An antique Japanese Sakata Bo Tansu also known as a locking bar chest made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. Original finish using a wiped lacquer technique. The bottom drawer lock plate features a Chrysanthemum blossom motif surrounded by outstretched Chrysanthemum leaves.

There are two small drawers hidden behind the hinged door. Working key unlocks the locking bar...

A charming Japanese Arita porcelain shallow bowl of circular form with raised, lobed rim, decorated in underglaze blue and overglaze gilding. The dish features at the top The Three Friends (pine, prunus and bamboo), the center with a medallion depicting a cormorant, and the bottom a sea turtle over a string of coins (a symbol for wisdom, luck, protection, longevity, and in this case prosperity)...

Fine Japanese Bronze of a Sage, signed Shoun, with a silver goat, beautifully rendered with the finest of details shown perfectly. Excellent condition and original patina in Top quality. Finely rendered silver long hornedloyal goat lays beside its master looking up in contently...

A stack of fused Bowls hollowed out as a vase by Satonaka Hideto enclosed in the original signed wooden box titled simply Utsuwa dating circa 1976. During the post war era a great amount of research was done in reviving ancient firing techniques, many potters and scholars working on medieval kiln excavations would unearth stacks of bowls and mounds of fused pots where kilns had collapsed during firing dating from the Heian period on to the age of the climbing kiln...

Maiwai-gi which is a festive kimono of fishermem. It was given to fishermen from a master of fishermen or an owner of a fish boat on the occasion of large catch. It is mostly made of cotton with auspicious motifs with katazome (stencil-resist-dye) and partly hand painting. The original location of the Maiwai-gi is Boso peninsula in Chiba prefecture since late Edo period and spread along the Pacific Coast. This one has thick cotton lining so that it is made into yogi (kimono shaped bedding)...

Rare and authentic 19th century Edo period Japanese woodblock print by Utagawa Hiroshige (1797-1858) titled “Susaki, New Year’s Sunrise after Snow” from the earliest known series of “Famous Views of the Eastern Capital” (Toto Meisho) dated 1831-1832. This image is considered to be the masterpiece of the ten-print set. Signed “Ichiyusai Hiroshige” at the upper right. The series and image titles are within the image at the upper right...

A life-size feminine image of a toilet slipper by Satonaka Hideto in light colored clay covered with Irabo glaze enclosed in the original signed wooden box titled simply Sakuhin and dating circa 1975. It is just over 9 inches (23.5 cm) long and in excellent condition...

A fabulous large Mingei Tokkuri from the Satsuma region in the shape of an eggplant, glazed in black with crystalline blue about the neck over iron rich glazed clay. Likely from the Hirasa kilns, one of the great Satsuma production centers on the southern Island of Kyushu, 18th to early 19th century. It is 24 cm (10 inches) tall and in overall excellent condition, enclosed in a kiri-wood collectors’ box...

A sculpture in black glaze by Yoshitake Hiroshi enclosed in the original signed wooden box titled Sakuhin B and dating circa 1980. Very much in the vein of this important avant-garde organization, it has a great deal of presence compacted into a small space. A nearly identical work is published in the book: Sodeisha, 35th Anniversary (Sodeisha, Sanjugoshunen Kinenhan, 1983) which is titled Suikan (Inebriated). Interestingly, Suikan is also a homonym for water pipes...

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi...

Tsuchiya Koitsu
Asakusa Kinryusan, 1938
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog TK-DH-51.
Medium: Japanese woodblock print.
Condition: Left margin has two tears that do not impinge on image.

An antique Japanese merchant desk made of Keyaki burl (Zelkova), Honoki (Magnolia), and Suginoki (Cryptomeria) woods. Elegant two leg support balancing 5 drawers. Bronze metal pulls and through mortise and tenon joinery brings this well designed functional chest together...

An antique Japanese 2 section Nihon Matsu Tansu made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods...

An antique Japanese Kansai 2 section tall Todana Tansu made of solid Keyaki (Zelkova) and Hinoki (Cypress) woods. Hand made iron fittings and hardened wooden nail and iron nail construction. Traditional Japanese joinery throughout this lovey chest. Shunkei style lacquer reveals the beautiful grain pattern which evokes visual movement. Side wood supports typical of Kansai region tansu.

Age: Meiji Period (1868-1912)

Dimensions: 66" High x 41 3/4" Wide x 23 3/4" Deep

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. The natural ash glaze gradates from a glossy lavender towards the top to a light tan nearer the bottom. Along one side is the characteristic milky glaze so often seen in this ty...

An antique Japanese Buddhist temple ranma (transom) carved from Hinoki (Cypress) wood featuring symbols of Dharmachakra. Dharmachakra sometimes symbolizes Gautama Buddha himself. There are three wheels of life each framed with 8 spokes, representing the noble eightfold path with lotus blossoms in the center . Accentuated by kumo karakusa (arabesque clouds). Minor losses.

Age: Late Edo Period circa 1850s

Dimensions: 15 1/4" High x 60 3/4" Wide x 2 1/4" Deep

Decidedly masculine in character with straight sculpted edges, a rich palette of color, and a calm steadiness in the hand; this tea bowl was crafted by one of Japan’s great masters, a Mashiko potter by the name of Takauchi Shugo.

A native of Tokyo, Takauchi (b. 1937) took the well-established path of working for a company after graduating from university and it was not until a number of years later—upon visiting the town of Mashiko and being inspired by the works of artists such...

Not so often in the world of Japanese tea-ware do you come across something so exquisitely novel that it resists categorization in terms traditional styles. This tea bowl by young artist Suzuki Taku is one such piece with a unique glazing technique known as “kuro-sabi,” which roughly translates into English as “black oxidation coloring.” Utilizing a process where sections of the copper glazed vessel are treated with sulfuric acid, the result is a dazzling and varied palette of rich metal...