A nagazara or long dish dating to the late 18th or early 19th century with a central motif of a Chinese style landscape framed by a pattern of spirals and flower-heads, Asters or Chrysanthemums a deconstructed version of a contemporary Chinese Qing dynasty pattern (see Diana Cargo etc). a staple of the Chinese export trade to South East Asia, produced both at Jingdezhen and at provincial kilns in South China. A design originally based on the popular Kangxi period so-called “Aster pattern”. ...

Song dynasty longquan celadon green glaze large plate with two fish motif at the center, outer wall with carved lotus petals motif, good condition no damage crackled at glaze surface please see picture for detail, size: 21 cm diameter.

Antique Japanese small box made all of sugi (cryptomeria) wood. 5 shallow drawers and one larger drawer on the bottom. Iron rings for drawer pulls.

Meiji Period (1868-1912)

Dimensions: 17 1/4" high x 12" wide x 14 1/2" deep

A rare small Longquan celadon washer with well balance potted, covered overall with grayish green near bluish green glazed. Southern Song Dynasty in perfect condition, no any chip, no any crack and free from any restoration. Diameter: 9,8 cm and Height: 3,2 cm.

Fine old rattan/bamboo splitting knife used in basket making. This has a great natural patina on the handle with decorated “butt”, circa first half 20th century. The blade still carries a sharp edge and is still quite serviceable. L: 44cm/17.2in (blade is 11cm/4.2cm). Excellent condition.

An antique Japanese Kunimatsu cash register made of hinoki wood with hand painted details in red and gold, tin knobs and scrolling trim. The center has an embossed manufacturer's trademark. The exterior has a white marble ledge. Under the ledge are the numbers in red ink, 50, 10, 5 & 1's. It is a working cash register with a bell when the drawer springs open. There is a key that opens the backside to change the paper roll.

Date: Tiasho period (1912-1925)

Dimensions: 18"...

Japanese antique small Ko Tansu (personal chest) made all of kiri (paulownia) wood with black lacquered iron hardware. This small chest has 4 drawers and 1 small door with 2 hidden drawers. The hardware is all made of blackened iron and includes 4 round drawer pulls, 5 locks and 2 side handles.

Date: Edo Period (c1850)

Dimensions: 12.5" tall X 14" wide X 8.25" deep

A nice Japanese bronze suiteki or water dropper in the shape of a coin. In very good condition, it measures about 2 inches long and a little over an inch high. Dates circa 1930's.

A fine quality Kameyama-yaki auspicious Peach form, momogata, bowl delicately and painstakingly painted in the Chinese Literati style with Sansui scene for which the Kameyama kiln was renowned. The reverse decorated with auspicious Lotus motifs to the reverse and a small seal mark for the Kameyama kiln. A similar moulded dish with sprig decoration to the rim is in the Metropolitan Museum of Art New York (Accession number 93.3.453 and there dated 1820). At this period the kiln was probably produc...

A nagazara of conventional rectangular form with compressed indented corners decorated in underglaze blue with a Chinese style landscape featuring a small viewing pavilion on a bridge. The reverse decorated with a stylised peony and a “classic” comb border to the footring, This dish was produced at the Nabeshima fief’s official kiln at Okawachi in Arita for the Shogun in the late Edo period c.1820-60. The dish measures 20.8cm long and is 11cm wide. It stands high 4cm at the rim and weighs...

A porcelain dish from the Nagasaki area, so not strictly “Ko Imari”, meticulously painted with an elaborate Leiwen border and a stylised Chinese style landscape in a light blue gosu. The reverse painted with three Lotus flowers with trailing Acanthus type scrolls in a contrasting dark blue gosu with a seal for the Kameyama kiln. The scroll motif to the reverse indicates a relatively early date of production and later examples do not exhibit the same degree of care or workmanship as the p...

An Arita foliate form dish decorated in underglaze blue with a band of auspicious shippo, cash, connoting a wish for wealth combined with mounds of evergreen Japanese Forrest grass, a symbol of longevity. Similar designs are to be found on Kakiemon porcelain of the Empo period where the same stylised motifs are used. The reverse painted with a sketchy small leaf arabesque combined with a spiral fuku in a double square. A very similar reverse appears on a dish in the Shibata collection, see Vol...

Finely detailed woman’s full length three paneled tube sarong from Ende, Flores Island, Indonesia. I bought this in 1988, this was used when I bought in Ende and has remained in storage since then. All natural dyes and handspun, hand woven cotton. Pristine condition with soft and comfortable weave. W: 150cm/59in and L: 1400cm/55in.

Antique Japanese ranma (architectural transom carving for over a door). Made all of hinoki (Japanese cypress) wood, this carving is a rare beauty in it's detail. A cross section view of a gnarled plum branch in bloom along side a stand of bamboo. The straight leaves of the bamboo contrasts sharply with the curving tendrils and round blossoms of the plum tree. Carved in a 3 dimensional style so that the view is different on each side.

Taisho Period (early 20th century)

Dim...

A Song dynasty white glazed plain bowl. Condition is very good, no any crack, and free from any restoration, excepted tiny firing crack visible from interior mouth rim. Found at Indonesia more than 10 years ago. Diameter: 16 cm and Height: 5,9 cm.

Japanese antique small Ko Tansu (personal chest) made all of keyaki wood with black lacquered iron hardware. This small chest has 7 drawers of various sizes; 1 large drawer & 1 small drawer on the top portion, 2 medium drawers and sliding panels & 5 small drawers on the lower portion. The hardware is made of blackened iron and includes 3 round pulls and 2 scroll drawer pulls.

Date: Meiji Period (1868-1912)

Dimensions: 19.5"long X 11"high X 11.75"wide

A lustrous monochromatic powder blue Peking Glass bowl with a carved short foot. Chinese Overlay Carved Glass, also known as Peking Glass (Tao Liao Ping in Chinese), is a traditional form of art that starts with a one-color glass base, dipped into contrasting colored glass one layer at a time. The artist then carves away portions of the overlaid glass to reveal layers of other colors underneath, following certain designs. It is a lengthy and tedious process that is time consuming and labor inte...

An antique aubergine Peking Glass wine cup. It is molded glass, cut/grinded with a short carved foot. Chinese glass was largely used to imitate more precious materials such as white jade, Lapis Lazuli and other valuable minerals.