Ko Imari Arita Koi-gata Fish Shaped Dish Nagazara Genroku 17C A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era...

Large Imari style hard porcelain dish. Landscape and flower decoration in underglaze grand feu cobalt blue and low-fired irond red enamels, gold details. Japanese work from the end of the 17th century, Arita kiln. Below are traces of typical porcelain shards marks. Good condition, no restoration. Some wear from use visible on photos. Diameter: 36cm.

Arita fine porcelain tea bowl, decorated with dragons and stylized flowers, painted in underglaze cobalt blue. Japanese work from the early 18th century, perhaps a little earlier. Good enamel quality, pretty deep blue, excellent firing. Well drawn. This type of bowl is rare. Below are 6 Chinese characters that we have not translated.The top edge is coated with brown iron oxide pigment. Good condition. Height: 95mm. We have a second.

Arita hard porcelain dish. The decoration is painted with stylized flowers in underglaze cobalt blue and enamelled with medallions. The edge is coated with a thick chocolate brown enamel, typical. Japanese work from the end of the 17th century or the beginning of the 18th. It is a rare artistic model. Below a mark drawn in blue and traces of pernettes. Good condition. Some enamel skids. Diameter 195mm.

Inro 4 cases.Peonies in mother-of-pearl inlaid on a brown lacquered ground and gold dust. Japan earlier Edo 17th century.It is rare to find inros from this period, they are probably the first to have been created. The lacquer is dark red-brown, almost black, it is very solid and despite the shocks and more than three centuries of handling it has not chipped at all. The mother-of-pearl is also well preserved and there is only a tiny lack due to a direct impact...

Top Quality Korean Gohon Chawan made in the Joseon Dynasty (16-17cc)...

A very finely potted dish decorated with a pattern of scattered shibagaki, bundles of brushwood, which would have formed part of a decorative garden hedge, with boughs of Plum blossom. This pattern was made for the domestic market and would have been particularly appropriate for the celebration of the New Year. The design is referencing the strong winds and storms of early spring. The dish is decorated in a combination of underglaze blue and “Kakiemon” enamels, over-glaze blue, green...

Japanese porcelain soup tureen whose shape is inspired by European goldsmith pieces. On the sides two heads of modeled Buddhist lions and on the lid a crown. Simple decor of phoenixes, flowers, plants and waves in the color palette of the Imari style. An old collector's label indicated that this tureen was part of the service of Augustus the Strong. Probably verifiable statement for motivated collectors...

Thick molten ash drivels over the shoulder of this fabulous 17th century Shigaraki Tsubo storage jar showing all the great attributes of Shigaraki ware. It has a large open ware (pronounced wa-ray) crack down the front, which does not go through to the inside, and the fire blasted front surface is shot with fine heat cracks. A large Kutsuki to the lower let shows where it adhered to something else in the kiln during the firing...

Composed by one of the most well-regarded and important figures within the Kanō tradition of painting, here we see a whimsical rendition of tiger and cub prancing through the forest. With its beautiful and well-preserved silk brocade to highlight the scene, the overall composition radiates a feeling of lightness and playful curiosity.

Oldest son to Kanō Takanobu, Tanyu was appointed as the first designated painter to the Tokugawa Shogunate...

This Edo-period bronze quail incense burner is a stunning piece of Japanese craftsmanship. The lifelike form of the quail, intricately detailed and gracefully curved, showcases the artistry of the era...

Rare box with 3 compartments in lacquered wood from the beginning of the Edo period, end of the 17th century, beginning of the 18th. Decor of chrysanthemums in a landscape. Some flowers are encrusted in solid gold. The decoration is in lacquer in light relief powdered with gold and silver on a nashiji background. Details in Kirikane. The silver is strongly oxidized and has turned greyish-black as on all very old lacquers of this period...

The Muromachi period in Japan, known for its artistic and cultural flourishing, produced exceptional pottery and ceramics, including this exquisite e-Shino incense burner. Crafted with meticulous attention to detail, this piece exemplifies the refined aesthetics of the time. Its elegant form, featuring gentle curves and a graceful silhouette, reflects the harmony between nature and art...

Japanese inkstand (suzuribako) in lacquer (urushi). Decor on a spangled background (nashiji) of a lakeside mountainous landscape treated in relief (takamaki-e) flat silver powdered details (hiramaki-e) and mosaic (kirikane ) gold and silver. The rocks are particularly well treated. The interior is decorated with a rich nashiji background forming scrolls of mist and flowers in relief. The suzuribako is complete with its original simple and gilded copper stone and dropper...

A rare Seto Heishi (also read Heiji) bottle dating from the Kamakura period (1192-1333) wrapped in a custom made silk pouch with age darkened Kiri-wood box...

A yobitsugi Jar made up of various excavated kiln shards of central Japan dating from the Heian period (794–1185). It is roughly 32 cm diameter, the same height. Looking at the volume of debris and encrustations, it is likely that the upper most part of this tsubo, which is one piece, was buried in a kiln collapse, earth and stone fusing to the molten ash. During the Heian period, hole kilns were dug into hillsides, with a chimney bored down into the back. Sometimes during firing, or after r...

During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this “shimokabura” or radish-bulb-shaped sake flask (tokkuri). Crafted from locally sourced Bizen clay, this tokkuri embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze and distinctive markings achieved through specialized firing techniques. The t...

From a 2006 excavation site in Tokyo known to be occupied by the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl has been given a new lease on life with a gorgeous and detailed kintsugi repair with maki-e gold painting. Known to have been devoted patrons to cultural institutions, the Tokugawa’s governance and policies contributed greatly to the flourishing of arts, literature, theater, and urban ...