Sake Cup made in 1970s by XIII Kakiemon Sakaida (1906-1982), decorated in bright polychrome enamels over a clear glaze and signed Kakiemon.

XIII Kakiemon Sakaida was born in Arita in 1906. In 1924 he graduated from Arita Industrial School and started to help his father Kakiemon XII.
XIII Kakiemon became the head of the family in 1963 after the death of his father. He was given a title of Living National Treasure in 1973.
Later in 1978 he was awarded by the Japanese Emperor w...

Antique Japanese Shino ware Chawan made by Kato Gorohachi (?-1900.
The potter signature is written on the bottom.

There is not much information about this potter available even in Japan and his birth year is unknown.
He worked in the Hinno kiln of Aichi Prefecture in late 19 century.

Size
Diameter 12.7cm
Height 7.6cm
Weight 245g

Condition
Good.
No chips, no cracks

Very Rare Edo Period (1603-1868) Ki-Seto Tokkuri Sake Bottle.

Seto pottery, dated as early as the 13th century, produced around Seto city in Aichi Prefecture, Japan.
It is also considered as one of the Six Ancient Kilns of Japan.

Size
Diamter 10cm
Height 16cm
Weight 470g

Condition
Good, used.
No chips, no cracks.

Old rattan/bamboo splitting knife used in basket making. The blade still carries a sharp edge and is still quite serviceable. L: 65cm/25.5 (blade is 18.5cm/7.5in). Good condition, the blade has some surface rust but is till sound and solid.

Good silk textile with tiger embroidery- all the threads are silk except the black. This was acquired in 1991 and has been sitting in a box ever since then. W: 69cm/27in x L: 149cm/58.5in

Small painting of the 11-headed Kannon standing on a lotus dais, flanked by Bishamonten and Fudo Myoo.
In the front two red colored Nio are guarding the deities.
Inscription on the central base reads: Ichijoten (name of the temple hall), junsan koichi hongu.
The inscription on the bottom reads: Kazusa Shibayama Tenozan Kanon kyoji.
Rollers cut off and framed in mounting.

Black ink and colors on paper.
Japan, Edo period, 19th century.

Painted area: 22 7/...

Unmarked bronze seal or scholar's weight? It represents a fantastic animal firmly camped on its legs. The artist has given it an interesting mischievous expression. It is in cast bronze, the finish is of the highest quality as well as the chasing. The perfection of the line of the hairs is the work of an excellent chiseller. The movement of the head which turns to the right makes the body tilt to the left while the tail compensates to the right only an excellent sculptor can make such a realism....

Antique Japanese pottery Kiyomizu bowl made by the 3rd Rokubei Kiyomizu (1820-1883). The seal of the potter is stamped on the bottom.

The Rokubei family is one of the most influential pottery clan from Kyoto leaded by 8th generation now with over 240 years of history.
Rokubei III became the head of the family business in 1838 after his father, Rokubei II, retired.
He is known to revive Kyoto ceramic industry after 1868 when the capital moved to Tokyo.
In 1879, he was...

Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Rakusai IV.
Born in 1925, Takahashi Rakusai IV is one the most notorious Shigaraki ceramists of modern times. He was awarded with Intangible Cultural Property title in 1976. Currently his son Takahashi Rakusai V is in charge of the family kiln.

Shigaraki ware belongs to one of the Six Old Kilns in Japan and originates from Koga town in Shiga Prefecture.
It was Juko Murata (1423-1502), the f...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. Here we have a fierce guardian adorning an incense cady (kogo). Rendered in fine celadon porcelain that Sozan was so renowned for, this pieces would be a rare addition for any collector interested in Sozan’s body of work.

Suwa Sozan I (1852—1...

Japanese Taisho to early Showa period Satsuma earthenware charger finely decorated in polychrome enamel and gilt with a single large foliate form cartouche set against a black background that extends to cover the back walls. The cartouche features a landscape scene with temples set among high mountain peaks. A bridge over water holds a single figure. The decoration is set against a cream colored finely crackled glaze background. Koshida workshop mark to the base. Potted with three small holes in...

Massive Japanese Arita porcelain punch bowl decorated in underglaze blue with four alternating dragon and phoenix panels surrounded by a dense background of floral and geometric forms set against a white ground. The center features a treasure ship among kiri (pawlonia) crests, flaming pearls, and patterned balls. The outer wall holds four floral sprays set between bands at the rim and foot. A double foot ring base dates the bowl to circa 1870 (early Meiji period). 20 1/4" diameter x 7 1/4" high...

A beautiful Caribbean blue bottle by Karatsu Legend Inoue Toya enclosed in the original signed wooden box. The color is quite unusual in his oeuvre, as is the paddled sloping shape. It is 24 cm (9-1/2 inches) tall, 12.5 cm (5 inches) diameter at the base and is in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifa...

A rare set museum collection of Chinese Han dynasty pottery oil lamp with beast decoration. Ht. 25cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

A restored Chinese Tang dynasty Xing ware green glaze ewer. Ht. 18.7cm. Condition: professional restored spout and handle, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.