Pastels color the voluptuous curving petals form this blossom by contemporary female ceramic artist Nakazato Hiroko. According to her: I am strongly attracted to the objects created by nature.
A lush plant that grows day by day, especially from early spring to early summer.
The expansion of form from bud to flower and the beautiful colors that spread inside.....

Japanese bronze vase with nice form, used to decorate single flower arrangement in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 24 C.M. / Width 13.3 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Bijin-ga Ukiyoe Painted with ink and pigments on paper. Signed and sealed. Circa early 19th c., or older.

It depicts a beautiful woman wearing a gorgeous kimono with patterns of musical instruments such as drums and shibori drawn on it...

Japanese bronze vase with nice form, used to decorate flower arrangements in Japanese traditional tea ceremony.

Age: Japan, Showa Period, Early 20th Century
Size: Height 33.5 C.M. / Width 21.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Japanese large bronze vase in the form of a round lotus leaf. It sits on top of a smaller lotus leaf on a hexagonal base. Each side of the base has birds in relief flying over waves. Likely from a Buddhist temple. The lotus blooming from out of the mud represents enlightenment.

Age: Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 20 1/4" wide

A long low basin by Lu Xueyen in translucent white porcelain enclosed in the original signed wooden box titled Enfolding II. It is 21.5 x 38 x 15 cm (8-1/2 x 15 x 6 inches) and is in excellent condition, directly from the artist.
I have been following the diaphanous works of Lu Xueyun (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer world...

signed in pencil, titled and numbered 17/200 screenprint in colors on wove paper image: 11¾ by 13¾ in. 209 by 350 mm. Executed in 2000; this impression is number 17 from the edition of 200 plus 20 artist's proofs, published by Serpentine Gallery. NOTE: The print has been cut from the sheet, the edition number, title and signature in pencil are below. The image is in excellent condition...

Rarely seen Japanese Haisen Bowl with wonderful gold Makie (Maki-e), made around 1900 during the Meiji Period (1868 - 1912). The wooden-based bowl is coated with high quality Japanese lacquer.

Seashells are molded and hand-painted inside of the bowl by gold Maki-e technique. This type of bowl is called "HAISEN" in Japanese...

A large antique painting depicted inkwash landscape. A man is fishing in a small boat in the silence. The quiet and peaceful scene are depicted beautifully in rich ink tones. Painted with ink on silk. Signed Tsunenobu and sealed. Edo period. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74)...

Antique painting depicted a flock of crane and chrysanthemum. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. Edo period. It is attributed to Tosa Mitsusada.

Chrysanthemums have long been prized in China as an elixir of eternal life and longevity, and have been cultivated as medicinal plants since ancient times. It is said that it was brought to Japan from China during the Nara period (8th C.)...

A pair of Japanese bronze standing birds on the stand with artist sign.

Age: Japan, Showa Period, Early 20th Century
Size of birds only: Height 10.7 - 13.1 C.M. / Width 5.2 - 6 C.M. / Length 13.4 - 14.3 C.M.
Size of stand: Length 35.8 C.M. / Width 22.4 C.M. / Thickness 3.4 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615)...

A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...

A spectacular large vase by Kashima Aya featured at the “Ceramic Synergy Exhibition” held at the Kyoto Kyocera Museum of Art in late 2023. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedicati...

STONES IN THE BEDS

Stones are from Tsugaru coast in Western Aomori area, Northern Japan, with smooth feeling of touch as its features. Beds are made of pottery. approx. 6 x 6 x H 3 cm (2.36 x 2.36 x 1.18in) each.


selected and made by Jinta




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A large basket handmade of bamboo strips. In excellent condition except for a minor break, however no problem for use. 20th century. Diameter:43.5cm, H:17cm

A protective deity is carved into this Piece of a pillar from Himeji Castle dating from the Meiji period restoration of the Tenshukaku (main tower). It is branded with the Yaki-in which reads Himeji Jo Ko-zai-in (Brand of the old wood from Himeji Castle). It has long been a method of raising funds in Japan to offer replaced pieces of a historical building to those who donate to the restoration. These pieces are commonly branded with a special seal, called a yaki-in, which is heated and burnt ...

A large white Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete. It is ...