Old three paneled wedding bed cover from the Zhuang ethnic group Southern China- silk floss weft embroidered pattern on hand woven cotton field. Good condtion- some minor loss to edge of head end edge. L: 138cm/54in and W: 105cm/41in.

Superb 3 paneled weaving from the Zhuang ethnic group in Guangxi Zhuang, Southern China. The body is woven from very fine handmade cotton thread while the weft supplementary embroidery is done with silk floss threads (the small blue indigo medallions are done with cotton). Quite a heavy piece because of all the embroidery. L: 161cm/63in and W: 100cm/39in.circa first half of the 20th century.

Fine three paneled wedding blanket from the Zhuang ethnic group, Southern China. W: 90cm/35.5in and L: 148cm/58in (with border W: 134cm/52in and L: 190cm/74in. Woven from all hand spun cotton and silk embroidery threads. Classic diamond and star pattern with “wanzi” swastika meander patterns on the border, also incorporated into this pattern are a few “Wang” characters (Chinese for king), which may be seen in the lower left side of the cover image. The black border and backing ...

A Chinese small box made of zitan wood on the walls and huanghuali wood on the bottom. A very thinly carved jade cover decorated with a picture on top depicting a scholar holds a lotus flower walking under a pine tree in a rocky mountain. Condition: age cracks on wood; there are multiple long cracks and chips on the jade cover. Please study photos carefully for condition details. Additional photos will be provided upon request. Dimensions: 3"H X 2-7/8"W X 2-3/8"D

Chinese chair made from precious Zitan (pterocarpus santalinus) wood with a beautiful finish, wicker seat, oriental shapes with dragon heads carved both into the back of the chair and outlining the front and sides of the chair's underside. Dates from the mid 20th century. Very heavy in weight. Size: 46.5" height, 22.5" width

This is an Exceptionally carved Zitan Wood Ruyi Scepter with Pheaant Jade Plaques - Ming Dynasty (1368 - 1644) A Zitan hardwood Ruyi Scepter with Pheasant Jade Plaques, a common theme of the Ming Dynasty. The curving hardwood Scepter, like Zitan, of a medium wood color, separates the sea-foam white to light green Pheasant Jade Plaques at the middle, tail and head, all reticulated in the Ming period style to depict birds within an intricate mesh of multi-layered floral tendrils. Excellent...

A playful troupe of elephants parade around the rim of this early bowl by Shigemori Yoko enclosed in a signed wooden box titled Zobachi. The creatures are in relief, raised from the surface, not engraved into it. This was made by pressing the clay slab onto a surface into which were engraved the family of creatures. It is roughly 13cm 12.7 cm (over 5 inches) diameter, 6 cm (2-1/4 inches) tall and in excellent condition.
Shigemori Yoko (1953-2021) was born in Kagoshima. Yoko came to Ky...

This is a stunning Ruby Red Glass Snuff Bottle, finely carved in relief with the twelve Chinese Zodiac Animals. Rounded body with a leafy lappet border around the neck, and a raised oval footing. Coral and brass stopper.

This wonderful bottle is in outstanding preserved condition.

Bottle Measurements

Height: 2.68 inches (6.8cm), not including the stopper

width: 2.45 inches (6.2cm)

Weight: 3.8 ounces

A beautiful example of the iconic Zogan inlayed clay work of Takeuchi Shingo enclosed in the original signed wooden box. The deep bowl swells in the midriff, closing at the rim to concentrate the aroma, with thin sides to allow the warmth to escape to the hands, a perfect bowl for winter tea. It is slightly elongated, 13 x 12 x 8.5 cm (5 x 4-3/4 x 3-1/2 inches) and is in excellent condition.
Takeuchi Shingo(b.1955) hails from Seto city, one of the oldest ceramic production centers in J...

A Zohiko covered soup bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in silver lacquer inside the bowl's foot rim. 20th century. Bowl diameter 4 9/16 inches (11.59 cm). Condition is relatively quite good with only a small abrasion to the lacquer on foot rim of the bowl. The lacquer otherwise is in good condition with no distress or wear of note. A quirk in the underlying wood (not an issue wit...

A Zohiko covered rice bowl. Colorful leaf decoration sparsely applied on black ground with almost iridescent effect with gold and silver maki-e and red details. Zohiko mark in gold lacquer inside the bowl's foot rim. 20th century. Bowl diameter 5 1/16 inches (12.86 cm). The bowl has two small losses to the lacquer along the foot and one small loss to the rim. The cover is in good condition. The lacquer otherwise being in good condition with no distress or wear of note. Combine with other pieces ...

Signed Zohiko lacquer tea caddy. Decoration of Mt Fuji and pine tree in lake landscape on black ground. Pleasant textures, reminiscent of Zeshin, are imparted to the surface of Fuji-san and the pine tree. Zohiko mark inside the foot. Overall good condition with a couple inconspicuous small chips to the lacquer along the rim of the cover. Height, 3 inches (7.62 cm). Diameter 3 5/8 inches (9.21 cm)

An elegant and highly stylized zun-shaped lacquered bronze vase, either Chinese Late Ming Period (1600's) or Japanese Early Edo Period (1600's). This very interesting and attractive piece with its splayed footed base, angular shoulder, and trumpet-shaped mouth that resembles opened floral petals when viewed from the interior, was most likely intended as a flower vase itself, but its intended purpose is no more certain than its actual country of origin. Indeed, despite its presentation of a figur...

Reddish brown shrine with three very fine sculptures: Benzaiten in the middle, to her right Daikoku, and Bishamon to her left. Benten is seated on a lotus, depicted in her 8-armed appearance, holding a jewel, her other attributes are lost. On her head a crown with jewels and the snake-shaped Ugajin. Bishamonten stands on a demon and holds a pagoda, his staff now lost. Daikoku stands on two rice bales and holds a hammer and a bag. All of them on separate rock shaped bases. Excellent carving with ...

A small Pure Land Buddhist shrine -zushi- containing a figure of the 11-headed Kannon on a lotus, holding a flask in his left hand, standing before a full-size mandorla.
Painted in mineral colors and gold onto the gilded doors are Jizo bosatsu to his right and Kokuzo bosatsu to his left.

Carved wood (probably boxwood), decorated with gold. Jewelry gilded metal (now black).
Red lacquered shrine with fine gilded hardware. Japan, Edo period, 18th century.
Case: ca. 5.1...

Small shrine with the esoteric Buddhist figure of the Fudo Myōō who personifies Dainichi Nyorai. He is standing on a rock pedestal – symbol of his steadfastness - with a rope in his left hand and formerly with a sword in his right hand (broken off and missing). Behind him a flaming red mandorla. The patterns on his garment and his jewelry painted delicately in gold and mineral colors.
Japan, Edo period, 18th century.

Height of zushi: ca. 5.8 inches (14.6 cm).

Baldachin split an...

Small and shallow (thin) shrine. Inside are the figures of Bishamonten (right) and Kongoyasha Myoo (left), both standing. Bishamon holds a pagoda and a halberd. The three-headed Kongoyasha’s two hands are empty.
Both are standing on a rock which is placed on a pedestal and both have a small mandorla behind their heads.

Soft wood carved and decorated with mineral colors. Mandorlas, attributes and helmet ornament in gilt metal.
Case is lacquered black on outside with gilt co...

Large two-door shrine holding inside the figure of Kujaku Myoo sitting on a lutus dais on the back of a peacock. Kujaku means peacock and is revered for transmuting the "poisons" of greed and anger and for eliminating karmic hindrances. The peacock (in India) eats poisonous plants and snakes and is thus thought to guard against evils from poisoning or calamity. Kujaku has four arms, holding a pomegranate, peacock feather, and either a lotus flower or a Buddha-fruit (one attribute is missing). Wo...