Ido Ware, Korean Joseon Dynasty (16th-17th century). The light cream bowl is decorated overall with a crackled cream glaze.

Rustic and sophisticated at the same time, this vessel is another great example of the beauty of Korean Ido chawans.

"Ido" chawan (tea bowl) is the first of three types of famous Japanese Tea Ceremony bowls. A very famous saying in the Tea Ceremony is "First Ido, second Raku, third Karatsu". It means Ido chawan is the highest grade tea bowl...

This is an important painting in Korean art history. It was featured as the very first illustration, Plate Number 1, in the catalogue of the historic Korean Cultural Service exhibition, Coloring Time, the first exhibition ever to cover the history of Korean art in America. This is Dragon in the Fog, painted in 1997 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937 - 2013). Don Ahn was a pioneer of Korean art in America...

My Body III, a rare charcoal created in 1965 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937 - 2013). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America...

Rare Artist's Proof Lithograph, Cosmogony No. 7 (Formation of living form) created in 1965 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937 - 2013). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America...

Small Korean rectangular stand made of elm wood, elegant lines and design, beautiful patina with traces of red lacquer, very simple and useful, 19th century. 11" high x 19 1/4" wide x 13 3/4" deep.

Korean folk art carved wood figure. Bearded man in traditional attire. Holding a pipe in left hand, the right hand positioned to hold a staff and pierced for that purpose (staff missing.) Good condition save a couple chips along the brim of the hat. Height 8 1/2 inches (21.59 cm)

Lee Seung O's innovative paper assemblage, 36 x 26 inches, 91 x 66 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind...

Lee Seung O's innovative paper assemblage, 32 x 24 inches, 81 x 61 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind...

Pair of Framed Korean Antique Embroidered Pillow Ends with a Happy Peacock Family and Flowers. Peacocks symbolize the 9 Virtues: a tidy face, clear voice, careful walk, appropriate behavior according to place and time, moderation in eating and drinking, knowing how to be content, existing together, not being obscene, and always returning. Eternity and continuity are symbolized by the lovely multi-colored repeating 'ryul' characters that are embroidered all around the borders...

Pair of Framed Korean Antique Embroidered Pillow Ends with the Characters 'Su' and 'Bok', Long Life and Happiness, and Peonies, ancient symbol of love and prosperity. These are set in a deep and lovely frame made of exotic paulownia wood (odong namu), a wood prized for its beautiful wide grain. Each Frame: 8.5 a 8.5 inches, 21.5 x 21.5 cm; Each Pillow End: 4.75 x 4.75 inches, 12 x 12 cm.

A refined Korean Buncheong celadon vase. Buncheong refers to the technique of incising a repeating pattern on the clay surface and white clay is filled in creating a strong contrast of greys and celadon colors with the white lines. The vase is decorated with cranes, an auspicious motif in East Asian culture. Age: Koryo Dynasty 13th century Size: Diameter 6" Height 10.5"

A rare, finely cast, pear shaped bronze vase coated with copper oxide ("malachite") encrustation. This item was made in Korea in the 12th or 13th Century during the Koryo dynasty (AD 936-1392). Condition: unusually, very good - there is a 2mm hole in the foot (possibly drilled at the time of making for a strengthening rivet)- please view enlargement 7 - and there are a number of shallow scarcely visible bumps, the largest with associated surface abrasion...

Beautiful Korean scroll depicting seated Quanyin. Ink and mineral colors on silk scroll. Age: Circa 19th century, remounted. Size of painting: 47" high x 26" wide. Total size of scroll: 83" high x 32" wide

Antique Korean bowl from the Chosun Bunchung period, 16th century. The bowl has a spiral like pattern left in the clay showing the bowl was done on a wheel. It measures 5.5" wide 4" tall. This bowl came from the collection of George C. Heikes and Myung-ja Heikes. Their collection was assembled from 1963-1964 when Mr. Heikes was working as a mining engineer and geologist for the US Government in Seoul, Korea...

A large Buddhist scroll painting of the Amitabha triad where Amitabha is attended by Avalokitesvara and Mahasthamaprapta. The bodhisattvas are adorned with elaborate accessories often seen in images of bodhisattvas. The Buddha, is wearing a red garment painted with medallion like patterns to make the cloth appear like brocades. Age: 20th century. Size: height 111.5" width 54.5"

A fairly large Korean style Buddhist painting portraying the image of the Water Moon Avalokitesvara or Suwol Gwaneum in Korean. The Avalokitesvara is dressed in vestments and accessories common to the figure of a Bodhisattva and has the water vessel which offers blessings to all sentient beings. The bodhisattva is attended by a boy figure known as shan nanzi who often seen in pictorial and textual depictions in East Asian Buddhism. Age: 20th century. Size: height 105.5" width 53"

Koma-Inu pair sculpted from a brick-hued granite, the stone type and stylistic clues suggesting a Korean manufacture. Mid-Joseon Dynasty ca. 1650. Minor old loss. Very light lichen accumulation.

Heights: 29.5 cm and 27.0 cm

A charmingly playful, small-scale pair of Korean Koma-Inu with substantial age and in excellent condition. Uncommon.

Japanese Dairi-bina Imperial Couple for the Hina-matsuri (Girl's Day), late Edo/early Meiji pair with Me-bina female wearing kokin-style surcoat with embroidered sleeves featuring a floral design, sumptuous kinran textiles, elaborate kanmuri crown, and cobra hairstyle. The O-bina male is wearing a rich brocade of white silk yusoku-style surcoat with floral cobalt blue roundels, lacquered paper kanmuri court cap, long curved sword at hip, shaku scepter in hand...