A 17/18th Century Chinese Polychrome Painted Stucco Figure of an Immortal, superbly modeled with flowing robes and wearing a necklace with a pendant. Statue is attached to a Pink Base with backing. Some traces of gilding remain. Item in left hand is missing. Good overall condition, natural aging/wear over the period. Size: 28.5 cm. height. Weight: 2.3 kilos. Provenance: From the Private Collection of MARGARETE SIEMENS, Germany (L. Bretschneider, Munich).

A 16th century Yoshiro Zogan tsuba. The type is named for a Kaga province artist considered to have advanced the late Onin period brass inlay art to that of hira-zogan - flush with the iron surface. The school also took hold in other provinces, most notably Bizen. The mokko-gata form of this tsuba would appear to be uncommon for Yoshiro Zogan tsuba particularly of katana size. Eight ka-mon are inlaid in open work fashion. The remaining surface decorated with a network of brass inlay depicting al...

A matching Edo period Myochin signed Go-mai-do Gusoku yoroi lacquered black and threaded with blue chord emblazoned with a seven star crest. It features a 24 plate suji kabuto with elaborate tehen kanamomo signed Myochin Ki Munemasa saku. The blossoming Shikoro features large back-turned Fukigaeshi and mabizashi covered in leather and also emblazoned with the seven star crest. Inserted in front is a sharp kuwa-gata maedate. The mask is a reisei ho with prominent flanges matching the design o...

Half cylinder shaped (Hanzutsu) tea bowl, thrown from light, coarse Mino clay, with very little inclusions a clay found on earlier Shino bowls. The walls are cut with a potters knife.

The bowl has been covered fully (with the exception of the foot ring) first with an iron bearing engobe (oniita) and after the decoration had been incised with the typical ash and feldspar glaze inside and outside creating the nezumi-shino glaze.

The decoration in white Shino glaze on this ...

Here we present a real old Ko-Karatsu Tenmoku Chawan with a wonderful yobitsugi repair. It dates from the early stages of the Japanese Azushi-Momoyama Period (1573-1603).

A yobitsugi repair is not just a simple repair, it is a recreation by using laquer and some fragments of broken pottery of the same or a similar kiln. The result is a breathtaking consistency of 'landscape' (keshiki). The chawan is ready for use - tea does not leak.

A characteristic feature of the use of...

A fine Japanese blue and white porcelain dish. The foliate rim with chocolate brown glaze, the white porcelain body and glaze, and the fine attention to detail all suggest Kakiemon type. The cavetto with decoration of flowering plants including peonies, prunus and others. The center decorated with a bird (perhaps a flycatcher) in fruited branches, rockery and bamboo leaves below. Both the cavetto and center with reverse technique where the underglaze cobalt blue forms the background of the decor...

Special offer: Heavily distorted shoe shaped (kutsugata) tea bowl with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

A 'window' on the side has been left unglazed and is decorated with a square divided into two white and two black section accompanied on each side by two circles with the same patterns. This is a ty...

No longer in existence, the Kahara kiln of Nagasaki—where this tea bowl was crafted—operated from the early to mid Imari period (roughly 1624 - 1671).

A magnificent composite, this piece was excavated from the kiln grounds and repaired using boldly applied silver joinery (gintsugi). Comfortable and solid in the hand, this is a very attractive tea bowl with interesting textures and other features such as a small pebble explosion during firing known as an “ishi haze.” Such ma...

Chinese Turquoise color Monochrome Pottery hand molded 2 handle Dragon Vase, Ca. 17th C. Ming, 8" high, 6" wide for point to point hexagonal bottom, 4 1/4" wide for top include two(2) handles. The bottom is not glazed. There are some small glaze chips, very common for this type of monochrome glazed pottery.

A Chinese porcelain jar decorated with phoenixes and flowers using under-glaze cobalt, iron-red enamel and gilt. Kangxi period. There is an old chip-repair at the rim, good antique condition other than this. Height: 6-1/4".

With a floral decoration. Marked at the bottom with an Artemisia leaf. China, late Ming, ca. 1640. H. 14,5 cm. Condition: minor chips, firing flaws.

Small bronze seal in the shape of a bird standing on an elevated rectangular base. China, Ming Dynasty. Height: 2.2 cm. Length: 3.4 cm. Abrasion due to age, otherwise good condition.

The elephant has a Buddhistic caparisoned dress with pearl harness, tassels, and scrolling patterned blanket. On its back is a removable bulbous vase form with flared neck (tianquiping) Incised with arctic motif. The elephants almond shaped eyes, diminutive tusk, pinched ears, with trunk swayed inward. The bronze is lost wax cast method. It has verdigris patina with a dry russet color.

The Ming dynasty was the ruling dynasty of China—then known as the Empire of the Great Min...

Small stoneware glazed vase from Vietnam with incised design with floral painting on top of the floral design. Size: H. 7cm. W. 8cm. Condition: No repairs.

A large natural wood lacquered brush pot with a natural burl forming in the center. The base of the pot is fairly thick. Age: late Ming. Size:H.22.5cm. L.26.5cm. W.at the base. 15.5cm. Condition. Some minor old repairs. Three old clips ,two on the rim and one on the base (see photos),possibly added during construction.

A superb quality very large pottery figure of a male attendant or official, dating to the earlier Ming Dynasty, 1400-1500 AD.

The figure is placed on a high hexagonal plint and wears a fine two-colour blue and turquoise glazed robe. The unglazed areas have pigmented colors in red, black and white. Finely painted facial details.

The head is attachable as often seen on the largest figures from this period.

The figure holds a blanket under his arm.

Si...

A divine and genuine AYUTHAYA PERIOD BRONZE BUDDHA HEAD mounted, 17th/18th Century, Siam. Good overall condition, left earlobe missing. Size: ca. 12 cm. including base, 8 cm. head alone. Weight: 450 gr. Provenance: Private Scandinavian Collection. Very Fine Collector's Piece!

Really important Ko-Karatsu (kogaratsu - oldest Karatsu ware made during the 16th century) Madara tea bowl with a yobitsugi repair of highest quality.

The bowl is a so called Madara Karatsu tea bowl (provenance is the legendary Hobashira-kiln) due to its typical cookie-like sandy clay and wonderful blue-purplish flecks.

But its true highlight is the perfect traditional yobitsugi restoration with a pure silver gintsugi (kintsugi). A yobitsugi repair is not just a simple r...