A small bronze, hakudo (white bronze), early handled mirror 17.2cm long. The mirror portion measuring 7.7cm in diameter. Typically for an early bronze mirror, it is basically a round handleless mirror, even down to a pierced boss for the attachment of a ribbon, with an attached handle. The mirror is of a design typical of the sixteenth century incorporating a pair of Cranes, sotsuru, conjoined at the beak with a tortoise kame-gata form central pierced boss in a “Y” shaped formation In add...

The design of this mirror has not entirely escaped the conventions of earlier Kagami-e (Long handled Mirrors) of the late Muromachi –Momoyama era, which are essentially mirrors of conventional round form retaining a central boss to which a handle has been attached. In this example the Cranes are arranged directly opposite each other, their beaks meeting with that of the kame, to create a T form; a convention that appears in the late 16th century. Contrast that with earlier examples in ...

Chinese Ming dynasty sancai or green glazed water drooper with human ridding makara fish. 9 cm high 10 cm wide (maybe 12 cm if the tail complete). Missing the tail fish. Free from any repair.

It is commonly said that beauty is in the eye of the beholder, yet, in the real world, there seems to be a fair amount of congruity about what people consider beautiful, with most arguments about particular instances being about degree, not direction. This chawan is pure beauty - no matter from which angle you look at it.

Slightly distorted cylinder shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay in the early Edo Period around 1620. The expertly thro...

Very little distorted cylinder shaped (hanzutsu) tea bowl with a rounded brim, made of little reddish, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part and through the finger marks (rokuro-me) covered with an ash glaze inside and outside. The little iron oxide in the clay turned the glaze to light brown.

On two opposite sides, decoration has been applied under the glaze in iron oxide with a little white engobe. On the front y...

One of a group of very large Ming Dynasty pottery horse riders.

The figure is of a military attendant, wearing a hat and carrying a book or an instrument in his hands. He wears a blue robe with turqoise sleaves. Thick and very beautyful glaze. The unglazed areas are covered with white and black pigmented colors.

Note that the painting is very detailed and the perfectly rendered facial features.

A very large figure, measuring c. 40 x 30 cm. The construction is ...

A Chinese jade plaque 17/18 C. very finely carved and pierced with precious objects e.g the canopy, endless knot etc.This reticulated example with its breathtaking virtuosity and delicate , meticulous detail is a fine example of earlier Chinese lapidary art. The stone is of greyish celadon hue with spots of whitish clouds and is set on the back of a hand mirror in a frame of gilt silver which is worked with a ground of filigree and multi colour enamel decoration. All is enhanced with semi precio...

Pre-colonial Philippine pottery collected in the Philippines in 1970's.

Philippine Pre-colonial Pottery with embossed ribbed form.

Philippine Pre-colonial pottery vessel with two ears.

Diameter approximately 38 cm. Few soft chips at the rim. Soft frits at the rim. There are some enamel missing. Addition of enamel can be done. A hairline at the rim. In good condition.

Diameter approximately 37 cm. Soft frits at the rim. There are some enamel missing. Addition of enamel can be done. In good condition.

Diameter approximately 32 cm. In good condition.

Diameter approximately 32.4 cm. Height approximately 13 cm. There are: a hole at the center of the bowl, a crack/hairline from the rim to the center and some hairlines at the center. More pics are available.

Distorted shoe shaped (kutsugata) tea bowl with a flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and its brim. It dates back to the early Edo Period (1603-1868).

It is covered with a very deep black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with two fish nets hung for drying.

On the other side w-shaped and was left unglazed and w...

A collection of four small stoneware elephants with different celadon glazes from the Si Satchanalai or Sawankhalok kiln in Thailand. Dimension: tallest: c. 10.5 cm long x 8.2 cm high, smallest: c. 7 cm long x 5.6 cm high. Condition: two elephants with slightly chipped ears.

Height approximately 46.8 cm. Ivory color. Few hairlines at the rim. Soft frits at the rim. Few firing cracks at the rim. More pictures are available. In good condition.

Here is a real beauty. Perfect in form, shape and design: Ao-Oribe (Green Oribe) Chawan from the early stage of Edo period. Little distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay.

The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside. Just the foot ring and its immediate surrounding were left unglazed (with the exception of a few spots of gla...