Tibetan Repousee raised Silver on Burlwood Tea Bowl, Tsampa Tea Bowl, Ca. early 1900, 4 3/8" diameter-top rim, 2 5/8" high, 2 1/2" diameter-bottom rim, smooth silver lining over the top of the Burlwood rim, raised intricate hand hammered design on the side, continue on with intricate silver work over the high raised foot, and cover the entire sunken bottom with large Silver Conch Shell. This is high quality Tea Bowl, the condition is good.

Chinese Tang dynasty Changsha ware bowl. this type type little bit different because the foot rim is higher than the usual. 14,5 cm diameter. 6,3 cm high . there some smalls chipped at the rim, and glaze degradations. Free from any repair and crack.

This is a Japanese antique Edo Period of habutae-silk kaga-noren of Mount Fuji and the seaside landscape(miho no matubara). High quality hand-yuzen dyed Kaga Noren. With indigo and gray hand-drawn dyeing, it expresses an elegant and beautiful landscape. This kaga-noren is a very rare design and I think it was made by a special order by a wealthy merchant. It has a light stain but no damage and is in very good condition.This color of Yuzen dyeing is very well preserved. kaga-noren is made of...

The Size of Tolkkuri: 4 5/8" High x 2 3/8" Dia, 2 1/16" Bottom. The size of Each Sake Cup: 1 5/8" Dia x 1 13/16" High. This is very unusual and fine classy Japanese Kiyomizu Yaki Sake set by Sawamura Tosai 3 rd (1951-). It is made with fine quality Kiyomizu Yaki refine earthern body. The wall thickness on Tokkuri is only 1/16" Thick less than 2 mm. So as Sake cup has only 1 mm thick on wall. Tokkuri as well as 2 sake cup has the hand written signature of Tosai in blue underglaze (sometsuke). Th...

Additional Photos for Sawamura Tosai 3 rd Sake Set with Tomobako.

A headdress with a rounded crown and a wide flat brim, the interior made of woven bamboo, covered with yellow silk damask showing roundels with five-clawed dragons. The top ending in a red silk knot above ruyi border. The underside of the brim covered with red silk, the sweatband made of leather. Edged with key fret brocade. Condition: traces of usage, some losses (please look at the photos carefully - they make part of the condition report), brim with paper label residue and few stains, a bit d...

A large root-wood sculpture made of a single piece of burnished and lacquered cypress or perhaps rosewood. Dramatic details. All in all very decorative piece for the scholar’s studio. China, early 20th cent. H 55 cm, W 40 cm. Condition: Excellent.

Japanese Porcelain Kutani Tea Pouring Cup or Tea Water Cup, Ca. 1900, 4" x 4" wide, 1 5/8" high include handle, with two(2) molded raised brilliant Gold Handles on the side, sharp pointed Spout like Bird's Beak, family outings with playing shamisen in large panel, two(2) smaller cartouches filled with farm houses with straw thatched roof under the pine trees on the lake, attic windows and vertical wooden windows are all decorated with raised brilliant gold, and beautiful Chrysanthemum flowers ag...

Japanese "Kutani" Porcelain Dish, or Saucer, 4 3/4" diameter, 1" high, over glazed red and gold Mythetical Animals in 3 Cartouches, all highlighted in gold, 3 Red overglazed Fish under water between Coral and Seaweeds forest, surrounded with underglaze blue diaper design border, Peony tree flower branch in the center, red "Kutani" mark on the bottom in the center and Underglaze blue foliage design. the condition is good.

Antiques Annamese jarlet with lobed body and decorated with slight blackish flower scrolls around the body. Vietnam's 15th-16th century. Condition is good, no any crack and free from any restoration excepted a very tiny flake chip to rim. Height: 8 cm.

Fine Chinese 9th - 10th Century Stoneware Ewer

This fine and rare stoneware ewer was made during the 9th to 10th century (from the end of the Tang Dynasty AD 608 - 916, the Five Dynasties period AD 907 - 960, to the Northern Song Dynasty (AD 960 - 1127), most likely a product of one of the Guangdong kilns. Both inner and outer surfaces are coated in a very finely-crackled olive-green glaze. The base and extreme lower body remain unglazed where the exposed stoneware body has fired from a pale...

Rare Large Chinese Southern Dynasties Stoneware Jar

This rare stoneware jar was made during the Southern Dynasties period (AD 420 - 589). Such wares from this period are relatively rare and quite distinctive. This jar has a flat base, a wide mouth and a series of "square-cut" loop handles placed around the shoulder: a pair of single handles opposite each other as well as a pair of double handles opposite each other. In between the handles there are two finely-incised lines that surround the ...

An antique pair of Chinese vases with lingzhi mushroom outcrops on a craggy rock platform. The lingzhi mushroom is a symbol of longevity and health. The platform could display an object. These wares originated out of kilns in the Shiwanzhen sub-district within the city of Foshan, going as far back as the Neolithic period. Each vase is pigmented with custard yellow and aubergine.

Date: Late 18th to Early 19th Century

Dimensions: 11" tall X 9" X 6" deep

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society.

Print is signed and numbered 52/100

Date: 1976

Dimensions: 26" ...

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

Large mezzotint on thick paper showing Muhammad Ali Khan Nawab of Arcot and the Carnatic. 1771, published 1772. Size 63x40cm. This print was made after an oil painting by Francis Swain Ward of 1763. Pencil annotations at base. Crease upper right side, small margin tears. Can be viewed in central London and shipped worldwide. See the example in the Royal Collection Trust ref number RCIN 618757. That was recently exhibited at The Queens Gallery, London

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"