An inviting poem for the 8th month is engraved among the leaves and grapes clinging to the vines forming the handle on this tall ewer covered in pale white glaze by Otagaki Rengetsu dating from the 19th century. It is 22 cm (9 inches) tall, 13.5 x 19 cm across the handle and is in excellent condition...

A rare antique Japanese Chinese lion figure "karashishi", made of Hirado porcelain with underglaze blue details. Condition: few traces of usage. Dimension: c. 19.4 cm high x 16.3 cm long x 11.6 cm wide.

An antique Japanese figural water dropper, made of Hirado porcelain with underglaze blue emphasis, the eyes and the base are unglazed. In the shape of Ebisu, one of the seven Japanese lucky gods, here with a sea breem fish. Please visit https://collections.lacma.org/node/202643 for another model of a Hirado lucky god water dropper. Condition: traces of usage. Dimension: c. 9.9 cm high x 10.5 cm long x 4.5 cm wide.

A Blue Satsuma gosu spherical vase with lid characterized by a lobed body that emulates the petals of a chrysanthemum. The main motifs are floral, with a variety of flowers painted with great precision and attention to detail. Signed under the base 'Satsuma-yaki Tomonobu'. Period: Meiji mid-19th century. Dimensions: 18 x 18 cm. Conservation status: Excellent condition

Japanese large modern art ceramic platter. Round in form with wide, flared rim. Unusually beautiful charcoal ash marks acquired during the firing process. Comes with a signed tomobako...

A beautiful early footed bowl of colored glass with sweeping clear glass handles by Iwata Toshichi enclosed in the rare original signed wooden box titled Sango-Iro Garasu Hachi (Coral Colored Glass Bowl). It is 17.5 cm (7 inches) diameter, 14cm tall (5-1/2 inches) tall and in excellent condition, bearing the artist seal in gold on the base.
Iwata Toshichi (1893-1980) is considered to be the founding father of Modern glass making in Japan...

A very unusual Shuchu sake server made in box-like form with an angular spout, brass handle and wooden lid accompanied by a cubic Guinomi sake cup by Bizen master potter Isezaki So enclosed in the original compartmentalized signed wooden box titled simply Bizen Kaku Shuki (Squared Sake Vessels). Both feature burnished raw red clay with a smattering of ocher colored ash and red veins of hidasuki. The cup is 5 x 5 x 5.5 cm (2 inches) tall...

Meiji (1868-1912) Japanese Satsuma Bowl by Hiramatsu Genzan 平松元山 with Temple Heaven Scene of Gods & Figures

It is 2.4 inches (6.2 cm) tall by 6 inches (15.2 cm) wide. It is 0.7 lb.

It has rubbing of gold, stains at the bottom, and surface wears and scratches (as seen in the photos).

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An Arita plate decorated in underglaze blue with yellow blue and green enamels gilding and iron red and black "dry" enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies...

An unusual and rare Arita Chawan and cover in late 18th century Qianlong Canton high footed style decorated with an "over the wall" "guogianzhi" pattern of a four toed Chinese dragon. Its full body obscured by the rim and continued in the interior of bowl and under the dish cover. Similar patterns appear on Chinese porcelain dating from the Yongzheng period...

A pair of sometsuke underglaze blue san kaku-gata choku, three sided cups, decorated with contrasting patterns of a pair of "Dutch" figures set against a diaper brocade ground, a scene of Chinese boys, karako, one playing with a standard, the other holding a double gourd form tokkuri, and an auspicious kara hana (literally Tang flower) inset within an arabesque of kara-kusa (Tang grasses) painted in kakiwake style. This form of cup is rare and apparently only occurs with this pattern...

A wild vessel with torn and faceted sides covered in smoke and embers by important Tamba artist Nihsihata Tadashi enclosed in the original signed wooden box titled Yohen Hanaire (Kiln-altered Vase). It is 31 cm (over 12 inches) tall and in excellent condition.
Nishihata Tadashi was born in Sasayama in the mountains of Hyogo, and ancient castle town in 1948. He began potting in 1969, focusing on items for use...

A large figure of the Daruma in celadon glaze by Teishitsu Gigei-in Suwa Sozan I set on to a rosewood stand and enclosed in the original signed wooden box. The beautifully carved face and feet are in raw, burnt clay, the rest is entirely robed in pale green. It is 18.5 x 16.5 x 36cm (7-1/4 x 6-1/2 x 14 inches) plus the stand and is in excellent condition, signed inside with his koban shaped oval seal...

A beautifully formed earthen flask from the Bizen region, the fire-buffed side still gleaming softly while opposite it has absorbed time into the porous clay. It comes enclosed in a box titled Ko Bizen Kaijo Ko-Tokkuri, inside the lid is annotated the dimensions and the dating Momoyama Jidai no Saku (Made in the Momoyama period) signed by the great Bizen connoisseur Katsura Matasaburo. It is 6.5 cm (2-1/2 inches) diameter, 13.5 cm (5-1/4 inches) tall and in overall fine condition...

One of my favorite potters, here is an exquisite yellow tinged vase like the dilapidated bamboo vase in the tea room by Sakata Keizo enclosed in the original signed wooden box titled Hagi Takegata Hanaire. The clay is thick and heavy, giving the ephemeral form strength and juxtaposed sense of permanence. It is 32.5 cm (13 inches) tall and in excellent condition.
Sakata Keizo (1949-2004) was born into the traditional Hagi pottery family of Sakata Deika...

A rare Arita export dish decorated in Kakiemon style with a pair of Hoo birds, (Fenghuang or Pheonixes) amongst rocks and flowers, Peonies and Chrysanthemums. The rim decorated with a Bird and vine pattern arabesque. Identical dishes exist painted in this pattern but enamelled in the classic Kakiemon palette. The “Bird bird and vine” pattern appears on “Kakiemon” export teapots of the same period. The curious blobs arranged in groups of three, represent Stars, Hoshi. The reverse is plain...

An exquisite work of colored clay by Matsui Koyo enclosed in the original signed wooden box titled Mukuhai-yu Neriage Kensho-mon Tsubo. It is 30 cm (12 inches) diameter, 27 cm (11 inches) tall and in excellent condition.
Matsui Koyo was born in the pottery village of Kasama, son of future Living National Treasure Matsui Kosei, in 1962. He graduated in sculpture from the University of Tsukuba in 1985, then began potting under his father at his Gessouji Studio. Work by Koyo has been selected...

An unusual Kakiemon dish the outer register finely painted with the Shochikubai. The pine, bamboo and prunus painted separately with elongated trailing branches growing from rockwork. The centre painted with a single bough of flowering Camellias, Tsubaki, symbolic of the season of Spring. The reverse painted with a continuous vine arabesque, karakusa and four supur marks arranged in a "Y" shape. An identical dish is to be found in the Sakaida (Kakiemon) family collection. It is believed to ...