A Chinese Celadon Glazed Stem-Cup. Circa, 14th Century, Yuan Dynasty. Found in the Philippines. Featuring rounded walls, rising to a slightly everted rim and is supported by a long waisted foot. It is covered overall in a green celadon glaze, except for the foot-ring. Measurements: height (4"inches), diameter (4.8"inches) across. Condition: perfect condition. No repairs. UV light checked. Photos by: The Oriental Room®️ Feel free to contact me at theorientalroomph@gmail.com f...

A Chinese Qingbai Glazed Ewer with a Dish Mouth. Circa, 960-1279, Song Dynasty. Found in the Philippines. Featuring an ovoid shaped body, tapering to its shoulders with two lug handles and a short curved spout, opposite a straight strap handle onto a short waisted neck, supporting a cupped mouth with a slightly flanged rim. It is covered overall in a translucent green-white glaze, stopping short above its foot and its base remains unglazed. A similar form of ewer with a dish mouth ca...

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. Kogin-sashi is one kind of needlework (sashiko), stitches with white cotton yarn go horizontally and make geometrical patterns. It makes the hemp kimono warm with thick kogin in the cold district like Aomori, where it is hard to cultivate cotton. It has thin indigo dye cotton lining and sashiko in the lower body too. Both sleeves are "...

Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside. In this case, Kamisaka Sekka produced the design, enlisting two of Kyoto’s then top artisans to complete the work, lacquer artist Miki Hyoetsu I who applied the lead, gold and lacquer and Ito Tozan who created the...

The mark of the potter is carved on base.

Size
Height 9cm
Width 13cm


Excellent condition with no damage and no repair. Supplied with signed wooden box.

In 1921, following the completion of his primary education, Toshu Yamamoto embarked on a transformative journey into the world of pottery. With the fervor of an eager apprentice, he immersed himself in the intricate craftsmanship of Bizen-ware. A mere twelve years later, in 1933, he stood before his...

Fine Chinese Song Dynasty Dragon Jar inc. Stand & Cover with Oxford TL Test

This exceptional "five-section" stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with the outer body and inner mouth coated in an attractive dark iron glaze, the colour varying from brown to black with an almost "metallic" silvery sheen to it in places. The elaborate applied decoration around the shoulder features a dragon chasing a pearl (the story of the dragon's pearl is ...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

Amazing boro sodenashi (sleeveless) noragi, whose ground cloth as well as mending patches are mostly vegetable indigo dye cotton cloth. Some of sashiko yarns are indigo dye hemp. Late 19th century. It is from Niigata prefecture. W:62cm, L:80cm

An antique Chinese cabinet made of Jumu wood. Original brass hardware mounts. Two side by side drawers with hinged doors opening to a spacious storage compartment.

Age: 19th Century

Dimensions: 35 3/8" Wide by 31 3/4" High by 22" Deep

Antique pair of small Inari Shinto shrine foxes carved of wood. Originally painted, these foxes have acquired a deep, dark over many years. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.
Believed to be both messengers and guardians, Kitsune serve Inari in her role as the Goddess of agriculture, specifically rice. Part of the folklore surrounding the fox is it's ability to shape shift into a human form. It is believed that Inari ...

Simple yet classic styling—this tea bowl is perfect for anyone looking for the quintessential Ido-shaped chawan crafted by one of Japan’s premier Hagi potters.

Born in the famed pottery town of Karatsu in 1942, Zenzo Hatano spent a number of years learning the various styles particular to his region before taking up an apprenticeship under well-known Hagi potter Yoshiga Taibi. Winner of a number of awards including the Japan Crafts Exhibition Award in 1977, Hatano�...

A beautiful and very old Hagi tea bowl; showing signs of long use and appreciation. The gold repairs add to the overall composition and highlight the important role this piece played in someone’s tea practice. Though still functional to be used as a ceremonial implement, this would fit much better as a treasured display object.

In excellent condition this tea bowl is 5.1 inches in diameter at its widest point (13cm), and stands 3.1 inches tall (8cm). It comes with a pe...

The poem etched on the side of this exceptional piece reads: In the future — happiness — and long life — two sprouting leaves —to grow a thousand years. Indeed a positive message, perhaps to accompany a warm cup of sake on a quiet winters evening.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen she was a lady in waiting at Kameoka castle where she was trained in the arts ...

LARGE Chinese Western Han Dynasty Painted Pottery Hu Jar

This large and imposing jar, of "hu" form, was made during the Western Han Dynasty (206 BC - AD 8). It is made from a fairly high-fired grey pottery. It has a particularly wide body with a tall neck that flares out into a wide mouth. Interestingly it has a convex base within which are fabric impressions, the flared foot having then been luted to the body prior to firing. There are three raised bands of decoration surrounding the body: ...

Kajibanten (fireman's jacket) with sashiko, made of cotton. It has hand-drawn "shachi" motif, which is a mythical carp with the head of a lion and the body of a fish and it is an auspicious protecter. Generally, in good condition but some wear in the neck and brownish stain near hem. 19th century. W:122cm, L:87cm

Enamelled copper dish. Decor, in the center, of a palace scene painted in enamels of the "Famille Rose", surrounded by a deep Sèvres blue on which Chinese emblems stand out in gold and in silver armfuls of flowers which have lost their shine, silver having oxidized over the centuries. On the margin are represented in gold on a blue background dormouses feasting on grapes, this theme was very popular around 1800.  The white reverse clearly shows the stains of the old restorations which have yel...

A smokey yellow bowl impressed with various floral images dating from the Edo period made up of various ancient kiln shards put together with lacquer and silver in the Kintsugi technique. The bowl is 11.5 cm (4-1/2 inches) diameter, 8 cm (3-1/4 inches) tall and comes wrapped in a contemporary silk pouch in an age darkened kiri-wood box.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi. Yobitsugi is a form of kintsugi that entails combining pieces of ...

An antique gilt bronze Buddhist tower finial with three pierced flame flanges richly engraved with scrolling vines mounted on a hardwood pedestal It is 53 cm tall and in overall excellent condition.