Not so often in the world of Japanese tea-ware do you come across something so exquisitely novel that it resists categorization in terms traditional styles...

Thick feldspar glaze highlighted by reddish ore seeping from the iron-rich clay, this is a very attractive Shino vessel that may have originally been a yunomi but was later fitted with a silver globe and repurposed as an incense burner (koro). In Japan extending the useful life of a piece—by converting it to another use or perhaps by mending broken pieces (kintsugi)—is a common practice which demonstrates a deep consideration and respect for ceramic works of art...

Antique Two panel Japanese byobu screen depicting the first frost at waters edge. Japanese herons and mandarin ducks contently rest and foliage with a light dusting of snow screen depicted on the late white plumb blossom tree. Three ducks rest and warm themselves beneath the near barren tree. A pair of Japanese herons are seem amoungst the water with sprouted bamboo and flowering water lilly. In Japan the white heron is known to be able to move between three elements air, earth and water...

A Mizusashi Water Jar for use in the Japanese Tea Ceremony by Otani Shiro enclosed in the original signed wooden box. The artist has chosen to rely solely on the flavor of the clay, truly barren earth colored only with shadow and light resulting from the flame and kiln position. This beautifully showcases the nature of the distinct Shiseki filled Shigaraki clay. Top an austere black lacquered wooden lid like a pool of dark shadow...

Black raku chawan by Sadamitsu Sugimoto has been highly-praised for approaching the first Raku Chojiro in 16th century. And now he has accomplished black raku by new technique not using lead. It has an antique look with "yuzuhada" that means skin of citron. YouTube https://www.youtube.com/watch?v=H2SA-McqRkw Size: 11.7cm(D) 8.6cm(H) Accessary: double wooden box signed by artist.

A collaboration piece between the famed poet/ nun of the late Edo period Rengetsu and her younger protege Tessai, this scroll depicts a frightened cricket making his way to the top of a stalk of grass on a windy day. Set in the fall season, the viewer can imagine a message of frailty, loneliness, and possibly the feeling of trepidation that accompanies the turning of the seasons towards the colder months...

Autumn in the Mountains by Shirakura Niho Pigment on silk in a fine brocade border extended with beige and featuring ivory rollers enclosed in the original signed double wood box (nijubako). It is 26 x 56 inches (66 x 143 cm) and is in excellent condition. This is signed with his later art name Kanyu. We can see in the style as well, here he has adopted a very western watercolor approach, that this is one of his post-war works...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above...

Graffito is scratched into the white crackled glaze of this bowl by world renowned artist Kumakura Junkichi (1920-1985) enclosed in the original signed wooden box. The piece is 6 inches (15.5 cm) tall, 4-1/2 inches (11 cm) diameter and in perfect condition. See also the previously listed bowl by the same artist...

White splashes into the pale terracotta of this large basin by world renowned artist Suzuki Osamu enclosed in the original signed kiri-wood box. The bowl measures almost 12 inches (28.5 cm) diameter, 3-1/2 inches (9 cm) tall and is in excellent condition, stamped on the base with the character Su in a square cartouche...

A large bowl by important contemporary porcelain artist Yagi Akira enclosed in the original signed wooden box. The shape is very elegant, with stiffly rising sides leading to an abrupt undulating rim in soft celadon green. A striking silhouette, it is 22 cm (8-1/2 inches) diameter, 16.5 cm (6-1/2 inches) tall and in excellent condition.
This name is a must have in any collection of modern Japanese Pottery...

A key figure in the Japanese folk craft movement of the 20th century, Fujita Kyohei is credited with helping to develop a thriving glass-working community within Japan. Best known for his “dream” or “Liuli” boxes—very colorful and skillfully crafted boxes that often incorporated gold and silver leaf into their designs. Here we see a piece that would likely have been crafted earlier in his career but that demonstrates his masterful technique even then...

From our Japanese Collection, a very fine and very early imari charger, late 17th - early 18th century (circa 1690-1730), decorated with a flower pot, a scholar’s rock, and a large tree in full bloom upon a terraced pavilion, all executed in the typical early imari palette of blue, orange-red, and gilt, with the border done in a rich brocade of flower motifs.

Ordinarily, we do not gravitate much towards early Japanese imari simply on aesthetic grounds...

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix...

From our Japanese Collection, a very fine assembled pair of Fukagawa imari porcelain chargers, Meiji Period (1868-1912)...

From our Japanese Collection, a very fine satsuma vase, Meiji Period (1868-1912), most likely circa 1900 -1910, marvelously potted in an unusual but very elegant flared trumpet shape exhibiting definite Art Nouveau Period influences, and yet decorated in what would be considered restrained Japanese taste with simple and classic floral motifs. Signed Kizan with a Satsuma Kiln mark.

For collectors with a genuine appreciation for art history, this piece is a wonderful example of the blend of...

A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground. Title: 81-10, Persimmon, Signed Haku Maki, sealed Haku Maki in red seal Edition: 86/190 on the bottom margin. It’s in very good condition with full margins and a frame without any lay down with glue.( it just has been made a frame with a cardboard back with a ...

Important dish, very decorative, in porcelain enamelled in polychrome, underglaze blue and gold, Imari, decorated with chrysanthemums and peonies in reserves of different shapes. Period: Meiji (1868-1912). Diameter: 63cm.