An exquisitely formed Koro incense burner of a young oxherd astride his beast in raw clay and celadon glaze by Miyanaga Tozan I enclosed in the original signed wooden box dated 1925. The childs face is filled with serenity and wonder, as if he is looking up at the moon rising on a spring afternoon. Every detail is superb. It is 10-1/2 inches (26.5 cm) long and in excellent condition. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa ...

The dreamlike quality which gave Taisho period art its unique flavor is readily apparent in this sumptuous composition by Kido Soi featuring long tailed birds along a tumbling stream. Pigment on silk mounted on applied gold flake in a silk border with a red lacquer wooden frame consistent with the era. It is signed in gold, Shunyo, the name used by Kido Soi in his youth, placing the screen easily before 1930. The screen is 67.3 x 56-1/4 inches (171 x 143 cm) and is in fine condition.
Due...

It is an item from the Taisho era when feminine beauty was praised by the Taisho Roman movement. Under the influence of "romanticism", a spiritual movement that developed in Europe mainly in the 19th century, it came to be called in this way because of the liberation of individuals in the Taisho era and the idealistic climate for a new era. .. It is Jyuban made at this time. It is an item of the era when I longed for Western culture. There are a few small threads and small holes, but they are no...

This is costume of Kabukino of the Taisho era. Sasani-tuyu of the pattern is bamboo grass and the dew. There are some a few stains of the aging, but does not stand out. There is not the damage, and the state is complete. Size 127cm x 119cm (50 "x 46, 8")

A scholar withers away an afternoon reading in a small cottage lost in a forest of Soft green willow; a brilliant Taisho style scroll by Hirai Baisen (1889-1969). The color of the willows intimates early summer, the leaves fresh and new, a darker haze beyond forms mountains, separating the scene from the rest of time. A quintessential effort typifying the literati ideal of life in seclusion. The entire scene has been brushed as if to insinuate a light shower, rain on a sunny day. The painting...

It is woven with common hemp thread, indigo-silk thread dyed beautifully and a double cotton thread dyed black. It is a very rare textile made in Iwate. The dye of the silk thread is bright blue. However, you can feel that you leave it a little in green. It is Noragi thick beautifully made in the Showa era from the Taisho era. Size 94cm x 116cm (37 "x 45.6")

This is yusa sorihiki muneate sashiko beautiful textile of the Taisho era. There is all sashiko stitch in it by hand. It does not have a stain and damage and is in a very good state. size:70cm x 14.5cm (27.6" x 5.71")

Large Qing dynasty scrolled painting on paper depicting the Bhaisajyaguru Buddha, also known as the Medicine Buddha or the Buddha of Healing, seated in the lotus position on a lotus throne holding a pearl in the left hand and making a mudra with the right hand. His robe is decorated with four-clawed dragons. A remarkably similar painting can be found in an exhibition of a private collection of Taiwanese traditional religious books and paintings on the web site of The Taiwan Institute for the Hum...

Japanese limited edition color etching and aquatint titled "Le Tournoi II" (The Tournament II) by Taiwan artist Shaih Li-fa (Xie Lifa) dated 1968. Pencil-signed, titled, and numbered 3/25 in the bottom margin. Xie Lifa (b. 1938) studied drawing and sculpture in Paris in the 1960s before relocating to the U.S. in 1968 to focus on printmaking. Paper size: 17 1/2" x 15" (plate: 11 1/2" x 9 1/4"). Printed on heavy rag paper with large margins. Very good overall condition. There is a visible ma...

Tai Yai (rare Burmese tribal ethnic group) hand carved wooden Buddha subduing Mara with gilding and inlaid mirrors on throne. Wood on left side and back shows aging, otherwise in nice condition. Size: H. 13" (33 cm.) x W. 4.5" (12 cm.) x D. 3" (8 cm.)

The benign figure of Monju Bosatsu bearing the sword of knowledge and a sutra astride a fierce Shishi lion exquisitely painted by Takagi Shunrin in 1920. The compassionate being appears in royal regalia and white robes seated on a lotus shaped saddle upon the fierce creatures back. Pigment on silk in the original silk mounting with large ivory rollers enclosed in the original signed wooden box dated Spring of Taisho 9 (1920). The Rollers will be changed if exporting. It is quite large at 87 x ...

Playful imagery shines vibrant on this white porcelain tea bowl by female artist Takahashi Aki enclosed in the original signed wooden box titled Gold Sai Chawan. It is 12 cm (5 inches) diameter, 8 cm (3 inches) tall and in excellent condition.
Takahashi Aki was born in Kyoto in 1976 and graduated from Saga prefectural Arita College of Ceramics in 1999. In 2003 she was first awarded at the the 2nd Developing Young Artist Craft Competition, before going on to further study. In 2006 she c...

A wily fox stands, head cocked to one side wrapped in the robes of a nun, something to be wary of this ceramic Okimono by Takahashi Dohachi enclosed in the original wooden box titled outside Dohachi Zo Hakuzoso, and signed within Kachutei Dohachi Zo followed by the artists stamp. It is 8 inches (21 cm) tall and in fine condition. This dates from the later Edo or first half of the Meiji period (mid 19th century), a time spanning two generations of Dohachi when both ceramic sculptures and imager...

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures in the foreground, one carrying a lantern. Across the water and backed by tall trees, the windows of a traditional Japanese home are lit. Titled "Night Scene of Mabashi, near Tokyo," the print was published by Watanabe prior to 1936. The title and artist's red Shotei seal are at the upper left. Paper size: 9 7/8” x 7 1/8” (including small margins). This image is ...

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures walking in the snow in the foreground, one holding a parasol walking toward a hut, the second crossing a bridge over a stream. A snow laden tree and torii gate are at the left. Titled "Snow at Ozawa; Torii Gate and a Cottage" the print was published by Watanabe prior to 1930. The title and artist's red Shotei seal are at the upper left. Paper size: 9 7/8” x 7 1/8�...

Japanese mitsugiri-ban format vertical shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting a female figure holding a lantern and walking through blossoms at night. This image is one of three variant designs titled “Spring Evening” published by Watanabe circa 1936. The title “Yayoi” is in black at the lower right and there is faint unreadable evidence of a red artist’s seal below it. Paper size: 14 5/8” x 6 3/8.” This image is cataloged a...

Massive natural ash glazed Shigaraki flower vase made by veteran potter Takahashi Rakusai IV.
Born in 1925, Takahashi Rakusai IV is one the most notorious Shigaraki ceramists of modern times. He was awarded with Intangible Cultural Property title in 1976. Currently his son Takahashi Rakusai V is in charge of the family kiln.

Shigaraki ware belongs to one of the Six Old Kilns in Japan and originates from Koga town in Shiga Prefecture.
It was Juko Murata (1423-1502), the f...

Takahashi Rakusai IV (b. 1925) Shigaraki ware Wood Fired Tea Bowl (Chawan) Natural Ash Glazed Wabi Sabi

Born in 1925, Takahashi Rakusai IV is one the most notorious Shigaraki ceramists of modern times.
He was awarded with Intangible Cultural Property title in 1976.
Currently his son Takahashi Rakusai V is in charge of the family kiln.

Shigaraki ware belongs to one of the Six Old Kilns in Japan and originates from Koga town in Shiga Prefecture.
It was Juko Mu...