A lidded Japanese ewer for serving saki or wine. The white porcelain pot is decorated with cobalt blue and then foliage and friezes were applied using red, green, and gold enamels. The cover has a flattened knob, and is decorated so as to match the body of the vessel. The kettle's body measures about 5 1/2"h x 6"d (with handle 7 1/2"h)(with spout 7 3/4"w), and dates to the second half of the Edo Period. The condition of the ewer is very good with no damage or repairs. The gold enamel decorati...

Large Japanese woodblock print by Joichi Hoshi (1913-1979), signed in pencil, number 64/99 in its series. Gorgeous metallic silver background. Red artist's stamp in bottom corner. Set in heavy metal frame. Size: (entire frame) 21" height, 34.25" width (artwork only) 14.5" height, 27.25" width

Large Japanese framed print by Joichi Hoshi (1913-1979), signed in pencil, number 30/99 in its series, dated 1974. Scene of a silvery tree covered in snow with metallic silver on mint green ground.

Dimensions: 29" x 29.5" H (entire frame) , 22.25" x 23" H (print only)

A large framed Japanese woodblock print by Joichi Hoshi (1913-1979). Signed, titled, and numbered 83/90 in pencil, with red chop.

Dated 1974.

Dimensions: 47 1/4" x 27 1/4" H (entire frame) 30 1/2" x 16" H (artwork only)

Antique Japanese ranma (architectural transom carving for over a door). Made all of hinoki (Japanese cypress) wood, this carving is a rare beauty in it's detail. A cross section view of a gnarled plum branch in bloom along side a stand of bamboo. The straight leaves of the bamboo contrasts sharply with the curving tendrils and round blossoms of the plum tree. Carved in a 3 dimensional style so that the view is different on each side.

Taisho Period (early 20th century)

Dim...

Large Japanese Gigaku demon mask, covered with red, gold, and black lacquer. The colors gold and red are associated with the underworld, especially when apparent in a demon's eyes. This mask sports long fangs, a stubby ridged nose, and furrowed brow. The inside of the mask has rice paper with kanji signature of the sculpting artist. Dates from the Tiasho age c1920. Size: 17.25" height, 13" width

An impressive pair of large red lacquer boxes beautifully decorated with hydrangea flowers and leaves. Both with "Made in Japan" paper labels and insurance identification/inventory labels. In very good condition with some minor wear, each measures 9 inches high, 12.5" diameter. Dates Showa, mid-century.

A lovely hollowed out root forming a basket; an anonymous 20th century work of Mingei art. It is roughly 18 x 13 x 10 inches (45 x 33 x 25 cm) and in fine condition.

A large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eyes. The dragon clutches a smooth clear quartz crystal ball in its 3 point sharp claws. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves. Dragons are the powerful embodiment of yin and yang and are seen as a symbol of power, strength, and good luck for people that are worthy.
The myths about Emperor Jimmu descending from Toyatama-hime evidence the folklor...

A large papier mache lacquered plaque or tray made for export or sale to foreigners during the early 20th Century. This raised relief design incorporating the "Satsuma cross" motif is very common on low grade tea and coffee sets made in vast quantities for export during the 1920s and 1930s. It is unusual to see this brocade style pattern depicted in this medium. Condition - good. There are two old screw holes in the back, age related "crazing" to the surface, substantial wear to the rim and ther...

Beautiful Japanese Satsuma lidded jar featuring four different scenes with immortals. One scene includes a boy and another an animal. In excellent antique condition with wear to gold gilding, it measures 11.5 inches high x 8" widest point. Dates Meiji Period, circa 1880.

1900's Japanese Satsuma Punch Bowl Signed Shuzan with Yasuda Trading Company

It is 5.9 inches (15 cm) tall by 11.9 inches (30.2 cm) wide. It is 5.7 Lb.

It has rubbing of paint and gold, stains, and surface wears and scratches (as seen in the photos).

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A very large,well potted, and finely decorated Satsuma earthenware vase made in Japan during the Meiji period (1868-1911). The foot-rim carries an impressed seal mark which reads - "Kozan". Condition - excellent - no damages and no restoration. 47cm (18.5 inches) high; 6.1kg (13.5lb) weight

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This is a rare and large, top quality Satsuma Jar or vase by Yabu Meizan. We are not sure because the top is both gilded and glazed on the inside edge. The beautiful Meiji era lid is not original to the piece. The gold detail and landscape painting are beautiful. It is stoutly potted and measures 9 inches tall by 8 1/2 inches wide. This piece is not signed but at one time it was signed by Yabu Meizan. The original signature has been covered up by an excellent restoration to a drill hole. The pri...

Beautiful large Japanese antique scroll painting depicting a scene of Mt. Fuji with clouds and rural village below, leaves of the trees in the foreground are painted in Autumn colors, painted in sumi ink and light colors on paper, silk mounting. Regarding translation of calligraphy on scroll, the language formally states that this painting is respectfully given to a person (Sei in) from another person (Koō yoū ro). It is implied that Koō yoū ro is the artist although it i...

Large Japanese religious scroll painting of the bodhisattva of compassion, Quanyin. She holds a willow branch and a container holding the elixir of life. Mineral pigments on paper with gold thread silk border.

Edo period circa 1850s

Dimensions: 105 1/2" x 32" overall

Large Japanese Gigaku demon mask, covered with silver, gold, and bronze lacquer. The colors gold is associated with the underworld, especially when apparent in a demon's eyes. This mask sports long fangs, a stubby ridged nose, and furrowed brow. The inside of the mask has rice paper with kanji signature of the sculpting artist. Tiasho age c1920. Size: 17.25" height, 13" width

This baluster form vase is quite large by Japanese standards at 14 inches (35 cm) tall and in perfect condition. Chrysanthemums decorate the sides in rich, dark blue. There is a slight yellow tinge to the white glaze. It is signed on the base Makuzu Kozan Sei. The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyoto pottery family Miyagawa Chozo. The Kozan kiln as we know...