertly thrown and full glazed - with the exception of the foot - with a transparent glaze of wood ash with some feldspar over a white engobe - in the style of Korean kohiki chawan (unglazed area on the outer wall is a typical feature found on many kohiki chawans).

The glaze sho...

An exquisite large vessel by Seifu Yohei III (1851-1914) enclosed in the original signed wooden box. The mirror smooth surface is lightly tinged pink, a delicate touch only Seifu could create. The Fretwork about the center is absolutely perfect. The vase stands just over 12 inches (31 cm) tall, 5-1/2 inches (13 cm) diameter and in excellent condition. It is signed on the base Dai-Nippon Seifu Zo. Seifu, unlike many potters of his time, was low production and tenacious in his approach to perf...

Wood mask, with strong features, of a Mahakala. Dark brown glossy patina. Bhutan, 19th century. Height: 28.5 cm. The mask is nicely mounted on a custom stand. Very good condition. NOTE: collected in Nepal in 1978.

A massive evocative painting exhibited at the first Bunten National Exhibition in 1908 by Ito Koun enclosed in a large period wooden box and pblished in the Nitten-shi series volume I. It is performed with pigment on silk, and shows that soft, almost mystical touch typical of late Meiji Rekishi-ga historical imagery. The samurai crouches at the gate, letting fly arrows at his overwhelming opponents. Metal tipped shafts pierce the thick wood of the gate before him and broken arrows lay scatter...

Pastel rooftops march among the green foliage on this iconic mid-century painting by Miwa Chosei in the original frame bearing the artists “Tomo Seal” on back and in a box from Takashimaya Department Store dating from the 1950s titled Ieshima no Ienami (Rows of houses on Ieshima). A similar work was exhibited at the 11th Nitten. Pigment on silk it is in fine condition. The painting is 22 x 23 inches (56 x 58.5 cm). The frame is 30 x 28 x 2 inches (76 x 71 x 5 cm). The label of Takashima...