Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height

Tall standing Buddha carved of wood and worn from the elements. He stands in Mahakaruna Mudra, with his right arm extending from his hip and his left hand covering his heart in the gesture that symbolizes great compassion. His face is kind with a slight smile and he radiates a peaceful acceptance. Traces of black pigment. With custom iron stand.

16th/17th century

Dimensions: 59" high (71" high including base)

Basket from Northern Burma probaby from the Rawang or other Kachin related group. . Approximately 50 or 60 years old. Increasingly difficult to source, this is a fine example of Burmese tribal basketry. Condition: good natural polished feel to the surface, a couple of “breaks” on upper rim of basket. The hole in the handle lid seems to intentional, as it has the same wear as the rest of the piece. Dimensions: 20cm/8in height 15.5cm/6.2in diameter.

A rare beautiful ancient large glass bead necklace from Southeast Asia. Dates back to over 2000 years old. This is a complete necklace found as is. Size: Length 64cm - 25 inches

Japanese Amida Buddha statue, gold gilt over wood with inlaid crystal third eye. Seated on a lotus throne atop a hexagonal base, carved with smoke and flowers. The left hand mudra showing Varada: a gesture for granting and fulfilling all wishing as well as bestowing mercy and charity. The raised right hand is cradling a golden ball representing enlightenment and everlasting knowledge.
Overall condition is very good, consistent with age.

Early 19th century Edo period
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Large standing gilded wooden Buddha. Dressed in full robes and with his down turned hands at this sides demonstrating the Calling in the Rain mudra, a gesture to bring the rain to nourish the rice fields. Tall pointed ushnisha and extended earlobes frame a face with down cast inlaid eyes and compassionate expression. From Luang Prabang, Laos. On custom metal stand.

early 18th century

81" high (93" high with stand)

Baby's ceremonial kimono made of machine woven cotton with hand-painting with motif of noble people. It has se-mamori (charm) with silk thread. The diagonal stitches to the left means it is boy's kimono ( to the right is girl's ). In old days, it is believed that evils come from back and a baby is vulnerable without seam in the back, so se-mamori is put. In good condition but a bit dusty from aging. Dry cleaning only. Late 19th to early 20th century. 62cm x 76cm

jewelry,snail,bead,pendant Five assorted ancient beads, one in the shape of a snail. Date: Over 4,000 years old. Size: See last photo.

Kiyoshi Saito
Maiko
Date: ca. 1960.
Size: Oban. Approximately 17.25 x 11.5 inches.
Pencil signed and sealed by Saito.
Self-published by the artist.
Silver mica is used on the collar.
Medium: Japanese woodblock print.
Condition: Excellent. Back margins have adhesive residue.

Special Offer- Reduced from $1400 to $800. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in. Stunning Northern Song black glazed jar with russet streaks in perfect original condition, from a Henan kiln. D: 10.3cm/4in and W: 6.8cm/2.7in.

Ohara Koson (Shoson)
Two Ducks Flying Above Snow-covered Reeds
Size: Approximately 7.25 x 4.75 inches.
Date: ca. 1930s.
Shoson seal at right.
Reference: AS.4 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Front is excellent. Back has paper and adhesive residue.

The old Edo to the Meiji hem pattern silk yuzen dye kimono: It is a pattern of scenery of sparrows in the snow during bamboo digging and bamboo. It has very slight stain , but it is hardly noticeable. It has no damage. I recommend adding very valuable items to your collection. The family crest attached to this kimono is a mark of bamboo and sparrow Digging bamboo shoots in the snow is a story of China and the Three Kingdoms era. There is no bamboo shoot in winter. However, he is a s...

A Chinese sacrificial-red (ji hong) glazed stem bowl. There is a six-character Da Qing Dao Guang Nian Zhi mark inside the bottom of the stem foot, but it was probably made in 20th Century. There are heavy scratches inside the bowl, no other flaw beside this. Diameter: 7"; height: 4".

Japanese sosaku hanga woodblock print by Tokuriki Tomikichiro (1902-2000) titled “Sanjo Ohashi (Bridge)” dating circa 1950. The artist’s black “tomoe” seal is at the lower right. Shikishi size measuring 11 3/8” x 10 3/4” (paper); image: 11” x 9 1/2.” Excellent color and very good overall condition. There are some slight wrinkles in the paper and a faint diagonal crease in the sky below the bridge. Two small pieces of paper from the original folder remain on the top back co...

A large intricately carved and pierced Chinese soapstone censer. This censer features 3 large foo dogs: two foo dogs at the top of the body with a foo dog removable finial or lid. Three small foo dogs frolic under the 2 larger dogs. The base is a very dark brown, hand carved and not removable. In excellent condition, the censer, as pictured in photo 1, measures 11 inches x 11" x 2.25".

Rare old Japanese cotton norleen with three 3 fish from Mutual Bank of Kure in Hiroshima. This was a gift to clients. In very good condition, it measures 40 inches x 24.5".

Chinese wood carved plaque, created by two grandsons in memoriam of their deceased grandmother for what would have been her 70th birthday. The four large characters are "Peng Hu Chang Chun", which translates to "The flagons of the immortal beings in Penglai never get old". Legend tells that the coastal area of Penglai in the Shandong province of China is inhabited by immortal beings of kindness. The left side calligraphy is signed by the scholar grandsons Huajio Cheng and Junwen Cheng, bowing in...

1950's Japanese Bronze Seated Amida Buddha Marked

It is 6.9 inches (17.5 cm) tall by 6 inches (15.2 cm) wide. It weighs 3086 gram.

It has surface wears and scratches (as seen in the photos).

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