HORSES

Japanese oil painting on canvas board, with the painter's sign of 'OHISHI '92', attached with wooden frame. Frame: 37 x 45 x 2.5 cm (14.56 x 17.71 x 0.98in). Brief biography notes (Years of prize winning by the works of 'Horse') at the backside...

HORNED TRAINEE MONK

Details unknown, but I think he must be a very great old man, since it has remained for long years until today as a wood carving statue. Edo period, 19th century. approx...

A vibrant image of a paradisaical island over which soar white cranes by Shirakura Kanyu (Niho) enclosed in the original signed wooden box titled Horai Senkyo-zu. This scroll is signed Kanyu, placing it in or after 1940 , when he changed his art name. It is performed with pigment on silk in a fine silk border with solid ivory rollers (these will be changed if exporting). It is 145 x 65.5㎝ (57 x 26 inches) and is in excellent original condition...

It is a beautiful kimono in excellent condition. The black dye changed it's color to a current black which has a tint of brown. The silk is in a super good condition. The design is the favorite design of Kakiemon, the hoo bird and the leaves of the paulownia tree. The hoo bird has been associated with the Empress in Japan and her crest is an elegantly designed paulownia leaves.

HONEYCOMB ROOSTER

Rooster of Japanese honeycomb paper craft called 'Denguri' (lit. Somersault) in Japanese for its acting as "fliping it over", Showa period, pre-1960s, approx...

This is pure antique Edo: Wan-shaped tea bowl made of dark, iron oxide bearing, sandy Karatsu clay. The thinly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content.

Under the glaze a line was applied in iron oxide resembling the skin of a whale (kawakujira). Just the foot ring and its immediate surrounding was left unglazed. The glaze has a beautiful fine crazing...

Silver designs are inlayed into the surface of this mid-century bronze by Honbo Keisen enclosed in the original signed wooden box. It is 29 cm (11-1/2 inches) tall and in excellent condition. It is signed in a silver cartouche on the base. Honbo Keisen (1910-1987) was born in Takaoka City, one of the main production centers of Bronze in Japan. Work by him is held in the Takaoka Municiap Museum.

A Japanese boxwood netsuke depicting a blind man holding his giant scrotum. Homin signature engraved on seal. Meiji period 19th century Sizes: 3,6 x 3,5 x 3 cm. Condition report: Good condition

HOLES AND GEARS

Set of a reeling machine's bangboard and gears made of wood. Showa period, mid 20th century, Japan. Board: 26.5 x 16cm (10.43 x 6.29in), Large gear: D 12cm (4.72in), Small gear: D 5cm (1.96in)...

Katsushika Hokusai (1760-1849)
The Ghost of Kohada Koheiji From Hyaku Monogatari (One Hundred (Ghost) Stories)
Published by Tsuruya Kiemon ca. 1833. This edition Meiji 19th century.
Size: Chuban. Approximately 10 x 7.25 inches.
Condition: Very light creasing.
Medium: Japanese woodblock print.
This rare print depicts the murdered Kohada pulling back a mosquito net as he returns to haunt his wife and her lover.

A fine and unusual Hizen-yaki, Kakiemon type, small foliate dish. Chocolate brown rim in iron oxide. Unusual blue and white decoration of a samurai with a young monk across the saddle on horseback - bow drawn to ward off pursuing Buddhist monk. This appears to depict one of many tales of old Japan - perhaps The Take of the Heike as relates to Minamoto Yoshitsune and the warrior monk Benkei. A reading of the kanji may shed light...

Currently awaiting an uncertain succession to the 14th generation, this preeminent line of craftsmen has been a cornerstone of Hagi pottery for over 400 years. Here we see an historically important work by the second generation potter dated to the Japanese Era “Kanbun” (1661-1671)—placing it as a very mature work, completed near or at the very end of the life of this craftsman...

The colors seen in this ceramic piece are not often encountered in the world of Japanese tea-ware pottery—a field dominated mainly by styles such as Raku, Hagi, and other traditions with relatively conservative and predictable color schemes. The aquamarine blue is rather striking, reminiscent of coral encountered in the pristine waters of tropical and remote destinations...

Hishikawa Moronobu
Thunderstorm
Date: 1680
Size: 13 x 9.75 inches.
A book page depicting a thunderstorm from "A Collection of Japanese Paintings" (Yamato-e Zukushi - 大和絵つくし), which includes scenes from the Tale of Genji and Ise Monogatari as well as Noh chants.
Publisher: Urokogataya Sanzaemon.
Medium: Japanese woodblock print.
Condition: Toned with marks and some creasing.
Note: The Library of Congress online collection has an example of this ...

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns in a basket with one fish lantern hanging overhead by a string. Numbered 97/120, titled, signed in pencil. With red chop.

Dated 1980.

Dimensions: 10" x 13" H (artwork 5" x 6 1/4" H)

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns, stacked and strung together. Numbered 132/300, titled, signed in pencil.

Dated 1981.

Dimensions: 7 3/4" X 10 1/2" H (artwork 2 3/4" x 5 1/2" H)

Hiroshi Yoshida
Three Little Islands, 1930.
Bears the jizuri seal in the upper left margin, indicating self-printing by the artist. Also signed in pencil.
Size: Oban. Approximately 15.50 x 10.25 inches.
Condition: Excellent.

Hiroshi Yoshida
Temple in the Wood
Date: 1940.
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Toned paper. Corner margins have heavy creases.
Dedicated in top margin: "Captain and Mrs Tibbitts, Wishing a Merry X'mas and a Happy New Year - Gozo and Shiori"