Kawase Hasui
Torii at Miyajima in Snow (Ryobu-torii of Itsukushima Shrine in Inland Sea)
Size: Koban. Approximately 7.5 x 5.125 inches.
Date: 1936. From "Shinto and its Architecture."
Publisher: Watanabe Shozaburo.
Hasui seal lower left.
Medium: Japanese woodblock print.
Reference: Hotei Hb-s9
Condition: Foxing in sky at right. Pencil note on back.

Pair of Japanese sliding door handles. They are made of a copper alloy finely chiseled with scrolls and stylized flowers on a nanako background, alternately there are shakudo plates (an alloy of copper and gold, shibuichi or silvered sentoku. They are excessively heavy and of the best quality. The size is much larger than for a normal door handle (double in size) which implies very high and wide doors. It is not a usual rich house that can accommodate doors of this size...

Kawase Hasui
Lake Shoji
Size: Koban. Approximately 7.875 x 5.25 inches.
Date: 1930s.
Publisher: Watanabe Shozaburo.
Hasui seal lower right.
Medium: Japanese woodblock print.
Reference: Hotei Hp-14.
Condition: Excellent. Pencil note on back.

Antique Japanese large bronze sculpture of a hawk perched on a gnarled pine branch with wings extended. Beautiful and dramatic with lovely attention to detail. In two sections.

Age: Taisho Period (1912-1925)

Dimensions: 25 1/2" high x 22" wide x 12" deep.

Kawase Hasui
Arakawa
Date: 1930s-50s. This edition ca. 1957.
Publisher: Likely Doi Eiichi. Publisher's seal lower left.
Artist's seal lower right.
Condition: Excellent.
A rarely seen design.

Kawase Hasui
Springtime Forest
Date: 1930s.
Size: Koban. Approximately 7.875 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-18.
Condition: Excellent.

This Edo period scroll depicts Meota Iwa—a famous Japanese landmark in Mie. Symbolizing the union between two divine deities, Izanagi (said to be the larger rock, though there is no consensus on this point) and his wife Izanami, the two are joined by a shimenawa (heavy straw rope used in Japanese Shinto ceremonies). This straw rope is quite massive and must be replaced several times a year in a special ceremony...

1930's Japanese Satsuma Earthenware Millefleur Jar Marked

It is 11 inches (27.9 cm) tall by 12.6 inches (32 cm) wide. It is 10.9 Lb.

It has minor rubbing golds and paints, skip glaze, a hairline crack at the bottom and surface wears and scratches (as seen in the photos).

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An eccentric crusty bowl, very different, by Hashimoto Tomonari enclosed in the original signed wooden box titled Raku Yaki Yohen Chawan. Unlike his normal burnished and color ridden surfaces, this bowl is ominous, matte, shot through with pin-hole-textures and rivulets streaming from the rim. It is like something from deep within the universe, an ancient traveler which has been charred and scarred on its way through the atmosphere...

Peerless Mount Fuji
Unsigned. Artist not identified.
Date: 1934.
Size: Oban. Approximately 13.75 x 10 inches.
Origin: Issued as a folded insert to an N.Y.K. Line publication called, "Glimpses of the East". The folds are vertical.
Medium: Japanese woodblock print.
Condition: A faint foxing spot at the upper left.
The composition of this print is reminiscent of the Fuji views of Tsuchiya Koitsu.

Crackled green glass pools in the center of this humble tea bowl by Ezaki Issei enclosed in the original signed wooden box titled simply Chawan. The works of Issei personify the humble virtues of the tea ceremony. They are imbued with a sense of Musakui (Lack of intention), a bowl that has come to be, rather than a bowl that was created. It is 15.5 cm (6 inches) diameter, 5.5 cm (2-1/4 inches) tall and in excellent condition...

Polychrome celadon ceramic four-lobed tray with two fish yôkai dressed in yukata, a light kimono worn in summer. The yôkai are supernatural creatures from Japanese folklore. Most of the ceramic is glazed, except for the brown skin of yôkai which has a matte finish.
Unidentified mark.

Japan - Taishô era (1912-1926)
Height: 1.2 in. (3.4 cm) - diameter: 6.3 in. (16.3 cm)

Okimono of a Chinese cabbage made in woodbox. The texture and veins have been delicately detailed. Native from China, it is an herbaceous plant of the Brassicaceae family. It is eaten in many ways in Asia: in soup, in salads, stir-fried, in ravioli of filled patties. Japon – Meiji era (1868-1912) Height: 2.4 in. (6.5 cm) – Diameter : 1.6 in. (4.5 cm)

Ivory okimono of a toad carrying an orchestra of five monkeys.
Four monkeys is playing instruments such as the shamisen (long-necked lute with three strings), the shime-daiko (small drum) and the flute. The fifth monkey is larger and is singing while holding a book in his left hand and plugging his ear with the other...

Long suzuribako (calligraphy box) with nashiji lacquer background, plum tree decoration in a lake landscape in takamaki-e, kôrin maki-e and kirigane. The plum tree (ume), which blooms at the beginning of the year, announces spring. Its flower is a symbol of protection against demons. On the inner lid, decoration with seven flying birds near a coast with clouds...

Ivory netsuke of a human skull.

Japon – Meiji era (1868-1912)
Height 1.2 in (3 cm) – length 1.4 in (3.5 cm) – width 1 in (2.5 cm)

Hishaku-gata style yatate in bronze with brown patina. The hishaku-gata style was developed at the beginning of the Edo era, in the 17th century. It is characterized by an ink compartment (sumi tsubo) in the shape of a ladle. Here it is decorated with a frog.
The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth...

Namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden).
Decorated with three main bands of floral motifs, middle surrounded by vertical bands of mother-of-pearl inlaid lozenges and framed by the hanashippô pattern (overlapping circles forming petals).
On the lied, acer (momiji) and plum tree flowers (ume)...