Finely carved wooden figure of Gyochu Kishimojin, the hands folded together in prayer, standing on an upside down lotus leaf, positioned on a rocky base. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. The base and the lotus gilded over lacquer. Inscribed on back: Kishibojin, opening of the eyes, Nichiren. Inscribed in black ink on bottom of lotus leaf: Hirono Naomasa. Japan, Edo period, 18th century.
Height without base 7 ¼ in. (18.3 cm).
Le...

Plain wooden sculpture of the founder of the Nichiren sect. He is sitting, holding both his hands with the palms up. He is positioned on a rectangular elevation, decorated with water whirls and gilded over lacquer on the sides. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. On the back in black ink inscription reading "Nichiren". On the bottom inscription in black ink, partly covered by paper. Japan, Edo period, 19th century.
Height 4 11/16 in. (12...

Plain wooden sculpture of the deity Shichimen Daimyojin. She is sitting on the top of mount Shichimen, crossing her left leg over the right, holding a jewel in her left hand. She is positioned on a rectangular elevation, painted green on top and gilded over lacquer on the sides. Behind her a jewel decorated nimbus. Plain wood, carved in a slightly facetted way that gives texture to his garment and skin. Crown of gilded metal. On the back in black ink inscription reading ‘Nichiren’. On the bo...

Fairly large shrine with three carved figures: Shichimen Daimyojin, Kishimojin and the patriarch of the Nichiren sect, Nichiren. All are positioned on a rectangular base. Although all three can be connected with the Nichiren sect, the formation is a rather unusual one, leading to the assumption that the pieces were carved to the specific order of someone, for a very specific reason. The crest on the outside of the zushi (tachibana branch in well) hints in the same direction. It may very well hav...

This is a large Chinese Export blue and white porcelain domed lid cover in the Canton pattern, 19th century. Measurement: 6 in W; Condition: very good.

Cover the berries with this small Chinese Export blue and white porcelain domed lid cover in the Canton pattern, 19th century. Measurement: 2 in W; Condition: very good.

This is a Chinese Export blue and white Canton pattern porcelain pot de creme with cover, circa 1810-1820, having an entwined-strap handle decorated with gilt on blue floral terminals. The porcelain cover has a fruit-sprig knop. Measurements: 3 1/2 in. H; Condition: rim chips, small hairlines, wear to gilt.

This is a decorative early 19thC Chinese Famille Rose porcelain plate, the soft white ground wonderfully painted with enameled birds, butterflies, and flowers. Measurement: 8 in.; Condition: Good with some gilt wear to rim and several rim chips.

Wooden figure of an unidentified patriarch of one of the many Buddhist sects, sitting on a double base. He sits in the classic posture with the soles of his feet laid together. From underneath his left sleeve pops out a ryui scepter. His widely spread-out red garment is decorated with flower designs in gold, as are the sides of the upper part of the base he is sitting on. His head is covered with a black cloth with traces of flower decoration in gold. Although to date unidentified, the garment a...

This is an unusual Chinese porcelain Famille Rose covered cup made for the European market, with gilded rope twist handles; late 18th century. Condition: chip inside rim of cup. Measurement: 5"h x 5" dia.

Description: An exquisite ivory carving was in an imitation of a bamboo section with which a snail was crawling on it. In a simple clear form, this ivory was a scholar item as a brush rest and a curiosity as well. Dated from the 19th century, this beautiful piece was an enduring tradition art form originated from the earlier period of Ming Dynasty(14-15th century). A RARE, TRUE AND TYPICAL CHINESE ANTIQUE PIECE IS NOW OFFERED IN A REASONABLE PRICE TO OUR TROCADERO CUSTOMERS. Date: Qing Dynast...

This is a beautiful dark blue Japanese Uchikake (wedding gown) made in Nishijin, Kyoto. The label states the name of Nishijin and the use of pure gold. The gown is woven with fans and Gosho (palace) flower carts which is one of the favorite motifs used for Japanese wedding gowns. They are remainders of the Heian period (794-1192) which was the last graceful era of the aristocrats. The gown is meticulously hand sewn to perfection as most Japanese kimonos are. The gold picks up and shines...

The color of this Japanese wedding gown (Uchikake kimono) is a deep cherry to scarlet red depending on the lighting. Please note the beautiful embroidery work on this gown, especially on the sleeves.

The kiku flowers crowd over the gold lattice with multiple colors of green leaves. Cranes, which symbolize family in Japan, fly over the plum and pine trees in the sky. In the designs of the lower half, there are flower carts and the seven wild flowers from autumn. In the background, there are...

Sculptured black pines rise from the misty forest floor, yellow sky fading beyond; a brilliant modernist rendition of this traditional theme by Yamauchi Issei (b. 1929). The entire scene is performed with colored paper, applied directly or wetted and applied as pulp. Fantastical shapes seem to dance across the two panel canvas. Gold strips applied in the upper branches are sunlight’s last rays reflecting off the needles, the yellow sky implicating late summer dusk. Saved from the harshness...

Peach bands of silk arranged in vertical columns stagger across six feet of Kesa interspersed with colorful patches featuring flowers and geometrics. The Kesa is backed with sumptuous orange silk. It is accompanied by a smaller piece of the same design called Ohi, a sash worn along with the Kesa. The Kesa is 78 x 45-1/2 inches (198 x 115.5 cm), the smaller Ohi 12 x 57 inches (30 x 142 cm). A fabulous wall hanging, they likely date from the early 20th century and are overall in very good cond...

Depicted in his typical appearance, carrying a stag in his right hand while holding the fruit of the fabulous tree in his left hand. His robe decorated with underglaze blue stylized floral motif, with partial red pigment.

Age: Chinese, Qing Dynasty, circa 19th century.
Measurement: Height 22.5 C.M. / Width 17 C.M.
Condition: Excellent condition. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please...

Carrying a baby in her right arm while holding a rosary in her left hand, wearing gold gilded lines on white hooded robe and a rosary, sitting on the colorful lotus base in the lotus pond.

Guanyin or the Chinese Goddess of Mercy is popularly represented as a beautiful woman, holding a child in her arms and wearing a rosary around her neck. Sometimes she is represented in white clothe with a child in her arms and worshipped by those who desire offspring.

Age: Chinese, Qing (Ching) Dynasty...

Very refined zushi with the sculpture of the bodhisattva Jizo. He stands on a lotus throne on rocks, holding a jewel in his left hand, his right hand missing. Behind his head a halo with very fine decoration in relief of clouds and jewels. Light wood with polychrome and gorgeous gold decoration, especially on the garment. Japan, Edo period, 19th century.
Height 6 in. (15.3 cm).
Right hand missing, otherwise excellent condition. Case: some dents and chips, basically in very good condi...