This piece is very rare among his works, it's shaped pumpkin suitable for summer season. His Iga pieces are usually 3 times fired in "Anagama" kiln, one term for firing is 10days, so it follows that they are fired for 30days.It is covered with natural glaze by melted ashes of red pine tree fire woods, burnt fire woods and red color by flame. YouTube movie: https://www.youtube.com/watch?v=-xaoApSngX0 Accessary: wooden box signed by artist Size: 19.0cm(D)/19.5cm(H)

A surprisingly thin-walled deep Sake cup covered in blasted ash by Matsuo Takaaki enclosed in the original signed wooden box titled Iga Shizen-yu Youhen Nozoki Hai. It is 5.5cm (2 inches) diameter 7cm (just under 3 inches) tall and in excellent condition. Matsuo Takaaki was born in Yokohama in 1938. He began studies under Tsuji Seimei at Renkoji in 1960 where he trained for over 15 years. He became independent in 1975 and built a climbing kiln in Tama. Since he has been exhibited with the Is...

Small compact vase of irregular shape on a wide foot. Brown clay with white mineral and tiny pebble inclusions typical for Shigaraki and Iga ware, with green and white ash glaze over cross hatched pattern on the shoulder.
A small metal loop on the shoulder in the back to hang the vase from a beam in the tokonoma.

Bottom unglazed. Impressed seal of artist: Kozan.
Japan, Iga ware, Showa/Heisei, circa 1970s-1980s.

H 3-3/4 in., W 4-3/4 in.

Mint condition

Morisato Kozan (b....

A glowering charred dark sake cup by Matsuo Takaaki enclosed in the original signed wooden box titled Iga Shizen-yu Youhen Nozoki Hai. It is 6cm (just over 2 inches) diameter, 7.5cm (3 inches) tall and in excellent condition. Matsuo Takaaki was born in Yokohama in 1938. He began studies under Tsuji Seimei at Renkoji in 1960 where he trained for over 15 years. He became independent in 1975 and built a climbing kiln in Tama. Since he has been exhibited with the Issuikai but mainly focuses on the...

IKAYAKI AND TAIYAKI

Contemporary pottery pieces of 'Ikayaki' (Grilled squid) and 'Taiyaki' (Sea bream-shaped cake) made from old 'Kashigata' (Auspicious wooden molds for making traditional Japanese confectionery). Squid: 14 x 9cm (5.51 x 3.54in), Sea bream: 8.5 x 8cm (3.34 x 3.14in). *Molds are not attached.


selected and made byJinta




* Please understand that EMS shipping fee is additionally charged...

Ikebana basket made of dark brown varnished bamboo wickerwork, square shape with rounded edges. Thicker bamboo braids on both sides and on two of the four sides in the extension of the handle. Removable handle in five segments. Round pot to hold flowers.
Transport box included.

Weaving similar technique to a ikebana basket conserved at the Musée du quai Branly - Jacques Chirac, Paris : Anonymous, Hanakago Karamono - Utsushi, Edo-Meiji period, 19th century. Bamboo, r...

A mid century artist signed Ikebana basket for flower arranging. Made of delicate fine split bamboo, thin bamboo and Akebi vine. The three dimensional shape resembles a flared skirt when viewed in front and a boat keel when viewed from the side. There is a subtle diamond shape design the artist created with the different shade of split bamboo. It is a beautiful whimsical design of space and function. Artist signed: Togyoku.

Mid Century (1950-1960)

Dimensions: 19" Wide x 8" High x...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family. There is a photogra...

Sino-Japanese War triptych of a naval battle scene at Wei-hai-wei featuring an embattled Chinese ship at the center surrounded by the Japanese fleet. Several final blasts sink the ship and send the Chinese soldiers into the ocean. The black ink signature of the artist is barely visible at the lower right and is possibly Kobayashi Ikuhide (active 1885-1898). The specific date is not filled in on the cartouche, but is 1894-1895. The assembled size is about 27 7/8"H x 14 1/4"V. Each panel meas...

IMAGE OF BIRD

Woodblock print of a Japanese‐style painter, Kono Bairei (1844-1895 / ref. https://en.wikipedia.org/wiki/K%C5%8Dno_Bairei). Paper: approx. 15 x 21cm (5.90 x 8.26in), Frame: approx. 27 x 33cm (10.62 x 12.99in). Highlight of such Bairei's true worth expression for the both of recognizing the subject correctly and feeling of vitality by catching the instant of movement at the same time. Removed its acrylic board for antireflection when shooting the ...

This Toba-e E-maki appears to be a 19th century Gi-ga follower of the later 18th to early 19th century Osaka "Manga-ka" Nichosai (Matsudaira Heisaburo). His humorous images of Hell were quite popular, known as Kakuyu painting.　Overall the genre has many names, Gi-ga being all encompassing, Toba-e being descriptive of this particular style, and Kakuyu-fu being the style of Nichosai. It ends with a simple stamp which reads Fish (Gyo/Sakana). It is 11 by 174 inches (28 x 442 cm). Very interes...

Texture has been applied to joined silk panels intimating waves and frothing sea salt which has then been gilded with genuine silver by Imai Toshimitsu signed and dated 2000. Each panel is 67 x 183 cm (31 x 72 inches) and the screen is in excellent condition.
Toshimitsu Imai was born in Kyoto in 1928. After finishing school in 1948, he trained at the Tokyo State Art Academy. Throughout Imai's career his work was distinguished by an acute sensitivity to color. In 1951 Imai was awarded the ...

A complete set of 12 Tokkuri sake flasks by Imaizumi Imaemon XII enclosed in the original signed wooden box. Each is uniquely decorated with a delicately rendered image of one of the 12 animals of the Chinese zodiac. With a diverse enough crowd, each person could drink from their own sign. Each piece is in perfect condition. They are all identical in height and shape. roughly 14 cm (5-1/2 inches) tall and in excellent condition.
Imaizumi Imaemon XII (1897-1975) was born the second son...

Imao Keinen (1845-1924)
Crow and Flowering Cherry
Date: ca. 1930
Size: Approximately 15.0 x 7.5 inches.
Publisher: Shima Art.
Provence: Purchased directly from the Robert O. Muller estate.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition. Excellent. Uncirculated.

A bowl and accompanying saucer or stand both with slightly everted lips. Decorated in a combination of underglaze blue with enamels, iron red and green, with gilding. A truncated version of the gosai palette, a three rather than the full five colour palette, which would have included in addition yellow and aubergine coloured over-glaze enamels. The design is composed of a series of contrasting narrow bands of geometric diaper with Matsu and Kiku inclusions in the lozenge shaped cells and band...

An Imari dish decorated with a central motif of bronze vase or censer with elaborate foliate handles containing Peonies, Maple branches and other flowers, flanked by low balustrade fences and sitting on board floor. The rim decorated with an unusual Aoi-mon (Tokugawa-mon) vine arabesque Karakusa border. The dish dates to the early 18th century circa 1700-1730. The reverse decorated with three branches of Peach blossom. A single ring to the interior of the footring. Four spurs in a triangular ...

A high quality "Porcelain for Palaces" type Arita dish with foliate rim in Imari export style decorated in the full Imari five colour palette principally with Irises, Peonies and Chrysanthemums, with Fence-work and Plum trees and a central motif of Peonies. The reverse decorated with flowering Plum and Rock peonies and an Artemesia leaf. For a set of thirteen dishes with the same pattern in the Royal Collection see C&J : Ayers, J., 2016. Chinese and Japanese Works of Art in the Collection of H...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A single spur to the base. Dating Kyoho era, c1710-40. The plate measures approximately 24.5cm in diameter (...