A rare sake set by Kamoda Shoji enclosed in the original signed wooden box titled Haiyu Tokkuri-Hai Hitokumi (Ash Glazed Flask and Cups, 1 set). The Tokkuri is 13.5 cm (5 inches) tall, the cups are 6 cm (2-1/4 inches) diameter and all are in excellent condition dating circa 1965.
Kamoda Shoji is without a doubt one of the most important and influential ceramic artists of the 20th century. Born in Osaka in 1933, he studied initially at the Kyoto Municipal University of Art under to be Li...

A rare Mizusashi in rust colored glaze by Living National Treasure Hamada Shoji enclosed in the original signed wooden box titled Kaki-yu Ori-e Mizusashi. It is roughly 15 cm diameter, the same height and in excellent condition.
Hamada Shoji (1894-1978) was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed. One of the most influential and sought aft...

An unusual and rare three legged mythical beast. This is probably the prelude to the three legged frog that lives on the moon. Age: Han Dynasty 206 BC to 220 AD Size: L. 15.5cm. W. 10.5cm Condition: Some chips on the glaze fulled in and a small tip of the crown broken. See last photo.

A very rare multi color glass Chinese Han pendant with two holes for attaching to a garment or wearing as a pendant.. It comes with an additional Han glass bead for wearing as a pendant. Condition: Very good. No chips or cracks. Size: 4cm X 3cm. Age: Han Dynasty 206 BC - 220 Ad.

A beautifully preserved Han dynasty amber glazed lidded hu jar (221B.C.-206A.D) with the original kiln supports fully intact, located on the foot. The jar is free from any hairlines or repairs. The glaze is nearly and entirely intact, just slightly grazed in spots. It is extremely rare to find an amber glaze jar from the Han dynasty. It is even rarer to find one with its intact lid that is free from repairs. This is a very worthy and rare example that will enhance and add value to any seriou...

Very rare and old mask, finely carved to represent Hanuman, half monkey half god, the deified hero of the famous Ramayana epic, with a vivid expression. Wood, with remnants of polychromy. Bhutan/Arunchal Pradesh, early 19th century. Height: 20.8 cm. Nicely mounted on a custom stand. Old insect infestation (no more danger), small crack at chin level, otherwise good condition.

A rare Himalayan hardwood storage chest with a simple hinge top lid. Originally from the foothills of the Himalayas this chest would have been used to keep safe storage of dry goods. All hand carved with geometric designs. Hand forged chain that hooks and secures the lid closed. Original finish with natural coloring. Very sturdy and in pristine condition.

Very rare heavy hardwood mask, with strong features in relief, an incised sacred trident on its forehead (the traditional weapon of Hindu god Shiva), round metal added eyes, large nose and mouth. Beautiful age patina, with traces of original pigments meant to enhance the mask features. Himalayan region, early 20th century. Height: 27 centimeters. The mask is nicely mounted on a custom stand. Old accidents which do not impair the mask beauty and unique quality, otherwise very good condition

Shaman's bracelet used during rituals meant to favor crops. Tha bracelet is decorated with two stylised men, each standing behind a plough drawn by two oxen. The rest of the decor consists in stylised plants and a circle (the sun?). The bracelet is made of bronze, with a beautiful patina. Himalayan Region, early 19th century, probably earlier. Inside diameter: around 8 cm. Very good condition. A very rare piece.

Wood spoon, its handle finely carved in the shape of a standing female figurine. Nice age patina. Ifugao tribes, Northern Luzon Island, Philippines archipelago. Height: 18 cm. The spoon is nicely mounted on a custom stand. Very good condition. Provenance: Zemanek Munster tribal art auction sale # 77.

Rare Artist's Proof by Japanese Woodblock Print Artist, Gen Yamaguchi (1896 - 1976): Poetry of Early Autumn (1948). Illustrated in Yamaguchi, pl. 61. This is the artist's proof of this image, created for the artist's approval before the set of fifty prints were created. Yamaguchi achieved an international reputation when he was awarded first prize at the International Print Biennale in Ljubljana, Yugoslavia, 1957, and a grand prix at Lugano, Switzerland in 1958. He experimented constantly, manip...

Rare Image by Japanese Woodblock Print Artist, Saito Kiyoshi (1907 - 1997). The Saito Kiyoshi Museum in Japan is devoted entirely to the work of this artist, and his work is in many other museums, including the Cincinnati Art Museum, the Philadelphia Museum of Art, and the Art Institute of Chicago. His work was exhibited at the Salon Printemps in 1948, and in 1951 he received first prize at the inaugural Sao Paolo Bienniale. Influenced by Piet Mondrian, Pablo Picasso, Henri Matisse, Wassily Kan...

A massive celebratory image of Tai (sea bream) by important 20th century artist Imai Keiju in superb mounting enclosed in a wooden box signed Gorei. These fish have attitude! Sea Bream are an auspicious image in Japan due to their name (Tai) which is a homonym with medetai (celebration). The pigment on silk image is framed in patterned brocades and features bone rollers. The scroll is 51-1/2 x 78 inches (130 x 199 cm). There are two white points on the silk where it appears the silk was onc...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium. The general desig...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium. The design appe...

An Imari miniature condiment set of hexagonal baluster form decorated with trailing foliage in underglaze blue, iron red and gilding. Consisting of four small ewers, three marked with A for azin, vinegar, one marked with “S” for syrup; three with plain covers, one with a perforated cover. A complete pepper pot with perforated cover, 7cm high, and a pillar form salt, 6.2cm high. The cruet or condiment stand is also of hexagonal form with a central candle stick, 16.5cm by 16.5cm and standin...

An unusual Arita saucer dish decorated with a three colour pattern of a pair of gnarled prunus , Japanese apricot trees incorporating four low relief Prunus flowers, umehana, approximately 50% larger than the painted flowers, and a central motif of a Flowering Peony branch. The reverse decorated with three further flowering prunus branches. A single underglaze blue circle to the interior of the footring and a set of four spur marks in a "Y" shaped formation. The porcelain and the painting is o...

A Ko-Seto-yu Chaire Tea Container by Teishitsu Gigei-in Suwa Sozan I wrapped in a chord bound silk pouch enclosed in the original signed wooden box tied with deer leather, the box bearing the seal of the Imperial Art Academy. It is 5 cm (2 inches) tall and is in perfect condition.
Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate between Tokyo and Kanazawa, ...