Ink on silk painting of Kanu Tannyu's "Portrait of Shoki". Riding a shi-shi lion Shoki was know as the Demon Slayer. Shoki was the spirit of the physician Shôki who was, according to Japanese folklore, able to scare away demons and ward off evil spirits. Signed "Hoin", this is an extremely well rendered painting exhibiting fine detailing that was achieved by using a single hair. In excellent condition, the painting measures 16" long by 8.5" high...

Japanese black lacquer standing screen, decorated with a painting of a hawk in a pine tree on one side and a group of blossoming peonies on the other. Beautiful detail. Painted in mineral colors and sumi ink on paper and signed by the artist. Taisho Period. Total size: 51 1/4" high x 45 1/2" wide x 19" deep.

Woodblock print by Japanese sōsaku-hanga artist Toshi Yoshida (1911-1995) titled "Irozaki Morning". It shows the beautiful Cape Irozaki, done with soft pastels in the sky as the sun rises in the distance. Waves crash upon the rocks in the foreground, and three ships can be seen leaving port. It is signed and titled in pencil along the bottom, stamped in the corner, and also signed in kanji along the outer edge. Size: 11.25" height, 15" length

Beautiful Antique Japanese tea kettle. Made in iron, there are vertical striations down the sides of kettle overlayed with bunches of grapes and vines, as well as flying birds. The guard shape of the kettle and handle symbolizes the seasonal autumn months and harvest. The kettle lid models a bronze red two toned beautifully lacquered glazing. Flower like details in bronze circle the top of lid. Inscription inside lid reads Ryubundo, the noted studio produced iron tea kettles. From Meiji period...

Japanese tansu chest for storage, two large sliding panels with decorative scalloped edges, inside on right is a series of five drawers, inside on the left is open with one shelf, nice iron handles slide out on top for carrying, also on the sides are two copper handles, made of kuri (chestnut) wood, this piece is very solid and heavy, the interior of each drawer is made of thick kiri (paulownia) wood, beautiful deep brown finish, Showa Period (c...

This is an Early 19th Century, beautifully carved Group of Gourds. Outstanding form, polish and patina. Silk-smooth tactile qualities. Natural himotoshi. Unsigned. Netsuke measures 1.40 inches ((3.6cm) in diameter.

A charming Japanese kiri (paulownia) wood bedside tansu. The metal hardware pairs nicely with the very light wood, creating attractive simplicity. Taisho age (1912-1925) Size: 19" height, 23.75" width, 11.75" depth

Ohara Koson
Crows.
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: 1910s.
Publisher: Daikokuya.
Reference: K5.10 and plate 111 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland)
Medium: Japanese woodblock print.
Condition: Excellent. Never framed. Full original margins.

Japanese Taisho Period ikebana basket (for flower arranging). Made all of lovely split bamboo with a semi open weave. The handle is made of three pieces of bamboo and knotted together. Wrapped detailed where the handle meets the body of the basket. Signed Kokosai. Size: 19" high x 9" wide.

Antique Japanese small gold lacquer box of a melon shape, with nashiji (gold flakes) lacquer inside and on its underside. Raised lacquer design of instruments decorate the lid. Meiji Period (1868 - 1912) Size: 3" L x 2" Wx 1" H

Japanese Carved Volcanic Gray Stone Jizo, Bodhisattva Buddha is holding Lotus Bud, Edo period, before 1800, 22" high, 11" wide maximum, 9" deep. Old lichen is growing in some areas, and in good condition.

Ohara Koson
A couple of pheasants between grasses
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (104)
Reference: K21.5 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

Kasamatsu Shiro (1898 - 1991)
The Great Lantern at Asakusa Kannon
Publisher: Watanabe Shozaburo
Date: 1934. First edition. Bears the Watanabe D seal (used 1931-1941).
Size: Oban, approximately 15.5 x 10.5 inches.
Medium: Japanese woodblock print.
Condition: Very Good. Light wear and soft crease at left. Corner margin chip.

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things. I see Japanese eggplants on leafy vine (two fruit and two leaves) supported by a bamboo trellis. An uncommon and well executed, balanced decoration. The hitsu-ana appears to be original to the tsuba. Late Muromachi...

Japanese framed woodblock print by Kihei Sasajima (1906-1993), signed, titled, and numbered 54/100 in pencil, with red chop. Image of a samurai running with sword over his shoulder in black with deep blue pigments.

Size: (entire frame) 21" L x 17" H (print only) 14" L x 10.5" H

Antique Japanese single section Kiri (paulownia) wood tansu, all natural original finish. Very simplistic and functional design. All drawers have iron locks and Hirute style iron handles. Two small drawers in the bottom corner are perfect for storing small valuables.

Size: 32" L x 17" W x 32" H

A medium sized ido-gata (well shaped) tea bowl with exceptionally fine and beautifully crafted kintsugi gold repairs. One side of the bowl features a thickly applied ferrous glaze that pools generously near the base, while the pale green ashen glaze on the outside is decorated with impressed textured patterns...

An incredible bowl of spotted ink supplanted by a midnight blue rim by Kimura Moriyasu enclosed in the original signed wooden box titled humbly Tenmoku-yu Chawan. It is 5 inches (12.5 cm) diameter, 3-1/2 inches (8.5 cm) tall with a perfectly formed foot and slightly in-curving bowl form perfect for winter tea. The colors are reminiscent of the Kujaku-yu developed by Matsuyama Gae, yet the application is very different.
Kimura Moriyasu (b...