Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

Japanese studio porcelain Quail family. Three pieces include male, female and young. The male and female heavy (1.8 lbs and 1.29 lbs [814 g and 586 g] respectively) and of stout potting though with well defined details and clear glaze with very faint bluish celadon trace where the glaze pools - mostly between feathers around the birds' necks. These two are clearly of earlier, accomplished production though not marked...

A very finely painted Imari porcelain bowl, decorated on the outside with underglaze blue and over glaze iron red and with a central kinrande style panel of gilt floral scrolling. The interior is painted in polychrome enamels and is decorated with the "Three Friends of Winter" - Bamboo, Prunus (plum) Blossom and Pine Tree and with a Crane and a mythological Turtle to the centre. On the base is an iron red Fuku (good luck) mark. This item was made in Japan in the 19th Century, probably during ...

This is a water pot called SUITEKI made of Japanese copper ware. SUITEKI is one kind of the tools for calligraphy. It is used to pour water into an ink stone.

A Suiteki of copper in this square pot form is doubtlessly very rare.

This small water pot Suiteki is a high class piece which was made about 200 years ago. It dates from the Japanese Edo period. This is an old original...

Pair Japanese Brass/Bronze Hibachi, late 19th century Meiji, with high relief design of travelers in beautiful landscape setting, elephant handles on both sides, 8 3/4" high, 9 7/8" diameter on top rim, 12 1/2" diameter include handles. There are some wear and tear from usage with some minor dents but no major damages. Compacted ash on the bottom remain for both Hibachis.

A very rare late Edo Period Iki Noh mask of Hannya, the jealous, revengeful demon who was once a beautiful woman. Carved of Poloma wood with many layers of lacquer. Glass eyes and horse hair. 8h x 5w x 3d inches, 20.25h x 12.75w x 7.5 cm.

This is shijira Noshime kimono of the samurais with luster dyed with an indigo plant of nature of the Edo era. This has two places of small holes and thin stain This Nosime features deep indigo dyeing with clean luster and Kasuri of transparent blue. In this way, Nosime of the indigo dyeing of Sijira with the luster is rare. This was made in Kyoto and was used in Akita. Size 141cm x 132cm (55.5” x 51.9”)

Try describing this incredible Vase is not difficult: Spectacular is all that comes to mind. This large vase is covered in glassy Oribe green glaze by the important Mino Ware master potter Tsukamoto Haruhiko, born in Mino in 1959

His work, reflects a certain, more modern departure from the established tradition, without compromising the quality of its craft and design.

Tsukamoto Haruhiko studying with Nonaka Shunsei and Asai Reiji...

Silver canines gleam menacingly in the corners of the mouth of this terrifying Edo period sabiji-nuri iron Menpo face mask. It has a three lame nodokake also with sabiji-nuri, laced with tight blue chord. The mustache is a bit ragged and there are typical chips around the edges from use.

A comparatively large sized Japanese Amitabha AMIDA-NYORAI from the Mid Edo Period - about 200 years old.

It is made of premium wood and has been carved by a master craftsman. The golden colour is still vivid and shiny and looks absolutely amazing...

Rare, Spectacular late Edo Period Musha Ningyo of Toyotomi Hideyoshi. A musha ningyo (Boy's Day Ningyo) representing Toyotomi Hideyoshi in sumptuous gold court robes and armor, wearing an Eboshi winged hat and a fantastic sword, holding a gunbai-uchiwa (military fan). This Musha Ningyo of Toyotomi Hideyoshi is the finest quality example from the late Edo Period. Incredibly carved face covered in many layers of gofun (oyster shell lacquer). Seated on a lacquered platform...

Extremely Rare 18th Century Edo Period (circa 1780) Musha Ningyô (Japanese Boys Day Figures) representing the famed brave warrior, Kato Kiyomasa (1562-1611), who accompanied Hideyoshi on his campaign against Korea. He is gloriously represented here, along with his attendant holding a banner. Kato is wearing sumptuous brocades, a black velvet trim robe with gold trim and is holding a spear with a sword at his side. He is in a kneeling position...

Have you ever seen a shuro made of Shino-yaki from the Momoyama-Period? Try to hunt for it on the antique market, it is very rare. Also on trocadero you will not find one except ours. This is for the deep lovers of ancient Japanese Culture and art.

In the days of traditional Japanese wooden buildings keeping warm must have been a constant preoccupation...

A simple yet refined bamboo sago or a scoop used to gather tea leaves from the tea jar. The top contains a carving of scholar rocks set among small bamboo and a small tree with slight foliage. The inscription on the top right, (Japanese: Gakusoka, Chinese: Xuesu jia) refers to a person who upholds or revives knowledge or education. The work contains a signature with the name Bunso or Wencong. Age: Meiji-Taisho Period Size: length: 1.9" width 6" height 1"

A conical Jingasa battle hat 6-1/2 inches (16.5 cm) high, 14-1/2 inches (37 cm) diameter entirely gilded outside with genuine gold. Inside is lacquered black and retains the tie holds for the liner. There is some writing within, and a maru-ichi crest. There is damage to the peak and edges, but is quite impressive looking, and was likely used by the immediate vanguard of the Daimyo. One of two variations we have, they are from Omi province, just outside of Kyoto in old Japan.

A small metel bound six drawer black lacquered cabinet finely painted in gold lacquer . Three drawers are decorated with a branch of flowering prunus blossom and the large drawer and door are each painted with a single duck amongst reeds and iris. Condition: very good - there is some age wear to the decoraration on the top, sides and back but the gold lacquer painting on the front is in excellent condition...

Fantastic 18th Century Edo Period Saga Ningyo of a young boy holding a bird. His head bobs while his tongue goes in and out. Carved entirely of wood, his gorgeous robes are built up with pigments in a technique called 'moriage'. He has an outer robe decorated with a foliate scroll with other beautiful designs and geometric patterns raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are almost never seen except in museums or important private collections...

An extremely rare and very large 19th Century Meiji Period Japanese Iki Ningyo (living figure) of a young Bijin. An exquisite Ningyo representing idealized feminine Japanese beauty. She is posing as if for a photograph or for an artist. Every aspect is hyper realistic: the hair, eye lashes, accessories, and the painted kimono. She is holding a silver mirror and hair ornament as part of a collection of hair ornaments featuring a lacquered comb. Her beautiful face changes from different angles...