A splendid Oribe chawan (oribe tea bowl) made by Suzuki Goro (b. 1941), one of the most recognized contemporary Japanese potters. Oribe ware has been made in Japan since the end of the sixteenth century, under the guidance of Furuta Oribe (1544-1615), a feudal lord and one of the most illustrious students of tea master Sen-Rikyu (1522-1591).

The asymmetric design, with abstract markings, give a primitive look to the vessel; that is the genius of Oribe pottery, the timelessness of ...

Five for silver… Six for gold… Seven for the secret….Suzuki Goro is counting crows surrounding the epitaph in the center of this Kuro-Shino Kataguchi bowl enclosed in the original signed wooden box. In the center we hear the words of Noguchi Ujo’s 1921 hit song “Karasu naze naku no? Karasu ha yama ni kawai nanatsu no ko ga aru kara yo…” (Why does the crow call? It calls for seven lovely children in the mountains…). As with everything there are many allusions in the lyrics, and ...

Namako glaze runs down, creating rivers flowing around the horns on the sides of this massive pot by Suzuki Kenji (1935-2010). Looking within one sees the volcanic explosions where the glaze pooled, bubbled and burst in the center. The vessel is 18 inches (45.5 cm) tall, roughly 13 inches (33 cm) square and weighs 20.5 kg (45 pounds). It is in fine condition. By size and structure it would be acceptable for display either inside or out.
This is from the Matsui family collection of Fush...

A set of 8 sake cups by members of Sodeisha enclosed in a singular compartmentalized wooden box titled Yose-hai and signed Sodeisha followed by the Sodeisha stamp. Sodeisha (Crawling Through Mud Association) is a group of revolutionary post war ceramic artists whose influence remains strong today. Artists in this set include: Suzuki Osamu, Toba Yoshimasa, Kanaegae Kazutaka, Kawamura Sachiko, Yoshitake Hiromu, Inoue Midori, Nakanishi Kosuke and Tsuji Kanji.
Suzuki Osamu (1926-2001) was, ...

A faceted gourd shape of twisting lobes in soft green celadon by Sodeisha legend Suzuki Osamu enclosed in the original signed wooden box. It is roughly 14 cm (5-1/2 inches) tall and in excellent condition.
Suzuki Osamu (1926-2001) was, along with Kumakura Junkichi, Hikaru Yamada and Yagi Kazuo, one of the founding members of Sodeisha. He studied pottery at the Daini Kogyo Gakko in Kyoto. In 1948 he helped to establish Sodeisha. He received the JCS award in 1959 (and was granted the ra...

A signature work in gold Shino by Suzuki Tomio enclosed in the original signed wooden box titled Yohen Kin Shino Hachi (Shimmering Altered Gold Shino Bowl). It is 10-1/2 inches (27 cm) diameter, 5 inches (13 cm) tall and in excellent condition.
Suzuki Tomio was born in 1948 in Yawata, Kyoto, and has spent his life in the perfection of Shino glazing. He did not move for independence until establishing his own kiln at the age of 40. One of his most notable advances in Shino glazing is ...

Suzuribako - Important model of urushi lacquer writing case from Japan, offering a rich decoration of a Kabuto and a sand on the top of the lid, on a hirameji lacquer background. Gold and silver lacquer with rare finesse of decoration. The interior offers a particularly remarkable scene, of two deer in autumn foliage. Takamaki-e and hiramaki-e. Dimensions: 4.6 cm x 21.3 cm x 23 cm. Japan Edo (1603-1868) early 18th century.

Japanese inkstand (suzuribako) in lacquer (urushi). Decor on a spangled background (nashiji) of a lakeside mountainous landscape treated in relief (takamaki-e) flat silver powdered details (hiramaki-e) and mosaic (kirikane ) gold and silver. The rocks are particularly well treated. The interior is decorated with a rich nashiji background forming scrolls of mist and flowers in relief. The suzuribako is complete with its original simple and gilded copper stone and dropper. The style of the decor i...

SUZURIBAKO Rare and important writing box. Japanese lacquer urushi. The exterior is decorated with two shishi carefully patterned. The interior of the lid is decorated with a steep rocky coast with a temple, in gold and silver takamaki-e, the craggy cliffs are enhanced by cavities carved. Techniques of takamaki-e, hiramaki-e, kirigane, uchikomi, kimetsuke and tsukegaki. On a nashiji ground. The rims are fundame. Empty. Size : 23 x 21,2 x 4,6 cm. Japan Edo (1603-1868) end of 17th, early 18th cent...

Suzuribako in roiro lacquer decor of a setting sun behind the waves in red and gold lacquer. Inside a couple of gold lacquer cranes on a nashiji background. Edo period 19th century or before. Good condition, no repairs. Normal use wear for this period. Very interesting subject. Dimensions about 21x21 cm

Diameter approximately 38 cm. Few soft chips at the rim. Soft frits at the rim. There are some enamel missing. Addition of enamel can be done. A hairline at the rim. In good condition.

Diameter approximately 37 cm. Soft frits at the rim. There are some enamel missing. Addition of enamel can be done. In good condition.

A large lozenge shaped bowl of thick clay covered in fawn spotted glaze by Kiyomizu Rokubei V decorated with a poem by Hashimoto Kansetsu enclosed in the original wooden box signed by both artists titled Gohon Fuseikei Hachi (Bowl of irregular shape in Gohon glaze. It is quite large, 34×26.5㎝ x 15cm (13-1/2 x 10-1/2 x 6 inches) and is in excellent condition.
Hashimoto Kansetsu (1883–1945) was born in Kobe, son of painter Hashimoto Kaikan from whom he gained a love of Chinese culture...

A brush, ink stick letter knife and ink stone are set into a compartment inside this flattened bamboo shape carved from Zitan wood with a poem engraved into the lid signed on the back side Hokkyo Sessai and enclosed in a wooden box. Lifting out the lid by means of the strap, one finds the knife tucked into the handle, the brush, stone, and ink laid out and ready to use. It is 34 cm (13-1/2 inches) long. The ink stone, firmly embedded in the wood, has cracked, otherwise all is in excellent co...

Symbolic plate representing the entangled faces of the sun and the moon in relief. Bronze, with fine patina and traces of the original gilding. India, 19th century. Height: 21.5 cm. Very good condition.

TABI PATTERNS

53 pieces + small fragmental pieces (like photo#3) set of ‘tabi’ (Japanese socks) patterns made of reused old paper as the professional craftsman's tool, early 20th century, Large: 29cm (11.41in), Small: 15.5cm (6.10in). Actually used condition as is.


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The bronze has a fine dark patina. Very fine, expressive sculpture in naturalistic style characteristic of human representation in the Post-War period. - Signed: Yoshiaki. Japan, ca. 1960–1970. H 22.5 cm. Condition: Excellent. *****Tachikawa Yoshiaki (1918 - 2017). He began his training as a sculptor at the College for Fine Arts in Tokyo in 1940 where he remained for a period of 4 years. He received the Japan Fine Arts Exhibition Membership Award in 1978. He has participated in numerous e...

A Japanese large boxwood honeycomb with numerous hexagonal cells that contain the larvae, some of which emerge from the holes, hanging from a persimmon tree branch surrounded by wasps with horn eyes controlling the brood. Signed Tadakazu 忠一 engraved on oval horn insert. Meiji period 19th century Sizes: 8 x 10 x 10 cm. Condition report: Very Good condition