A nice lacquer screen mirror used by Scholars in their work tables. The mirror is surrounded by the usual key fret design while the base is carved with the auspicious melon, peony and peach, representing longevity and prosperity. The mirror looks like it is the original mirror. Size: H. 62.5cm. W. at the base, 41.5cm. Condition: No repairs. Normal wear and some age cracks.

Antique 18th century Islamic Mughal Warrior's Saddle of characteristic form from North-West India or Sindh-Pakistan. Details: The wooden frame cantle extending over to the rear and projecting to the frontal high arch pommel, reinforced with iron mounts and covered with brass sheets, riveted with iron studs and adorned with peacocks and fish.

CONDITION: Sign of usage and wear, iron mounting rusty, split in the wood cantle. Please look closely at the pictures - they are an important part o...

DESCRIPTION: A beautiful antique Chinese necklace strung with pink coral, turquoise and silver beads. Three silver figural pendants hang from the necklace, including a foo dog, a horse with saddle and bridal, and a child holding a large flower, each with agate beads. Qing Dynasty, excellent condition. DIMENSIONS: 28.5” end to end (72.5 cm).

Nepalese Ghee soft Butter milk Jug mounted in stamped and etched silver, with Brass button and Copper ring for the carry on strap, 19th century, 8" high, 3 1/8" diameter-bottom, 2 5/8" diameter-top rim. This Ghee tea bottle or jug was purchased in Mustang, Nepal during 1980's, used to belong to most powerful family King's family in old upper Mustang region near Tibetan border, used to use in the kitchen for daily. One(1) brass or silver button is missing but protected very well overall, oily an...

Rare woman’s skirt (pukhang) from the Kachin/Jingpo ethnic group, Northeast Burma. This is two panels with supplementary weft trim on the ends made of dog hair. Mostly natural dye and indigo. It is quite a durable weave with denim like feel. There is some staining, one small hole as well as a bit of dye bleeding. I could only find examples this in “Textiles of the Hill Tribes of Burma”: Michael C. Howard (plate 107) and the Metropolitan Museum of Art: Accession Number: 2002.312...

Width approximately 14.5 cm (across the handles).

Height approximately 18.5 cm. In good condition.

A large pair of Chinese ceramic fu dogs with a Sancai ware "three colors" palette in green, brown, and blue with natural clay white in a transparent crackle glaze. The large pair of fu dogs stand opposite each other, eyes faced forward, their mouths slightly open in a snarling grin. The front right foot of the male fu dog rests upon a rounded "xi qui" floral ball, representing rule and supremacy over the world. The female fu dog rests her left front foot over the stomach of her playful fu ...

Chinese Han dynasty (206 BC – 220 AD) earthenware statue of a man, commonly referred to as a “stick man.” These figures were modeled after wooden examples. The arms, which likely were wood, and the clothing have disappeared over time. A custom-made acrylic stand is included. Stands about 23” high (about 24” including the stand). An example can be found on page 61 (item 41) of “A Connoissuer’s Guide to Chinese Ceramics.” A color illustration of another example is on page 73 ...

A small Kutani porcelain pitcher beautifully painted in Mokubei style with two cartouches containing a mountainous landscape and a group of rakan among karakusa pattern. Base signed Kutani. Condition: little wear to enamels and gold, spout with a short firing crack (3 mm please see photo no. 9). Dimension: 9.5 cm high.

Rare large Japanese locking bar tansu made of solid gorgeous quartered sawn Keyaki (elm) hardwood. Finished in its original translucent lacquer finish with a black lacquer frame and dark red lacquer front, top, and sides. The unusual configuration of the chest has not one but two symmetrical hinged safe doors on the left and right sides, two recessed drawers in the center with a locking bar running vertically in front of them, ornate hand-forged iron plates and mounts with Kiri leaf mon, and var...

A substantial large Japanese Imari covered bowl with a tear drop finial decorated principally in underglaze blue with a Chrysanthemum vine arabesque overlaid with poem card, shikishi, shaped reserves of peach and rectangular form. The peach shaped reserves containing leaping Karashishi and rock Peonies and the rectangular shaped reserves a red ground with stylised Chrysanthemums. These rather striking bolder designs, which reflect Japanese contemporary taste, date to the period 1720-50. T...

A rare and extraordinary example of Ming Dynasty blue and white Yuhuchun, decorated with main design of a pair bird on the tree among floral sprays. It's beauty of the Ming typically 15th century vase. Condition is broken the re-glued and almost one third of mouth rim is missing. Height: 32,5 cm.

Pair of Chinese Ming dynasty green and amber lead-glazed pottery funerary figures in the form of attendants. Each figure stands on a waisted hexagonal plinth and is dressed in layered robes with long sleeves. The male figure has a square official’s hat and holds a makeup box. His hands are folded in his sleeves and covered by a tasseled towel. An amber glazed basin, carrying water, rests in the folded arms of the female figure. She wears a front-opening jacket over a long skirt and her ha...

A nice Qingbai bowl, decorated with incised infants to interior, outside is plain and unglazed rim and base. Southern Song Dynasty in very good condition with no any chip, no any crack and free from restoration. Diameter:

An elegant shape of Jun ware washer, decorated with a bit splashes to the body, covered overall with sky bluish glazed. Song/Jin Dynasty Junyao. Condition with a flake chip to the body and rim side, no crack and free from any restoration. Diameter:

Large Chinese Han dynasty (206 BC - 220 AD) iridescent green glazed tapering ovoid form burial jar decorated with a band of well moulded animal forms extending around the upper circumference of the jar. Measures 7" high x 8" diameter. The mouth and base have the typical indications of the Han firing process. Small remnants of the clay support from the kiln are visible at the lower base and at the mouth where the jar was detached from supports. Very good overall condition. There are a few small ...

Japanese incense box in the form of a flattened drum with realistic wood grain pattern in gold flake togidashi maki-e lacquer and high relief lacquer to resemble iron studs along the sides. The top of the box is done in low-relief maki-e gold lacquer with the image of a mother hen and father rooster pecking for food with their three infant chicks. The crest and waddle of each rooster are done with touches of red lacquer. The interior box and bottom are done in dense nashiji lacquer gold flakes. ...