Here we have a very unique ceremonial tea implement made by one of the most important figures from Japanese tea culture in the past century. While most tea scoops (chashaku) are made of bamboo, this piece is fashioned from the branch of a plum tree and retains part of the bark on the handle...

Cotton kimono with shibori (tie-dye) pattern which is paulownia flower motif. All hand-tied and dyed with vegetable indigo. In excellent condition. Mid 20th century. 126cm x 140cm

Superb Mashiko Pottery Tea Bowl by greatest British artist Bernard Leach. It was made around 1955 and it comes with its originally signed wooden box in mint condition. A must have for all collectors of Japanese tea bowls and other important ceramics and for Mingei connaisseurs.

Size: appro. 7 cm height x 12,3 cm in diameter.

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Bernard Leach, in full Bernard Howell Leach, (born January 5, 1887, Hong Kong—died May 6, 1979, St...

Kawase Hasui (1883-1957)
Sakurada Gate (Sakuradamon)
Size: Oban. Approximately 15.375 x 10.25 inches.
Date: 1928.
Publisher: Watanabe Shozaburo. Round, red 6 mm seal at lower left, indicating a lifetime printing (1946-1957). Old Watanabe seal at back.
Signed and sealed by the artist.
Reference: Hotei #156.
Condition: Excellent color. Toned paper. Two pieces of paper at back margins.

Kikuchi Yuichi (aka Tomokazu)
Shinano Taisho Pond
Date: 1954.
Size: Oban. Approximately 14.75 x 9.75 inches.
Publisher: Adachi. Seal on back.
Yuichi seal at lower left.
Condition: Slight fading. Flattened crease along top margin.
Most Kikuchi Yuichi prints are small. This oban-sized work is rarely seen.

Clog-shaped chawan, tea bowl to be used in the tea ceremony. Over a whitish fine clay a silky black glaze and crackled white slip over which a decoration of interlocked diamonds and rings in iron brown.

Seal impressed in bottom/underside: Juzan. Refers to the Oribe potter Mizuno Juzan.

Mino ware, Oribe style, Japan. Showa era, 1950s

H 3 x W 4.25 in.

Perfect condition

There are at least two generations of Mizuno potters going by the name Juzan...

Toshi Yoshida
Autumn in Hakone Museum
Date: 1954.
Signed and sealed in Japanese. Signed in English. Size: Oban. Approximately 16.25 x 10.5 inches.
Medium: Japanese woodblock print.
Condition: Excellent. Soft corner margin creases.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years...

Toshi Yoshida (1911-1995)
Cherry Blossoms by the Gate
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1951. Pencil-signed first edition.
Medium: Japanese woodblock print.
Condition. Excellent. Upper left margin corner bend.
Notes: I've included photos of Toshi Yoshida's vintage envelope and the collector's notes of the previous owner, both of which accompanied this group of Yoshida prints. The collector's notes will be included.

A Japanese Kutani Moriage decorated figure of Hotei, one of the "Seven Gods of Good Luck" and also known as the "Happy God". He always carries the cloth bag that never empties, a walking stick to support the heavy bag, and the Chinese wish giving fan. He is also the patron saint of barkeepers. This Hotei is very large measuring about 17" tall x 10" wide, he weighs about 12 pounds, and he has the Kutani nine valleys mark on the base. We are dating this Hotei as Circa 1950...

HOLES AND GEARS

Set of a reeling machine's bangboard and gears made of wood. Showa period, mid 20th century, Japan. Board: 26.5 x 16cm (10.43 x 6.29in), Large gear: D 12cm (4.72in), Small gear: D 5cm (1.96in)...

Ito Yuhan
Tsukuda Jima
Date: 1930s.
The verso is stamped "Made in Occupied Japan," dating this edition between 1947-1952.
Size: Oban. Approximately 16.0 x 10.75 inches.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Artist's signature at lower right.
Medium: Japanese woodblock print.
Condition: Very good with inky area at upper right corner and one dot in left sky.

LACQUERER'S WHEEL

Wheel for lacquering used by Japanese lacquer craftsman as a handmade professional tool made of wood, iron, and *cloth (*coating the top plate, though looks like wood), from Aizu area, Showa period, mid 20th century, approx...

HONEYCOMB ROOSTER

Rooster of Japanese honeycomb paper craft called 'Denguri' (lit. Somersault) in Japanese for its acting as "fliping it over", Showa period, pre-1960s, approx...

A spectacular Mizusashi fresh water container by Bizen Living National Treasure Kaneshige Toyo enclosed in a wooden box annotated by his son Kaneshige Kosuke titled Bizen Yahazuguchi Mizusashi. A fabulous range of colors plays across the surface, all natural kiln effects resulting from heat, cold, clay content and placement. The receptacle is 18 cm (7 inches) diameter, 16.5 cm (6-1/2 inches) tall and comes with a custom made black lacquer wooden lid...

A fabulous vase in the form of a rice pestle by Bizen Living National Treasure Kaneshige Toyo enclosed in the original signed wooden box titled Bizen Kine-gata Hanaire (Vase in the Shape of a Pestle). A fabulous range of colors plays across the surface, all natural kiln effects resulting from heat, cold, clay content and placement. The vase is 26 cm (10 inches) tall and in excellent condition. It comes with a custom made black lacquered wooden outer box to protect the original box...

Kaoru Kawano
Camellia (G) (Tsubaki)
Date: 1950
Size: Double oban. 23.75 x 18 inches.
Edition: 46/200.
Self-carved by Kawano.
Sealed by the artist at lower right.
Signed, titled, and numbered at lower margin.
Medium: Japanese woodblock print.
Condition: The thick paper has some thinner areas on the back from removal from backing. Slight toning line in margin.

Cotton kimono with geometric pattern. The weaving technique is "Kobai-ori" which is woven with thick and thin yarn loosely so that it is translucent. In excellent condition. Mid 20th century. 142cm x 124cm