“Buyongjeong Puvilion-부용정at Changdeokgung Place-창덕궁 ” Korea, early 20th century, artist anonymous, with a patinated old floral carved wood frame. Painted with a large old Korean traditional pavilion named ““Buyongjeong” written on a ractantular white panel in black ink near a small pavilion in front of a large lotus pond, painted on canvas in oil. It’s in good condition, 59cm x 49cm painting only, 72.5cm x 62.5cm overall. ***부용정은 궁궐지에 따르면 조선...

A Very Fine/Rare Korean Square Fragrant Women’s Ornament (Norigae) (각향-角香노리걔) 19th C.: $700, Korean, Joseon dynasty, 19th century. It’s a single brown clay Norigae (향낭-香囊/각향-角香노리) for women molded with two Chinese characters each sides, each other side molded in 동인당 (同仁堂), and a piece of mother of pearl inlaid with floral patterns molded on another side with a long red string and tassels. It’s in good condition with dark brown patina, it me...

An antique Japanese 2 section merchant display Tansu made of Hinoki (Cypress) and Tochinoki (Horse Chestnut) woods. Each section has a split level shelf. The bottom section includes 4 side by side drawers where additional store inventory was stored. Constructed using double through mortise and tenon joinery for added strength.

Age: Meiji/Taisho (1910-1920)

Dimensions: 66 1/2" Wide by 68" His by 16 1/2" Deep

Antique Indian necklace of 19 large silver beads. Strung on twine with a large amber bead for closure. Each bead is subtly fluted, collared and has rich patination.

Age: circa 1900

Dimensions: 17" long (each bead is 1 3/8" long)

Antique Indian Bindriware lidded container. Made of iron with fine gold inlaid designs of scrolling vines and flowers. A rounded body sits on a high foot with a round base. Two handles on either side continue the scrolling floral pattern. This type of metal work originates from the area of Bindar, India and has long been valued as a symbol of wealth.

Age: circa 1880

Dimensions: 6 1/4" high x 7" long x 5" wide

Antique Indian Bindriware vase. Made of bronze with silver overlay and incised designs of scrolling vines and flowers. This type of metal work originates from the area of Bindar, India and has long been valued as a symbol of wealth.

Age: 19th century

Dimensions: 10 3/4" high x 5 1/4" wide

Deity probably Taoist in soapstone. The god is standing, brandishing the Ying and the Yang. It must refer to a specific character and a story or legend. The work is finely executed and the style of the carving is unusual, cartoonish. In addition, the artist allowed himself to cheat by abnormally moving the left ear too close to the eye so that, seen from the front, the face is balanced. Like the columns of Greek temples which are bent to compensate for the optical effect or like certain porches ...

Antique Japanese scroll painting of an eagle. Skillfully painted and possibly of the Kanō School. The eagle stands on a rock over crashing waves. Large scale and dramatic with each feather delineated. Painted in ink and light colors on paper.

Age: Edo Period 1603-1867

Dimensions: Total size: 82 1/2" high x 41" wide (44" wide including rollers). Size of art: 54" high x 35" wide

A beautiful example of an antique Shigaraki Tsubo (storage jar) Vase displaying classic Shigaraki markings of red ochre, pale and natural ash glaze.

This eye-catching tsubo dates back to the the beginning of the 17th century, early Edo Period (1603-1868).

Standing in front of this massive tsubo with its aesthetic form, its Higaki Mon (檜垣文, cypress fence pattern), its rough natural glazes and sparkling tsuchi-aji (clay flavor), one cannot help but feel in awe of thei...

Small cast bronze incense burner. The cast iron is very thick. The object is very heavy. It is treated like Japanese Raku stoneware, leaving a pronounced rustic look. Do not think of an easier job, quite the contrary, the finish with a scraper of the bronze and the polishing are neat. Style very rarely used in ceramics. On the lid a shishi serves as a button. Below an indeciphered mark cast in hollow. Excellent very old bronze patina. Probably Japanese and surely 18° or before. It is not unrea...

Vase of exceptional size in Satsuma earthenware. It is extremely difficult to make such a large and above heavy earthenware because the audacious shape carries a risk of subsidence during firing. It is certain that the artist must have used supports during the firing. It is a technical feat of a master potter. The enamels and gilding are of high quality as can be seen on the best satsuma creations. The decoration is also atypical with a beautiful decorative effect and a surprising aesthetic. At ...

Song dynasty longquan celadon censer with large ear, good condition with defect at the foot ring repaire, and crack line at one of the ear please see picture for detail, size: 12 cm diameter.

The size of Doll: 7" H x 3 1/2" W x3 1/2" Deep.
Stand size: 5" L x 3 5/8" W x 3/8" H
This is lovely Japanese Hakata Doll. Girl holding Crane.
The condition is excellent. It came with Stand.
Doll is made by clay, hand colored and handpainted.
Tsuru, Crane is longevity symbol in Japan.

A Hakata doll (Hakata ningyo) is a traditional Japanese clay doll,
originally from the city of Fukuoka, part of which was previously
named Hakata before the city merger in 1...

The size of Doll: 7" H x 3 1/2" W x 2 3/4" deep.
Stand: 4 5/8" W x 3 7/16" x 3/8"
This is pretty Japanese Hakata Doll with Turtle.
Hakata Doll is made by Clay and handpainted color.
Boy holding Turtle with long hair tail which is the symbol of Longevity in Japan.
It came with black wooden stand.The condition of doll excellent except one of turtle's back feet missing at front.
as you see in the photo

A Hakata doll (Hakata ningyo) is a traditional Japanese cla...

White porcelain dish decorated with underglaze cobalt blue and colored enamels in the Kakiémon style. Japanese work from the end of the 17th century around 1700. It seems to be a creation of the Arita kilns rather than those of Kakiemon because the blue is underglaze. But the exceptional quality begs the question. We know of only one example of porcelain bearing an absolutely identical decoration, it is a small bowl housed in the Baur museum in Geneva. Underside typical Fuku mark. Diameter: 232...

White porcelain dish.Decoration in cobalt blue and Kakiémon style colored enamels. Japanese work by master Imaizumi, known as Imaémon X, who died in 1927. The Imaemon family is known for having created the most beautiful porcelain in Japan at Okawachi in the island of Kyushu near Arita from the end of the 17th century. This style of porcelain is better known as Nabeshima because it was made exclusively for the use of the lords of Nabeshima who offered it only to the Shogun. Hence their rarity....

Statuette of a Chinese deity, probably Guan-yin. It is carved from a block of light beige, nuanced soapstone. She holds a basket in her hand which contains a fish. The facial expression indicates an old style prior to the 20th century. It is a sculpture from the Qing period, probably from the 19th century, but perhaps earlier. The soft stone is normally worn for a century-old object. There are accidents that can be seen in the photos, the most important are: the head glued back together, a part ...

Vase in the shape of a fish. Iron inlaid with gold and silver. Turquoise stone detail and red eye, either glass or ruby. On the reverse, a tie was soldered to the pewter later to be able to suspend it and thus make it a wall vase. But it seems to me that the object was simply made to be placed on a table. The silver inlays are very numerous, but oxidized in black, they have become almost invisible, however they are clearly distinguishable on the enlargements. It would be easy to lighten them by ...