Pair of Twin Circular Screens made from Translucent Jade, with applied Black Jade, White Jade, Nephrite Jade, Agate, Carnelian, Amethyst, Lapis Lazuli, Malachite, Coral and more, carved into multiple compositions of flowering plants on rock formations with hovering butterflies. The carved circular Jade Disks rest on carved wood stands. Each carved jade disk measures 12 inches.

Excellently preserved original condition.

A rare blue and white flattened ewer, well balance potted, decorated each side with three claws Dragon, aside with Chrysanthemum scrolls. Very good condition, excepted two tiny flaked chips to the mouth rim, otherwise no any crack, no any other chip and free from any restoration. Yuan Dynasty 13th-14th century Jindezhen ware. Found at Borneo Island. Height: 11 cm and wide: 13 cm.

Antique Chinese table screen made of serpentine from the Nangyang region. In two separate pieces: the picture slab of prized serpentine is framed in Huanghuali which sits into a carved frame. Valued for it's undulating natural snake-like layers, this serpentine screen once sat on a scholar's table. There, it could be admired and pondered for it's beauty.

Age: Ming Dynasty 17th Century

Dimensions: 22 1/2" high x 13 3/4" wide x 8" deep

Antique Chinese bronze censer deeply incised with designs of protector dragons and magic pearls in the clouds above a river. Round, squat form with wide mouth. The bottom has a 6 character Xuande mark.

Cartouche Ming Dynasty - most likely 19th century

Dimensions: 7 1/2" wide x 2 1/2" high

Antique Korean porcelain vase with blue underglaze design of the great dragon protector and the magic pearl flying in the clouds. Baluster form with high neck.

Ceramics are a form of popular art during the Joseon Dynasty. Examples of ceramics include white porcelain or white porcelain decorated with cobalt, copper red underglaze, blue underglaze and iron underglaze. Ceramics from the Joseon period differ from other periods because artists felt that each piece of art deserved its ow...

Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk.
Signed and red artist’s seal.
Japan, Taisho or early Showa era, 1920s-1930s.

Image: H 43.25 x...

Hanging scroll. Black ink, light colors and gofun on paper.
Painting of the demon of Rashomon stealing back his severed arm from Watanabe no Tsuna. Excellent use of dry-brush technique.
Signed: Yoshimitsu saku, seal Hoko. Japan, Taisho/Showa era.
Newly mounted with original embroidered brocade.
Image: 24 x 12.5 inches.
Total length: 58 inches.

Few old water stains on brocade, few tiny stabilized damages in paper, some damage to embroidery, all in all very good cond...

This Meiji period incense burner is made of fine white porcelain with a silver globe decorated with autumn foliage. As with much of Japanese pottery from this era, it is fashioned after classic Chinese pieces from the Song Dynasty. The potter, first generation Miura Chikusen, is of the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produc...

Japanese Antique Kesa Cloth (Buddhist Priest's Vestment) made with prized brocade displaying the crest of the Tokugawa shogunate and framed with a rare purple and gold silk brocade with red accents. The "triple hollyhock" mon belonged to the Tokugawa feudal military government of Edo Japan (1600-1868).

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched ga...

Bronze sculpture of a pair of geese, necks stretched out. Both are abstracted into a beautiful silhouette with only the most essential lines to indicate movement and character. One goose is stretching its head towards the sky (or full moon), the other stretching its neck towards its companion.
Bronze with brown patina.
One goose signed Sou for Saegusa Soutaro
Japan, Showa era, ca. 1950s.
Geese (and full moon) are a symbol of the fall

H 12 ¾ and 6 ½ inches

Excel...

An antique Korean Bundaji (bedding chest) made of Elm, Genko and dense Pine woods. Likely commissioned to be made and presented as a wedding present for a married couple it features its original brass hardware filled with a multitude of auspicious symbols. The five gourd hinges represent fertility and wealth. The double cabbage design represents a harmonious marriage. The Sea Bream represents wealth while the diamond shaped archaic pyramids surrounding the front symbolizes the ancestral fami...

Pure elegance and simplicity of form by Komazawa Risai enclosed in the original signed wooden box titled Mage-Kensui (Round Spent Water Container). It is lacquered outside is tame-nuri opaque wine-red, inside is polished ro-iro black decorated with gold reeds overlapping from all directions. It is 16 cm (6-1/2 inches) diameter, 7 cm (2-3/4 inches) tall and in excellent condition. It is made by Komazawa Risai; head of one of the ten crafts families of the three Senke tea schools adhering to th...

Wooden nyoi (ruyi in Chinese) scepter, an implement used by Buddhist priests during a ceremony or during formal preaching. Carved naturalistically in the shape of a lotus bud on a long stem with a lotus leaf wrapped around the stem. Rose wood or sandal wood. Made in two pieces.
Japan, 19th century.

Length 13-1/8 inches

Tiny chip at leaf edge. Fine condition.

A pair of antique Japanese lacquer presentation processional boxes finished in original Urushi. Constructed of Hinoki (Cypress) wood it was made for both strength and to make it light in weight. The tops each have a hook style hinge on one side and a clasp on the opposite side where a cord or a lock would have kept the contents secure. The interior is lacquered and the floor contains two rings which were used in conjunction with a cord to secure the valuable content from shifting about. The ...

Urushibara Mokuchu (Yoshijiro) (1888-1953)
Horse (Facing Upward)
Date: ca. 1940s.
Size: Oban. Approximately 14.75 x 10.75 inches.
Signed "Y. Urushibara" in pencil.
Sealed "Mokuchu".
Round watermark at top margin.
Medium: Japanese woodblock print.
Condition: Excellent.
Removed from original folder.

This is a Japanese antique indigo dye cotton asamai-shibori Charming & Rare design of edo. Very handy and thick handspun & natural indigo dye cotton. This is an indigo-dyed cotton squeezer made in Asamai during the Edo period. The pattern is a four-step change pattern. The "Hat" and "Umbrella" patterns that are familiar to the general public in Western civilization were adopted from the city. I think it caught the eye in the Asamai area of ​​Akita Prefecture. The "hat" and "umbrella" were...

Red drips slide down the dark Tenmoku glaze on this small Tsutsu-chawan tea bowl by Living National Treasure Ishiguro Munemaro enclosed in a wooden box signed by his student and future Living National Treasure Shimizu Uichi titled Ishiguro Munemaro Saku Tenmoku-yu Samon Chawan. It is 10 cm (4 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition. Ishiguro Munemaro (1893-1968) was born into a wealthy family in Toyama, and spent his childhood surrounded by precious Chinese cerami...

Japanese woodblock print mounted as a scroll. Showing Amida in the Pure Land Ink on paper with printed surroundings, wooden rod at top and bottom. Title at top and bottom. Overall size 122x61 cm. undated,estimated to be early 20th century. Can be viewed in central London and shipped worldwide.