Enryakuji Temple, Hiyeizan (Hieizan), Kyoto.
Artist not identified.
Dated August 21st, 1937.
Size: 7.5 x 5375 inches (19 x 13.6 cm).
Medium: Japanese woodblock print as the cover of a dinner menu of the Nippon Yusen Line passenger ship, Chichibu Maru.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print made from a carved wood block...

An incredible lacquered screen decorated with a Bugaku Dancer wearing an angry devil mask opposing a snake in incredibly thick relief opposite three gentlemen heating sake over a fire under the changing leaves of a maple, their oxcart off to the side. An inlaid cartouche near the snake reads Kan. The two-sided panel is set into a frame with matt black iron texture over a raw kiri-wood panel inset with three windows...

SHIBUGAMI

Huge tanned washi Japanese paper coated in kakishibu persimmon tannin repaired with paper patchwork like an unintentional collage work, used to be laid under tatami mat or pasted on the wall of kura warehouse for humidity control and sunburn prevention. Early 20th century, 296 x 174cm (116.53 x 68.50in)...

HORSES

Japanese oil painting on canvas board, with the painter's sign of 'OHISHI '92', attached with wooden frame. Frame: 37 x 45 x 2.5 cm (14.56 x 17.71 x 0.98in). Brief biography notes (Years of prize winning by the works of 'Horse') at the backside...

Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

Cotton cloth with katazome pattern which is called "Narumi-Kongata", imitating Arimatsu-Narumi shibori pattern. It is called "Urumi-zome among craftspeople. It uses plural stencils and requires high dyeing technique. In good condition but has two mending patches for the cut which used to be the neck part and in one side of selvedges. The Meiji period (1868 to 1912). W:33cm, L:180cm

Japanese shin hanga woodblock print titled "Chuzenji Utagahama" by Kawase Hasui (1883-1957) dated in the left margin Showa 6 (1931). The artist's black ink signature and red seal are at the lower right corner of the image. The Watanabe seal is missing, but the print is old and likely dates post-WWII. Paper: 15 3/8" x 10 1/2" (image: 14 1/4" x 9 1/2"). Very good clean overall condition with slight fading evident...

Lifetime edition Japanese shin hanga chuban sized woodblock print titled in kanji and English "Supper Wagon" by Toshi Yoshida (1911-1995) dated Showa 13 (1938). Pencil-signed at the lower right margin and with the artist's black ink signature and red seal in the image above. Paper: 7 3/4" x 10 1/2" (image: 6 5/8” x 9 3/8”). Very good overall condition with full margins.

A striking image of an itinerant monk carrying his few earthly possessions though the cedar forest in draped in a mino straw-raincoat and hat, all performed with colored thread in silk embroidery. Behind glass, it has been well protected over the last 100 plus years. The wide dark frame is stained Nara (a form of oak) emulating the arts and crafts style. The inner joints have shrunk, a testament to age...

Cotton kimono (yukata) with shibori design which was ordered matching for local people at the festival. Probably from Amagi in Fukuoka in Kyushu. Late 19th to early 20th century. In excellent condition. W:124cm, L:138cm

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

The size of Plate: 5 7/8" Dia x 1 1/8" High. This is beautiful Japanese Ko Imari Porcelain plate with polychrome colors with Fence Design and flowers. All flowers and fence design has gold works around. All designs are intricately hand painted. Backside plate with Karakusa design around the border. Inside foot rim has "Taimin Seika Nensei" (Great Ming Chenghua Nian Zhi) in Japanese; Kanji letters...

The surface of this black glazed bowl signed on the base Dohachi has been impressed all over with seals in a style known as In-chirashi. It comes in an ancient wooden box with ebony rim titled inside Dohachi Saku (Chirashi-in) Chawan, while outside a much-worn paper label reads In-chirashi Dohachi Saku Chawan. The original silk pouch, much deteriorated, is included, but no longer strong enough to hold the bowl...

A spiraling form in softly gleaming golden brown by Yajima Boshu enclosed in the original singed wooden box titled simply Jundo Kabin (Pure Bronze Vase). It is 8.5 cm (3-1/4 inches) diameter, 27.5 cm (11 inches) tall and in excellent condition signed on the base with a silver cartouche.
Yajima Boshu (1925-2001) was born in Takaoka, one of the most important bronze producing regions in Japan...

CRABS ON THE PLATE

Old anonymous Japanese oil painting on canvas, attached with well-matched original wooden frame, early-mid 20th century. Frame: 52 x 42.7 x 4.7 cm (20.47 x 16.81 x 1.85in)...

OLD ZORI SANDALS WOVEN WITH OLD WASHI PAPER

Made with the paper strings with recycled old paper from used account book or so, 19th - early 20th century, Japan. Stacked state: 25 x 10 x T 9 cm (9.84 x 3.93 x 3.54in). In unused deadstock condition (since must be thrown away as long as once used then inevitably broken as always)...

A Beautiful bowl in crackled white set into a lattice like structure of raw porcelain pierced with a plethora of various sized holes by Kato Yoshiyasu enclosed in the original signed wooden box titled Haku-yu no wan (White Glazed Bowl)...

The mouth of this vase opens like the thickly petaled chrysanthemum flower over a body decorated in thin blue with a roiling landscape of lakes and trees dotted with pavilions. It is an excellent example of the Hirado tradition in the 19th century. The vase is 14 cm (5-1/2 inches) diameter,28.8 cm (11-1/2 inches) tall and is in excellent condition.
The story of Hirado porcelain begins with the Matsura clan, who ruled over the Hirado domain during the Edo period (1603-1868). The feudal lor...