Modern limited-edition Japanese etching by Takahiko Hayashi (b. 1961) titled “The Wind Filled with Roots, Countless Small Beginnings” dated 2001. Pencil-signed, titled in kanji, and numbered 45/50 in the bottom margin. Paper: 25” x 23” (frame: 26” x 23 1/2"). Very good overall condition. Floated on an archival mat in a shadow-box frame with UV glass. The wood moulding has a coppered finish. From a Tucson, Arizona collection.

Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

A shell shaped swirling form by young female artist Takatsu Mio enclosed in the original signed wooden box. It is 6-1/2 inches (16.5cm)wide, roughly 7 inches (18cm) tall and in excellent condition.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001. Her first exhibited works were in 1999, and then again in Tokyo in 2001...

A wild ceramic sculpture in rich dark iron glaze by Takatsu Mio enclosed in the original signed wooden box titled Soko ni Seisoku Suru (Living There). Mio is an amazing person, very intense when she works, very casual when she is not. She will happily take a hammer to a piece after months of work, if it does not meet her inner criteria, thus her production is quite low, but quality is extremely high...

A long spiraling form of perfect dimension in iron glaze by female artist Takatsu Mio titled simply Uzumaki. It is 54 cm long and in excellent condition, directly from the artist.
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Department in 1999, moving on to advanced studies which she completed in 2001, putting her at the forefront of the current female revolution in Japanese ceramic arts...

A whimsical koro by Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. It appears to dance, two arms up in the air with the music, a slight jaunt in its three legged step. It is 11 inches (28 cm) tall and in excellent condition.
Takauchi Shugo was born in Tokyo in 1937. He opened his kiln in Mashiko at the age of 31...

A breathtaking Taisho period image of the Buddha in meditation by Takayama Shunryo. It is performed with gold appliqué and brilliant mineral pigments on silk, mounted in a fine mounting of blue cloth ending in bone rollers and enclosed in a kiri-wood box. The scroll is is 21 x 76.5 inches (53.5 x 194 cm) and is in fine condition.
Takayama Shunryo (1886-1921) born in Yamagata, studied under Yamamoto Shunkyo in Kyoto, Exhibited with the Bunten...

TAKEDA DOLL

Japanese traditional folk doll dressed in such characteristic textile with embroidery, representing the poses of Edo period's popular Kabuki actor playing the famous scene. Late Edo period, 19th century. H 32 x 15 x 26cm (12.59 x 5.90 x 10.23in). Slight discoloring due to aging as is...

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.

Takeji Asano
Moon light in Wakanoura, Wakayama
Date: 1952. This edition is later.
Size: Oban. Approximately 16.0 x 10.75 inches.
Publisher: Unsodo.
Condition: Excellent. No flaws.

Geisha and Lanterns
Date: Early postwar
Print size: Approximately 6.75 x 3 inches.
Publisher: Takemura Hideo. Seal at lower left.
A Japanese woodblock print tipped along its top edge to a filled out holiday card.
Condition: Tiny spotting in the yellow.

Artist: This signature has been read "Choka" or "Akiyo". These prints are sometimes attributed to Nishimura Hodo.
Boat On a River at Night
Publisher: Takemura Hideo. Red Takemura seal at lower left
Size: 10.0 x 7.25 inches.
Medium: Japanese woodblock print.
Condition: Scuff at upper right. Small smudge on mountain.
- A rare print similar to Shoda Koho's Hasegawa night scene, "Country Scene with Moon".

A very elegant swirling bowl inflated like a balloon in dark lapis with applied silver basin by rising female star Takemura Yuri enclosed in the original signed wooden box titled Sora Fune (Air Ship). It is 13.5 cm (just less than 6 inches) diameter, from 4.5 to 7.5 cm (2-3 inches) tall at the high end and in excellent condition, dating circa 2017.
Takemura Yuri was born in Nagoya, Aichi prefecture in 1980, daughter of a graphic designer...

Architectural forms or perhaps the abstracted leaves of a bamboo rise from the surface of this fluting pentagonal vase by Takenaka Ko enclosed in the original signed wooden box titled Hakuji Chomon Gokaku Bin (White-glazed Carved-decoration Five-sided Vase). No clue in the name, the artist has left the interpretation up to the viewer. It is 27 cm tall, 16 cm diameter and in excellent condition...

A small bottle with ash draped from the shoulder like a traditional priest robe by Takeuchi Kimiaki enclosed in the original signed wooden box titled Ko-tsubo. It is 10.5 cm (4 inches) tall and in excellent condition.
Takeuchi Kimiaki (1948– 2011) was born in Tokoname and started learning wheel throwing when he was a middle school student. He met his mentor Ezaki Issei at the Tokoname Ceramic School when he was 16 years old...

An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape...

Takiguchi Kiheiji (b. 1937) Momoyama Style Aka Oribe Chawan.
Of irregular Kutsugata shape with unglazed foot ring.
The mark of the potter is carved on the bottom.

Takiguchi Kiheiji
Trained under the master of Mino ware Juemon Kato and became independent in 1965.
Also, after studying at Shinroku Tsuji pottery studio in Kyoto, he built a kiln in Ogaya, Mino. Moved to the U.S. in 1971 to work in Malborough, Vermont, where he built an anagama kiln in 1973 and a climb...

Japanese tall bronze vase with ho ho bird handles and floral and bird motif on the body. Same image on both sides. In excellent condition it measures 14.25 inches high. Dates 1900