This antique Mongolian belt evokes the image of Mongolian horseman galloping across the plains... The chain is heavily patinated from age and use. The deeply doomed central medallion retains the original stained dark finish and highlighted gold (unknown source) on the border and central decoration. This piece is heavy... the central medallion is 6+ inches across,3.5 inches wide, and 3+ inches deep.

Fired for days at over 1,400C degrees, this primordial-looking wonder of ancient potting technology displays a number of beautiful natural effects from the interaction of the clay, minerals, and ash from the unique style of kiln.

The creator of this work Michio Furutani (1946 - 2000) is regarded as one of the true greats of Shigaraki potting and is noted for being the first to revive the ancient art of anagama kiln firing in this region. Anagama kilns or “cave kilns” originated ...

A nice repousse silver box from Burma. A beautiful carving of a bust of a woman on the lid. A leaf design surrounding the body of the box. Size: H: 7cm. W. 7.7cm. Condition. Very fine. No repairs.

An ornate silver betel box with open-work patterns of curling tendrils. The body and lid each have five panels with high relief work depicting 10 different scenes of ancient Burma. The top of the domed lid has a lotus blossom. The bottom is hammered with the date and occasion for the piece.

Period: Early 1900's.

Size: Height = 14.5 cm (5-3/4 inches), Diameter = 12.5

Chinese Yuan dynasty blue and white octagonal shape small jar. 5,2 cm high. Good conditions.

An ivory snuff bottle in the form of of an attractive lady of status carrying a fan. The head can be removed to reveal the snuff. Probably Japanese work for the Chinese market at the end of the 19th century.

Approximately 9.2 cm high. In very good condition with only a little chipping to the back of the collar, noted in the photographs. A few age cracks as normal with this material and light wear from handling.

Please study the photographs.

Within the UK payment by b...

A Chinese white porcelain snuff bottle, probably Dehua, known in the West as ‘Blanc de Chine’. The moulded body, each side decorated with a central roundel of flowers surrounded with a pair of bats and a Shou character. The stopper, missing its spoon, appears to be faded purple stained soapstone. The thin body is very translucent and inside there are traces of former contents.

Approximately 5.8cm high. Perfect condition.

Please study the photographs.

Within the ...

A pair of Chinese ritual altar vessels for the Sun Altar, Qing dynasty.

The ritual vessels, bian, are made from fine strips of woven bamboo, the inner surfaces completely covered in lacquer. The earliest illustration of this form is from a Song period reproduction of a Han dynasty publication.

Bian of this exact design were used in offering ceremonies at the Qianlong Court and described and illustrated in ‘Huang chao li qi tu shi’ ( A pictorial guide to the ritual vessels of th...

Chinese Tang dynasty or Five dynasties figure of bird whistle. good conditions.

A Chinese cloisonné and champlevé enamel jardiniere. Early 19th century. The jardiniere is of globular form with three circular medallions enclosing birds and butterflies against a floral and gilt ground. These roundels are set against a scrolling lotus ground. The inside is counter-enamelled in turquoise blue. There is evidence that solder was used sparingly in the manufacture, this technique is associated with earlier manufacture and a practice that had largely died out by the later 19th cen...

A finely cast bronze priest's bell with a nice patina and sound, dating to the Late Central Javanese Period. The body resembling a stupa with floral ornaments and garlands. The top of the bell was originally a five-pronged vajra emerging from a lotus flower. For quite an identical piece please refer to: "Indo-Javanese Metalwork" by Linden-Museum Stuttgart, no. 65. Provenance: Private Collection, Switzerland. Condition: pronges lost, tops of floral decoration missing. Dimension: 10.2 cm high, Dia...

These 8 old Ivory napkin rings may have originally been made for tourist souvenirs. They have hand painted/dyed images of landscapes boats ets...Each has a different Chinese calligraphy saying of well wishing... priceing $80 purchasers choice of any 2

Small screen of rectangular shape, with an engraved decor of foliage and flowers. Slightly mottled jade. The screen is resting on an elaborated wood stand. China, 19th century. Height of the screen: 8 cm. Total height including the stand: 12.5 cm. Very good condition.

We present a stunning Japanese tea bowl made 80 years ago by the legendary 9th Choraku Ohi (1901-1986), enclosed in its originally signed and sealed wooden box. Aesthetic highlight is the perfect kintsugi gold repair, which makes this tea bowl to a unique treasure. Highly recommended for sophisticated collections.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six. At 26,he received his title of...

Qing Dynasty carving of a jade figure. Height of 2 inches.

A large white glazed round dehua container with moulded floral designs on the lid and case. Found in Southeast Asia. Age: Song 960-1120 AD. Size: Diameter -19cm H=10cm.Condition: Age cracks on the lid.

A rather unusual glazed Chinese yixing tea pot. Traditionally, mixing tea posts are unglazed and this pot combines unglazed sections, such as the interior and the glazes that encompass the exterior side of the pot. The pot contains a seal on both the undersides of the lid and pot, of the maker attributing to Zhao Jingnan. Zhao Jingnan was a noted artist specializing in producing fixing and zhisha tea wares during the Qing Dynasty. It is thought that he was able to produce various objects using d...

Reminiscent of lines of dripping wax from a candle, the colored ripples streaming down the sides of this tea bowl give the impression of fluidity and transformation. More colorful and dynamic than the standard monochrome ame-yu chawan, the kodai (foot) of this piece is well-shaped and the rise and fall of the lip reminds us of the subtle variations in tone, form, light, and substance that we encounter in our daily lives.

When the founder of the Urasenke style of tea ceremony, Sen-So...