Very beautiful and rare scene in ink and natural color pigments on a background of gold leaf and gold spangles of a Chinese scholar surrounded by students or disciples. He is leaning on a table where his tablets, brushes and a basket are placed. He observes a flight of wild geese over a rocky mound, a pine tree and a body of water that ripples among the reeds. Edo period late 18th early 19th century.

Noh theater mask, representing the character of Shintai, a youthful deity, with a rather soft expression. The mask is signed (see pictures). Painted wood, with metal eyes. Japan, Edo period early 19th century. Height: 21 cm. The mask is nicely mounted on a custom stand. Slight abrasion on the painting in some areas, otherwise very good condition.

The size of Plate: 5 5/8" Dia x 1 1/16" High.
This is beautiful Japanese Ko Imari Porcelain plate with Dragon and Ho-O bird design intricately painted in deep cobalt blue. There is also the clouds and Ho-ju design. There is marking on the back of plate. The condition of plate excellent, no chip, no crack and no hairline. One little spot on the rim has thin blue paint as showing on the photo. The surface of blue and white glazing area painting has little raised finish. Dating from 1800-1830's...

This is Indigo dye cotton & katazome dotyubaori coat textile in Edo period(1800)1868). The material is thick cotton in Edo period. Textile seems to be hand spun and woven¡It is very impressive, and beautiful. You can wear it. There is a little, thin stain. However, there is no damage, and the state is very good. It recommends it for your collection. size::Length:93cm(36.6inch) / Cuff to cuff, across the back: 122cm (48inch)

This hemp Kyogen costumes hakama was used by Kyogen actors in the Edo period(1800-1867). The light green color is dyed by mixing natural bark and indigo dye.It's a very natural and beautiful color. This hemp is hand spun. Round flowers and maple patterns are impressive. This one has some wear and tear due to age. There are several small holes here. Recommended for antique textile collections. Size :: Length:98cm (38.5inch) / wide bottom::75cm (29.5inch)

Tsuba in shakudo decorated with a floral basket flown over by butterflies. Inlays (Taka Zogan) in solid gold, in fact the flowers are not in gilded copper as usual but in cast solid gold. The nanako background is particularly regular and deep. The artist used gold of two shades, a pure yellow and a pale yellow probably due to the addition of platinum or silver. Anonymous despite the excellent quality. Japan 19th century or before. 76x4mm

Kuro Hirosawa (1772-1840) Shino ware Chawan for tea ceremony with appraisal box. The name "Kuro" is carved near the foot ring.

Kuro Hirosawa was a samurai of Nagoya clan and a potter in the late Edo period. He enjoyed the tea ceremony and made tea utensils of Ko-Seto, Shino, Karatsu style in his free time. His works have a unique appearance and often called Kuro ware.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick...

Ohashi Shuji (1795–1857) E-Shino chawan for tea ceremony with old wooden box
The name of the potter is carved near the foot ring.

Ohashi Shuji was known as the man of refined taste who enjoyed tea ceremony and painting.
He worked under Ogata Shuhei in Kyoto creating the works of various ceramic styles such as Seto, Karatsu, Hagi, Korai, and Mishima...

Exceptionally large Kyoto ceramic incense burner. It is turned in a typical clay, a kind of sandstone earthenware covered with finely cracked glaze . A charming decor, animated by chinese children playing, develops over the entire surface, enamelled with colors predominantly green and blue. Gold details. On the sides, bouquets of flowers and leaves bloom elegantly. It is rare to find such harmonious sculptures on Japanese ceramics, usually they are ostentatiously excessive and vulgar...

This is very rare Paper and sakiori noragi textile of the Meiji era(1868-1912). It is a texture of the very beautiful Japanese paper and cotton.The white thread is Japanese paper. I can enjoy it with the both sides. It is very rare textile. It does not have a stain and damage. It is a Excellent. I recommend it to collection of you. size::Length::80cm (31.3inch) Length from cuff to opposite cuff::116cm ( 45.7inch) Box.B

The size of Plate: 6 1/16" x 1" High. 153 mm Dia x 2.5 mm High. Kodai, Foot rim size: 3 9/16" Dia.
This is finely made Japanese Earthen Plate like Japanese Awata Yaki or Kyo yaki crackle glaze finish. The thickness of plate is 2mm only at the edge of plate. It has Sometsuke design of peony and plum design. Condition of plate as seen with Amate, fine crackle glazing. The plate is perfectly round and sit well. No wobble...

Cast bronze candlestick. Finely chiseled decoration of tao tie masks and stylized cicadas in the archaic Chinese style. The cast is perfect without the slightest defect. The carving is precise without error. The object has a very elegant atypical shape. Below a mark of 6 characters must announce the name of the artist who is necessarily excellent. Very beautiful object absolutely unique. In a perfect state. Wear of multi-secular use. Japan Edo period. Height about 25cm.

Japanese Oribe Seto Ware Andon-Zara Dish - Edo Period

This stoneware dish is an andon-zara (or abura-zara), an oil lamp dish. It was made in the early 19th (or possibly late 18th) century, during the Edo period (1615 - 1868). It is particularly heavily-potted and has a flat, slightly concave base. It is coated in a crackled glaze and decorated in underglaze iron-brown, the pattern featuring three stylised flowers above what may be a fence. To the top right is an area of green glaze...

Japanese Oribe Seto Ware Andon-Zara Dish - Edo Period

This stoneware dish is an andon-zara (or abura-zara), an oil lamp dish. It was made in the early 19th (or possibly late 18th) century, during the Edo period (1615 - 1868). It is heavily-potted and has a delightful slight warp to it. It is coated in a crackled glaze and decorated in underglaze iron-brown, the pattern featuring a stylised flower, two interlocking circles above what may be a fence. To the top right is an area of green glaze...

The size of Charger: 10" Square x 1 7/8" High. Japanse Ko Imari Blue and White (Sometuke) Porcelain charger. The charger has very good detail Senbiki (line drawings works) of blue underglaze works in flower design. The charger has marking on the bottom. The condition of charger is Excellent, no chip, no crack and no hairlines. There are aged tiny spots around the edge of plate which are original Mushikui spot which are looks like Mushi Kui translated as Insect bites...

The size of Charger Bowl: 11" Dia x 2 1/8" High. Very unusual Japanese Ko Imari Blue and White , Sometsuke Charger Porcelain Bowl. The charger bowl was made in fine shape with very nice Kikusui (Chrysanthemum and water) design, very well put composition design. This type of Charger are hard find anymore...

The size of Charger: 18 1/8"Dia x 2 1/4"High. Beautiful Japanese Ko Imari Porcelain Charger. The charger has the Mountain Fuji scenery design on above window area with cranes flying over the mountains. The behind the Mountain Fuji scenery with swirling design of fine detail works of geometric design in green and red. Pretty underglaze blue with gold are among the design. The back side of charger has 12 Maru-mon design. The condition of charger is excellent, no chip, no crack and no hairline. The...

Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.