Masaharu Aoyama (1893-1969)
Nikolai-do (Nikorai-do) in Snow (An Orthodox cathedral in Tokyo)
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Aoyama's "Ao" seal at lower right.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Excellent.

19th Century, excellently hand-carved boxwood netsuke depicting a seated Tanuki, or Japanese Badger (raccoon dog) raising his right paw in order to beat his belly, or distended scrotum as it if were a drum. Outstanding hair work, a distinguishing characteristic of this netsuke master. Wonderful natural himotoshi that is formed by the bending tail of the Tanuki over its right hind leg. Signed Masanao, Yamada, of Ise province, on a polished oval reserve, on the bottom of the piece. Accordin...

A boxwood netsuke of a toad on a wooden container. Excellent fineness of the details to simulate the grain of the wood and the toad skin. Meiji period 19th century Sizes: 3,3 x 2,5 x 2,6 cm. Condition report: Good condition

I find this piece captivating, the golden thorns rupturing the rough and blank matte white clay. When I asked the artist about his concept, he explained the clay body is the individual formed by self-image, societal pressure, ego, all the things which constrict our actions and channel our emotions. The thorns are the true inner self bursting out of the surface, irrepressible, they pierce the shell and shine like the sun. Though the visible surface may be flat, rough-hewn, colorful, torn, mat...

This is a finely carved 19th century Japanese Netsuke depicting Fukurokuju, one of the Seven Gods of Fortune, the God of Wealth and Longevity, holding a staff on his left hand, and placing his right hand on top a seated Karako's head. This carving is not signed, but, it is attributed to Masatoshi, because of the similarity of subject, and carving style to another netsuke that is listed on this webpage as item #60. Netsuke measures 1.50 inches (3.8cm) wide, and 2.08 inches (5.3cm) tall. Netsuk...

A dramatic pair of Japanese okimono fighting cockerels, using the shokado method: mixture of bronze, gold and silver. The birds have naturalistic plumage and the fierce intensity of their fight is captured.

The artist has used this same technique in crafting a superior samurai sword onto this beautiful sculpture. The intertwined gestural pose of each bird gives the viewer the sense realism and drama of a cockerel fight.

The bottom of one bird has a gold cartouche si...

A large greenish-reddish patinated bronze vase worked on relief of a falcon, with the head turned to the right, on a big branch that wraps the vase obliquely starting from the bottom up to the upper neck. Lobed rim and gilded eye of the falcon. Engraved Masayuki 正之 signature under the base. Meiji period late 19th century Sizes: 53 x 25 x 25 cm. – 7,2 kg. Condition report: Very good condition

Superb Mashiko Pottery Tea Bowl by greatest British artist Bernard Leach. It was made around 1955 and it comes with its originally signed wooden box in mint condition. A must have for all collectors of Japanese tea bowls and other important ceramics and for Mingei connaisseurs.

Size: appro. 7 cm height x 12,3 cm in diameter.

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Bernard Leach, in full Bernard Howell Leach, (born January 5, 1887, Hong Kong—died May 6, 1979, St. Ives, Cornwall, England...

A Mashiko ware tea bowl (chawan) by Hamada Shoji. The bowl is glazed in a style known as kaki yu or persimmon color glaze which is often seen in Mashiko wares. Hamada Shoji along with Yanagi Muneyoshi and Barnard Leech were part of the mingei movement in the late 20th century. The movement emphasized the simple minimalist beauty found in daily objects made by unknown artists. Thus, Shoji never signed his works, where he too wanted people to simply appreciate his ceramics, not his notoriety. Age:...

An interesting tubular shaped Mashiko ware vase by Hasegawa Tsugio. The vase is done in the ash glaze method where the ash that circulates inside the kiln covers the fired piece creating interesting patterns and colors, late 20th century. Size: Height: 8" Length: 5" Width: 2.25"

MASK

Korean wooden mask with such nice hilarious facial expression by unique style of design and carving, similar to the one used for traditional Korean masque, but provably it's the one made for the decoration, mid-late 20th century, approx. 27 x 16.8cm (10.62 x 6.61in). With a metal fitting attached in the later years. Some expected stains and damage due to aging as is as seen.


selected by kikue




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MASK

Aged wood carving mask with such mysterious fascination that would be actually once used for Kyogen play or some kind of folk theatrical performances, Edo period, Japan, 14.8 x 10.3 x 3.5 cm (5.82 x 4.05 x 1.37in).


selected by titcoRet




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Good, first half of the 20th century hardwood hand carved bowl carved in the shape of a turtle. I acquired this from Mossgreen's Auctions, Australia about 20 years ago, they attributed it to being 100 years old. Please note the two legs in the back are damaged and is noted in last enlargement. L: 42cm/16.5in and W: 16cm/6.2in.

Good first half of the 20th century hardwood hand carved image of a pig. I acquired this from Mossgreen's Auctions, Australia about 20 years ago, they attributed it to being 100 years old. L: 20.2cm/8in and H: 8.3cm/3.2in. There is a "check in the wood, that may be noted in last enlargement

Massive Japanese bronze tripod censer decorated on opposing sides with a central panel featuring peacocks and birds in high relief. The handles are stylized bird form. The cover is decorated with stylized pierced waves and topped with an elephant finial. Late Meiji to Taisho Period (1880-1920). Measures about 14" high x 12" diameter (including handles) and weighs 8 lbs. Very good overall condition with a nice aged patina. One handle is firmly secured but is a bit loose. There are some sautered r...

Massive Meiji period Japanese Satsuma globular form tripod jar or “koro” (incense burner) in the form of a gathered pouch (Daikoku's bag), the bulbous body elaborately decorated in overglaze enamels and gilt highlights with “karako” (Chinese children) and other figures engaged in various leisure and scholarly activities in a garden setting. Late 19th century. 17” high x 16 1/2" diameter. Good overall condition with some typical rubbing of the enamels and gilt. Fine quality profess...

A massive imari vase with decoration of the Genroku era of bijin (a beauty) and hana (flowers) on two opposing panels alternating with two more opposing panels of a structure (tea house?) in garden landscape - all in red, gold and black enamels with blue underglaze. Similar landscape decorated panels appear on the shoulder over a ground of hanabishi (flowery diamond) in repeating diamond bordered pattern. The hanabishi (sometimes also referred to as karabana, or 'Chinese flower') could be repres...

Stunning Chinese antique carved marble head of Buddha. Massive in size and weight, this beautifully carved fragment is sure to make an impression. Detailed with soft features and down cast eyes. This Buddha conveys classical Chinese features, a rounded face and chin, full lips and graceful eyes nearly closed. The high detail on the snail-shell hair curls attest to its providence. Custom built Black Iron stand. Would look stunning indoor or outdoor with amazing presence. 18th century. Size...