MAN AND HORSE

Scarce vintage tiny antimony ornament of a pack-horse man decorating (or assisting) the landscape of Bonsai, called ‘Tenpai’, Showa period, 20th century, Japan...

MANNEQUIN HEAD MOLD

Quite a rare bronze head mold for making resinoid mannequin, Showa period, 20th century, Japan, approx. H 23.5 x W 13.5 x D 18.5cm (9.25 x 5.31 x 7.28in). Aged deterioration and recent cutting scar at neck...

MAN SITTING

Bronze sculpture by a Japanese artist, Akahagi Kenji, 1967, H 38.3 x W 9.5 x D 12 cm (15.07 x 3.74 x 4.72in). Cracks and chips at stone pedestal as seen.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances...

This is an exquisite haori. Jackets of this quality, condition, and subject matter are getting increasingly hard to find. Made habutae silk a with brocaded or woven lining, it can be worn or displayed with either side facing outward. The outside is solid black with 5 mons (family crests) and includes the artist signature which appears on the front lower right panel. The inside back panel’s weaving includes the use of gold, silver, and copper-gold metallic lacquered threads...

A very unusual sculpted work in crispy Manyosai Shino glaze by Hayashi Shotaro enclosed in the original signed wooden box. It is 8 x 10 x 10 inches (25 x 20 x 26 cm) and in excellent condition.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception. He first began with a 7 year apprenticeship under his older brother Kotaro, ending when he established his own kiln in 1974...

MAP

Contemporary work of pen-and-ink drawing on copier paper titled 'Map' by a Japanese art brut artist, Junko. 2020. Frame: 44.5 x 37 x 1.2 cm (17.51 x 14.56 x 0.47in). The map assembling the every places (name of places, stations, shops, etc.) she has ever been, and this is the only her work with characters among her drawings and paintings as I had seen at that time in 2020. Some creases and damage as is. Free shipping only if you don't want the frame...

MAP OF RIVER

Edo period's hand drawing map capturing the certain area of Kitakami river in Iwate, Japan, approx. 42 x 31.5cm (16.53 x 12.40in). Washi Japanese paper, in creased and stained condition as is. The last two photos were shotten up through the natural light...

Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...

Japanese Showa period apple form wireless cloisonne (musen-jippo) cabinet vase decorated with a snow-covered Mt. Fuji surrounded by clouds set against a pale blue-gray sky. Unidentified mark to base. Mid-20th century. 3 3/4” high. Very good overall condition. From a Prescott, Arizona collection.

Grasses grow on the sides of this Tokkuri and accompanying Guinomi by Karatsu legend Maruta Munehiko, each piece enclosed in the original signed wooden box. The E-Karatsu Tokkuri is 11 cm (4-1/4 inches) tall. The E-Karatsu Guinomi is 7 cm (2-3/4 inches) diameter, 6 cm (2-1/2 inches) tall. Both are in excellent condition.
Maruta Munehiko was born the second son of Maruta Masami in Saga prefecture in 1961...

Masaharu Aoyama (1893-1969)
Man Cutting Hay by Hand
Date: ca. 1950s.
Print size: Oban. 16.5 x 12 inches.
Signed in pencil.
Aoyama's seal at lower right.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Creasing (See last photo).

Masaharu Aoyama (1893-1969)
Nikolai-do (Nikorai-do) in Snow (An Orthodox cathedral in Tokyo)
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Aoyama's "Ao" seal at lower right.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Excellent.

19th Century, excellently hand-carved boxwood netsuke depicting a seated Tanuki, or Japanese Badger (raccoon dog) raising his right paw in order to beat his belly, or distended scrotum as it if were a drum. Outstanding hair work, a distinguishing characteristic of this netsuke master. Wonderful natural himotoshi that is formed by the bending tail of the Tanuki over its right hind leg...

A boxwood netsuke of a toad on a wooden container. Excellent fineness of the details to simulate the grain of the wood and the toad skin. Meiji period 19th century Sizes: 3,3 x 2,5 x 2,6 cm. Condition report: Good condition

Platinum thorns erupt from the brilliant smooth orange body of this Guinomi by Masatomo Toi enclosed in the original signed wooden box. When I asked the artist about his concept, he explained the clay body is the individual formed by self-image, societal pressure, ego, all the things which constrict our actions and channel our emotions. The thorns are the true inner self bursting out of the surface, irrepressible, they pierce the shell and shine like the sun...

I find this piece captivating, the golden thorns rupturing the rough and blank matte white clay. When I asked the artist about his concept, he explained the clay body is the individual formed by self-image, societal pressure, ego, all the things which constrict our actions and channel our emotions. The thorns are the true inner self bursting out of the surface, irrepressible, they pierce the shell and shine like the sun. Though the visible surface may be flat, rough-hewn, colorful, torn, mat...

It is difficult to put a descriptive on the colors of these bowls crafted on the potters wheel by Masatomo Toi. This one is the color of plums, or aubergine, or somewhere in between. The photographs do not capture the translucence or light of the purple glaze. It has a very thin lip, which may fool the viewer into thinking it is light, however it has a respectable weight, as the bowl is thicker at the bottom to both contain the heat and protect the hands of the holder from the boiling tea con...

This is a finely carved 19th century Japanese Netsuke depicting Fukurokuju, one of the Seven Gods of Fortune, the God of Wealth and Longevity, holding a staff on his left hand, and placing his right hand on top a seated Karako's head. This carving is not signed, but, it is attributed to Masatoshi, because of the similarity of subject, and carving style to another netsuke that is listed on this webpage as item #60. Netsuke measures 1.50 inches (3.8cm) wide, and 2.08 inches (5.3cm) tall. Netsuk...