A rare antique Japanese Kuruma Tansu (wheeled chest) made of Keyaki (Zelkova) wood. All original hand forged iron hardware including the Warabite handles and bottom rope pull rings. Horizontal wood slats on all four sides provide strength and age old beauty. Two large sliding doors open to a spacious storage area with a storage shelf. Below are two side by side drawers for additional organization and storage needs...

A beautifully sculpted image of a pheasant by Ogawa Yuhei enclosed in the original signed wooden box. It is 37 cm long and in excellent condition.
Yuhei Ogawa (1885-1945) was born in Takamatsu, Okayama prefecture an came to pottery a bit later than most. In 1923, while working part time at the Naval Hydrographic Department, he was deeply moved by seeing the solo exhibition of ceramic sculptor Kazumasa Numata. This gave him impetus to begin sculpting in his free time...

An antique Japanese Kansai Mizuya Tansu in 2 sections made of Hinoki (Cypress) and Keyaki (Zelkova) woods. Upper section features two sets of sliding doors with a set of 5 side by side drawers. Bottom section has 2 large sliding doors that open to a spacious storage area behind. Constructed using Japanese mortise and tenon joinery. Drawer handles are Hikute style made of hand forged iron.

Age: Meiji Era (1890-1900).

Dimensions: 71 3/4" Wide by 67 1/4" High by 19 3/4" Deep

Kawase Hasui
Terajima in the Snow
Date: 1930s.
Image size: 6 x 4.125 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-69.
"Made in Japan" stamped on verso.
Hasui seal at lower left.
Woodblock print is attached along its top edge to original 1930s card.
Condition: Excellent.

Bronze sculpture representing an owl on a tree stump covered with ivy. The owl, detachable from its base, has shakudo eyes. It is certainly an Ryûkyû scops owl (Otus elegans), present in the south of Japan in Ryûkyû Islands.
Red fabric glued to the base of the trunk to protect the base and the pedestal (not original).

The owl (fukurô, 梟) symbolizes good luck and protection from hardship...

Polychrome bronze statuette of a group of mice around a pumpkin and a pomegranate. The five mice have a dark brown patina, while the hollowed-out gourd is dark brown and the split pomegranate is dark red.

Written in a cartouche on one of the pumpkin slices, "Shôsai Foundry" (正齊鋳, shôsai-chû).
Japan – Meiji era (1868-1912)
Height: 6.4 in. (16.3 cm) – width: 7.8 in. (20 cm) – depth: 7.3 in. (18.5 cm)

Lilian May Miller (1895-1943)
A Japanese Garden
Date: 1927.
Size: Approximately 5.625 x 3.75 inches.
From the book, Grass Blades from a Cinnamon Garden.
Monogrammed within the image.
Medium: Japanese woodblock print.
Condition: Light crease at lower right corner.

An exquisite Tenmoku tea bowl by veteran potter and master of the form Miura Shurei enclosed in the original signed wooden box titled Tetsu-yu Chawan. It is 12 cm (5 inches) diameter, 8 cm (3 inches) tall and in excellent condition.
Miura Shurei was born in 1942, and trained in the ceramic styles of both Arita and Kyoto. At the age of 23 he established a studio at the foot of Mt. Fuji in Yamanashi prefecture creating ceramics from local clay, and established the Shurei kiln in 1971...

Tiny repairs of gold glint along the rim of this misshapen wan-gata bowl from the Utsutsukawa tradition of Nagasaki. The bowl comes with a silk pouch enclosed in an old wooden box. There is a kutsuki on one side, where it adhered to something else in the kiln. The bowl is 12 x 10.5 x 6.5 cm (4-3/4 x 4-1/8 x 2-1/2 inches) and is in overall fine condition, dating from the 19th century.
Utsutsukawa-yaki originated in Nagasaki in the late 17th century...

Contemporary Japanese glass obidome (sash ornament) with multiple rods depicting various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Beautiful design, superb quality glasswork, very pleasant finish. Metal fixture with two loops on the back for an obi cord. Diameter 1.07 inches.

Small Satsuma earthenware incense burner in the shape of a cricket cage. Technically complex openwork work with results that are still uncertain, the fine bars of the cage have survived the test of fire without damage, then that of handling for more than 100 years. Today the object is in excellent condition. Below the mark of the Satsuma and the name Hattori who was one of the best ceramic painters of his time., allowing a precise dating. We can, on request, find out who it is. Height 14cm.

Bronze vase with reddish-brown patina, oblong shape with small hemmed neck and rust-colored marks.
Unidentified signature under the vase.

Japan – Meiji era (1868-1912)
Height: 8.1 in. (20.5 cm) – diameter: 6 in. (15 cm)

Dark brown wooden netsuke of a rat on a radish, horn eyes, holding a seed between its paws.

In Japan, the term "nezumi" refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of trade and wealth...

Shino Yunomi shape tea cup made by the Hayashi Shotaro, one of the top names of contemporary Shino ceramics. The cup is covered in irregular and thick bands of Shino glazes in white, blue, pink, russet iron and lavender colours. Measurements: H 9,5 x 8, 5 cm. Signed at the bottom and inscribed and signed tomobako storage box; the documentation paper and stamped cloth are also included. Perfect condition. Hayashi Shotaro (b...

Pair of amusing maki-e lacquered wooden spoons with an insect motif on the spoon, a cicada and a butterfly. Handle with braided rope pattern. Label on the back : 坧耒 ? (uncertain transcription).

Japan – 20th century
Width: 1.38 in. (3.5 cm) – length: 6.57 in. (16.7 cm)

Celadon tea cup with corded patterns glazed in the Jômon zogan style made by Tatsuzô Shimaoka (1919-2007, Mingei school). Developed by himself, this style is inspired by ancient processes such as the Jômon string-printing technique (ca. 13,000 – 800/300 B.C.) and the Korean process of the Joseon period (1392-1897) of adding white slip with decorative indentations...

Wooden suzuribako decorated with two hares with red eyes in gold and silver lacquer surrounded by grass.

The interior is made of negoro-nuri lacquer. This is an ancient technique, developed in the Kamakura period (1185-1333) at the Negoro temple in the ancient province of Kii (now Wakayama prefecture). It is characterized by vermilion color, made from cinnabar and showing natural brush marks...

Wooden sculpture of a hare with coral eyes. In Japanese, the hare and the rabbit are designated by a single word: usagi. The hare has an important place in Japanese legends and superstitions. Like many other animals, it is supposed to reach a fabulous age and become blue at five hundred years. Japan – Meiji era (1868-1912) Height: 7.28 in. (18.5 cm) - width: 6.5 in. (16.5 cm) - depth: 13.58 in. (34.5 cm)