Grasses grow on the sides of this Tokkuri and accompanying Guinomi by Karatsu legend Maruta Munehiko, each piece enclosed in the original signed wooden box. The E-Karatsu Tokkuri is 11 cm (4-1/4 inches) tall. The E-Karatsu Guinomi is 7 cm (2-3/4 inches) diameter, 6 cm (2-1/2 inches) tall. Both are in excellent condition.
Maruta Munehiko was born the second son of Maruta Masami in Saga prefecture in 1961. However he apprenticed under Hamada Atsuya (1931-1986), the son of Mashiko Living ...

Excessively rare cizhou jar representing rabbit. The elegance of the animal is surprising, the drawing is precise and fast, the artist has drawn his line without hesitation. Rabbit is alive. It is exceptional to find such model. Normal wear of some hundred years of use but no cracks, chips or gaps. No restoration or hidden defects. A similar jar with a leaping rabbit but damaged with cracks and chips was sold in 1980 by Sotheby's, you will see a photo attached. Ming period or earlier. H: 25cm

Ohara Koson
Roaring Tiger
Size: O-tanzaku. Approximately 14.25 x 7.75 inches.
Date: ca. 1900s-1923.
Koson signature and seal at lower right.
Publisher: Daikokuya.
Reference: K41.6 and cat. 134 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent.
"A tiger roars as it stands on a mountain ridge and looks over the crescent moon far below. The original painting for this...

Antique Japanese Ryukyu Cha Tansu (display and storage chest for tea items). Lacquered black and inlaid with Mother of Pearl (Raden) in intricate and extraordinarily fine designs of noblemen and scholars in pavilion gardens. The upper portion has a compartment with four sliding panels. Below this are two open shelves inlaid with larger designs of birds on a blossoming dogwood branch. The lower portion has a large compartment with two large dowel-hinged doors on the left side and a rounded ar...

Hiroshi Yoshida
Temple in the Wood
Date: 1940.
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Toned paper. Corner margins have heavy creases.
Dedicated in top margin: "Captain and Mrs Tibbitts, Wishing a Merry X'mas and a Happy New Year - Gozo and Shiori"

Fine statue of Buddha, in monk's robes, standing on a circular base with a tenon beneath, his left hand holding the robe, his right arm alongside his leg. Bronze, with remnants of the original gilding. Nepal, 15th to 16th century, maybe earlier. Height: 8.3 cm. The statue is mounted on a plexi stand. Very good condition. NOTE: collected in situ in 1974.

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors not ...

Japanese iron helmet inlaid with silver and gold. Made by 6 riveted iron plates. The dragon and cloud inlay is damascened (nunome zogan), the water drops in silver are in strong relief. At the front is riveted a circular steel plate representing a dragon. Signed by Shige Katsu. At the beginning of the 17th century, a Myochin Shige Katsu was working for the Date clan in Sandaï, it is certainly him. The shikoro has been added, it is in chiseled iron with clouds, I think it is older than the bo...

Exceptional fushi in shakudo inlaid with gold and sentoku ,recounting the legend of the warrior Hide Sato victorious over the giant Mokume. As a reward, the Dragon King Ryu-Jin presented him with a precious bell, an always hot cauldron and an inexhaustible sack of rice. We see these three objects carried by the servants of Ryu-Jin emerging from the waves. Exceptional quality.Important note that the gold parts are solid gold in pieces and not just gilded. 35x27mm. Sign. Good condition. I have...

Antique Japanese large hanging Buddhist temple lantern made of gilt copper. Elaborately designed with a three dimensional hexagonal form and decorated all over with pierced scrolling filigree featuring chrysanthemum blossoms and swirling mist. Smaller friezes display ocean waves. Raised roundels with peonies decorate the feet. The interior is lined with rice paper.

Age: Late Meiji Period (circa 1900)

Dimensions: 29" high x 33" long x 31" wide

This is presumed to be central panel taken from 100 bird coat from the Bai Ling area. It has been bordered and backed by new fabric. The central panel is very tightly split-thread satin-stitched embroidery over a silk felted (non-woven) fabric. This piece is in pristine condition, and measures approximately 30" by 30"

This was the traditional jacket used by girls of the Yi Chinese ethnic Minority. Girls wore this style until they were married. This garment is small and was most likely worn by a child between 7-10 years old. Condition considered good...intricate batik work, original silver buttons,hand embroidered detailing around collar,front closure,sleeve and bottom borders... wonderful display item...

A very rare and highly charming porcelain figure of Budai (Daduze), bare chested with a laughing expression, seated leaning on his sack of treasures. Decorated in famille rose manner with additional gold. Two maker’s seals: “Fujian Huiguan” and “ Made by You Linji). ****These seals are identifying marks of the Jingdezhen artist working at Fujian Huiguan. **** You Linji was the artist name of You Zhangzi /You Linzizi ( 1872-1922 ). Before moving to Jingdezhen, he first trained unde...

A pair large Chinese silk kesi tapestries, once mounted as hanging scrolls with silk brocade border and backed with paper. Showing immortals and gods of the Daoist Pantheon in a landscape setting. Made of a two colour silk tapestry with painted areas. Dating to the late Qing dynasty. Condition: please look at the photos carefully - they make part of the condition report - the brtittle mounting is damaged and only partially preserved, the wooden bars of the top and one of the bottom are lost. Kes...

A dark forest rises in a field of white, as if still covered in frost or snow, over which is draped a poem brushed in the exquisite script of the poet-nun Otagaki Rengetsu, Itsu to naki, Tokiwa no sato ha, Hototogisu shinobu hatsune ni, Uzuki wo ya shiru?
With the first cry of the Cuckoo, in this village of Tokiwa
Will the people realize, Spring has arrived?
To the extreme left, the cuckoo flies off the page. Ink on paper in forest green silk extended in a beige with black ...

Cotton lining for narrow sash (obi). Most of the fragments are hand-spun cotton cloth, such as plain cotton indigo dyed, itajime mame-shibori (clamp-board dye), katazome (stencil-resist-dye) etc. The second half of the 19th century. 15cm x 4m50cm

Jade pendant (Talisman) representing a tigress and her cub. (Or devouring a prey?) Usual wear for this period. No lack or restoration. Drilled with a hole between the front legs. Ming or earlier. 40x26x18mm Exceptional note: This jade was part of a collection of hundreds of Chinese jades from all eras from Neolithic to Ts'ing (Qing) purchased in the auction room in the 1970s in France, as for other objects on offer on our site, for each one we will specify.

An excellent shakudo tsuba inlaid with a "thousand flowers" decoration in gold, silver and sentoku. The technique is particular, the tsuba is first cast in shakudo with all the flowers in relief, then chiseled. Then each flower is covered with a thick sheet of metal, gold, silver or sentoku, this sheet is hammered on the sides of the flowers as one would border a bed sheet. Excellent work , exceedingly difficult more than inlaid. This was not done to save material nor economy, because the silver...