Being based in Kyoto we occasionally come across fine Chinese and Korean tea-ware to mix in with our Japanese offerings. Here we have an example of a ceremonial tea bowl from the Shinragi kiln in Korea. Pieces like the one seen here are baked in a traditional wood-fired “climbing kiln” at a temperature of over 1,300 degrees for 5 days. Fashioned after classical works held in museum collections, the motifs are timeless and captivating.

In excellent condition, this piece is 5.5 in...

Master of a very difficult technique from the Chinese Tang Dynasty (618 - 907) known in Japanese as Neriage, the potter who created this elegant vase uses extreme precision to combine sheets of differing types of clay, culminating in a unique visual effect. While many of his pieces are ringed with swirls of colors, this one is more modern and subdued. With quite a lot of character, this lovely vase will draw attention without being overpowering.

Born in Nagano, Kosei Matsui (1927-20...

Fujiuchi Saeko enclosed in the original signed wooden box titled Usuhanada Kanyu Chawan. Usuhanada is a traditional Japanese color in the blue tone. Kanyu is glaze crackling. This bowl is 13.5 x 14.5 x 7.5 cm (5-1/4 x 5-3/4 x 3 inches) and is in excellent condition, from the artist late 2020.
Fujiuchi Saeko wsa born in Shiga prefecture (home of Shigaraki) in 1983 but chose to study in the Okayama Prefectureal University (Okayama being the home of Bizen) graduating in 2006. She went on...

A 17th century Japanese porcelain plate plate for the domestic market. Arita 1670 - 1690. A goose on a promontory next to a crashing wave.

d = 19.4 cm. Perfect condition

Please study the photographs.

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An Ai-Kutani plate, Arita circa 1700. Decorated in underglaze blue with various molluscs amongst seaweed clad rocks. The back is plain with three spur marks within the foot-rim. Overall the glaze has a blue tinge.

Approximately 18.8 cm diameter. Perfect condition.

Please study the photographs.

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Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

P...

An underglaze blue and polychrome enamelled Arita bowl and saucer with panels of chrysanthemums supported by canes that suggest crucifixes, separated by panels of bird and trellis design. Early 18th century.

The cup is approximately 8cm diameter, the saucer is 14.8cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank T...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.4 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment only by bank to bank...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.4 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment only by bank to bank...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14.6 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment only by bank to bank...

A Chinese court "chao fu" silk skirt, altered as a Carnival costume, using one quarter of the skirt as a flap (photo No. 6). Night blue silk with sixteen dragon roundels and four five-clawed "long" dragons pursuing the flaming pearl among clouds, bats and cranes, above waves, stylized rocks and the "lishui" pattern. Embroidery in polychrome satin stitch and couched metal threads. Condition: altered, some thin areas in the non-embroidered part, waistband not original, some loose and missing threa...

RICE SCOOP

Old Korean folk wood carving scoop for rice or grain used in Jeju island, early 20th century, approx. 34.5 x 21.5 x H 10-7cm (13.58 x 8.46 x 3.93-2.75in). Lighter weight than its looks. Some expected stains, scratches, and chips due to aging as is as seen.


selected by kikue




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Very large pot covered in cloisonné enamel on copper. Silver wires.Dragons Hoho and butterfly of curious design. I seem to remember the association dragon butterfly to a symbolic but I don't remember which one A slight accident really insignificant at the base of the lid catch that can be seen on photo and a lack of thickness of enamel that could not be polished being too thin, however at this place there the enamel completely covers the base metal. After firing this should not be visible and...

Ohara Koson
Birds in flight in snow
Size: Approximately 15.8 x 9.8 cm. 6.75 x 4.75 inches.
Date: ca. 1930s.
Koson signature at lower right. Unsealed.
Uncatalogued. Does not appear in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A small hole below the lower bird. Corner bends and creases. Please see photos 3 and 4.
This design is a curiosity as it is very similar to our Hiroshi...

Ming Dynasty Chinese Wood Sculpture of Emperor and Empress. Purchased from Askenasi in Paris in 1978 by Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. 8.5 x 5 x 2 inches, 21.5 x 12.5 x 5 cm.

Antique Stone and Metal Chinese Seal Chop from the published and renowned collection of Sam Hilu, a prominent author and adviser on traditional Asian art. 5 inches, 12.5 cm.

Blue & white pieces in Jingdezhen Ming dynasty like these are called "古染付 kosome" and loved by Japanese tea masters.Especially natural chips on the mouth edge are loved and called "虫喰　mushikui" that means worm eating marks. They are suited to "wabi sabi" feeling. These pieces have five horses painted in free and easy style. accessary : old wooden box made in Japan YouTube https://www.youtube.com/watch?v=pABoSggRLKM&feature=youtu.be

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

Antique Indian bronze figure of Ganesha. Seated on a lotus throne, he holds his prayer beads and ax in two of his four hands. He holds up one hand in abhaya mudra while he feeds himself sweets with the other. His mouse vahana (vehicle) looks up at him from the right side of his throne. According to legend, Ganesha was created from mud by the goddess Parvati in order to guard her while she bathed. Upon returning home from meditation, Parvati's husband, Shiva was furious to find his path b...