Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. Here we have a fierce guardian adorning an incense cady (kogo). Rendered in fine celadon porcelain that Sozan was so renowned for, this pieces would be a rare addition for any collector interested in Sozan’s body of work.

Suwa Sozan I (1852—1...

Japanese Taisho to early Showa period Satsuma earthenware charger finely decorated in polychrome enamel and gilt with a single large foliate form cartouche set against a black background that extends to cover the back walls. The cartouche features a landscape scene with temples set among high mountain peaks. A bridge over water holds a single figure. The decoration is set against a cream colored finely crackled glaze background. Koshida workshop mark to the base. Potted with three small holes in...

Massive Japanese Arita porcelain punch bowl decorated in underglaze blue with four alternating dragon and phoenix panels surrounded by a dense background of floral and geometric forms set against a white ground. The center features a treasure ship among kiri (pawlonia) crests, flaming pearls, and patterned balls. The outer wall holds four floral sprays set between bands at the rim and foot. A double foot ring base dates the bowl to circa 1870 (early Meiji period). 20 1/4" diameter x 7 1/4" high...

Beautiful old classic Lao shoulder clothe, all natural dyes with hand spun silk threads. I picked this up on my first trip to Laos in the mid 1990s, at the Talat Sao Market, Vientiane and would date this to the 1970/80s. The fabric is incredibly soft and supple and may be worn (it is amazingly warm) as a scarf or hung as wall art. It has a few loose threads on the selvedge but otherwise in excellent condition with no holes or tears. W: 38cm/15in and L: 243cm/8ft. Free shipping via...

Kuwata Takuro makes the most characteristic pottery we have ever seen, and when you look at this spectacular piece it is easy to understand why.

This is his Ki-Ji Kinsai Chawan which comes with his originally with his seal, calligraphy and fingerprint signed wooden box.

Takuro surely needs no introduction. He was born in 1981 in Hiroshima and graduated from the Department of Fine Arts at Kyoto Saga University in 2001. After that he started studying under Susumu Zaima in 20...

Terracotta horse from the Wei period. The clay is gray. It is of very good quality. There are traces of red polychromy and there is still gilding on the rump. This gilding is composed of thick gold leaves that we call in French goldsmith's trade a "feuillard" it's thicker than the classic leaf to gild the furniture. In the past, I read somewhere that gilding was only applied on Wei or Tang terracotta on princely tombs. (To be verified). The sculpture is of excellent quality, the horse is full of...

A Hirado porcelain monkey from Japan 19th century. He holds in his hand a peach glazed in iron brown and cobalt blue. Rare model, we know a similar monkey that is housed in Lacma (Los Angeles county museum of art). Our monkey must be older because there are important differences in quality, such as the expression of the face, the folds of the dress, the delicacy of the ear and the curve of the limbs. Perfect condition. Height 15cm.

Extremely rare dish decorated in blue white, china late 18th century for export to Japan. The design is of high quality and the cobalt blue is perfectly fired. Deep blue color. The quality of the design is far superior to what we usually see on Chinese export porcelains and equals that of some imperial pieces. The decoration of the marli is particularly complex. The presence of 2 Japanese Mon allows us to think that it is a Japanese order. Probably a service for a wedding? Excellent condition. ...

Kawase Hasui (1883-1957)
Okitsu-cho, Suruga
Selection of Views of the Tokaido. The 17th station of the Tokaido.
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1934.
Publisher: Watanabe Shozaburo. First edition with Watanabe C seal (used 1929-42).
Signed and sealed by the artist.
Reference: Hotei #229.
Condition: Toning visible in margin. Very light creasing. The crease at the top of the back of the print does not appear on the front.

One-of-a-kind hand painted 100% SILK BATIK WALL HANGING. Beautiful and delicate pastel tones are used depicting LOTUS flowers and plants. Important: as this is a hand made batik, NOT a print, both sides of the silk fabric show the same painting. Size: length 82" x width 36" inches (209 cm x 91.5 cm). Both ends have folded and sewn loops for easy hanging with poles or rods. We only have 1 yellow/brown wall hanging, but 2 of the turquoise version. Price shown is for 1, shipping extra. Please ind...

This is a umakake japanese antique hemp tsutsugaki & katazome textile of Amaryu - dragon Edo Period. Rain is said to bring blessings to the earth, and in the past it was considered auspicious. Among the dragons that have been worshiped since ancient times as spirit beasts, There is a dragon called "Amaryu". This rain dragon is said to be the dragon that controls the rain. It was said that this rain dragon would rain as a proof that God had bestowed grace. The triangular scale pattern is also...

It is a hemp umakake tsutsugaki type dyeing of handspun & natural indigo dyeing in the Edo period.It's a very charming pattern of family crests, treasure balls, arabesques and moving waves. It's long, so you can easily decorate it by folding it in half in the middle and hanging it on a stick. Folded in half and has the same pattern on both sides, you can enjoy both sides.There is　light stain, but there is no damage. it's in very good condition. Recommended for your collection.Size::length:5...

It is a hemp umakake tsutsugaki type dyeing of natural indigo dyeing and multicolor pigment dyeing in the Edo period. It is a very charming pattern of mimasu family crest, and dragon scale and swirl. The triangular scale pattern is also called the dragon scale. The triangular scale pattern also has the meaning of warding off evil.It's long, so you can easily decorate it by folding it in half in the middle and hanging it on a stick. Folded in half and has the same pattern on both sides, you can ...

Japanese Meiji Period kuchi-e (magazine frontispiece) woodblock print by Kaburagi Kiyokata (1878-1972) titled "Gathering Shellfish" dated 1910. The print depicts two beauties at the seashore. Two cups of tea and an assortment of sea shells are beside them. One beauty holds a long pipe. A Japanese-style painter, Kiyokata was a pupil of Mizuno Toshikata. Measures just under 11" x 8 3/8". Kuchi-e woodblock printed illustrations were folded and inserted into the front of literary magazines and po...

Horses dash past in a fervent black mass both carved into and built up onto the paddled surface of this large vessel ballooning open from a narrow base by Nakazato Tarouemon XIII enclosed in the original signed wooden box. Inside the box is written Tataki Tsubo (Paddled Vessel), Kurabe Uma (Horse Race), exhibited Autumn 1958 at the Tokyo Mitsukoshi Sports Theme Art Exhibition; Ochawangama, Nakazato Tadao (given name of Nakazato Tarouemon XIII) followed by the artists seal. An excellent exampl...

Antique Chinese Qingbai porcelain ewer. Delicately potted with very thinly walled construction. Dramatically lobed ovoid body. Trumpet neck with foliate rim. Curving strap handle incised lengthwise and with 5 raised round dots. Long curving and subtly tapered spout. The body and lower neck are incised with horizontal striping. While the foot remains unglazed, the rest of the ewer is covered with a transparent white, blue-green glaze exemplary of the Qingbai name.

Age: Northern ...

A very interesting ceremonial tea bowl produced by one of the oldest generational potting families in Kyoto. In excellent condition with one fine gold repair along the rim; apart from its obvious beauty, this piece is interesting as a conversation piece for its involvement of two generations of Eiraku, a Head Tea Master of Urasenke, and a former Head Priest of Daitokuji.

The 14th Eiraku Zengoro potter was Eiraku Tokuzen, however, upon his death in 1909, his wife Myozen (1852-1927) ...

A beautiful and decorative object that would have been placed on a scholar’s desk for contemplation. Artistic scholar’s rock (gongshi) made of bronze. This relatively rare type of gongshi was made by dripping red-hot molten bronze onto a pile of fresh pine chips. When coagulating the bronze would then “freeze” into its present form. No two pieces are identical, of course. Bronze with brown and green patina Qing, 18–19th cent. Later base of hongmu. Size: H. 29 cm, L. 26 cm; with ...