DESCRIPTION: Nearly life-sized and in the traditional frontal pose, this painting on rice paper depicts a Chinese Qing official (mandarin) and his wife seated on elaborately carved chairs in semiformal gowns. The woman's bright red robe has an embroidered insignia that proclaims the couple's rank and status. Her feet and hands are hidden and she wears an elaborate headdress of gold and pearls. Wearing an eggplant colored overcoat, the husband sits in his official hat while stroking his beard ...

Attractive 2-piece Chinese wooden display cabinet with glass doors and fine inlay work (see photograph # 3 for details). 19th Century, good condition. Size: H. 169 cm. x W. 102 cm. x D. 46 cm. ( 66.5" x 40" x 18").

Japanese woodblock print by Paul Jacoulet. Beautifully done and sought after in this market. Great condition, framed behind glass. Circa late 1940's Dimensions: 20 1/2" High X 16 1/2" Wide

DESCRIPTION: During the Ming and Qing Dynasties, glazed sculptural tiles became a popular decorative devise used extensively in temples, altars, imperial palaces and gardens, and are considered one of the hallmarks of classical Chinese architecture. On temples and palaces, representations of mounted warriors and snarling dragons were meant to ward off evildoers of both the physical and spiritual kind.

More rarely seen are wall tiles earlier than Ming, so we are pleased to offer this one...

Japanese antique tansu chest for storage of paper, made of kiri (paulownia) wood, nine drawers of different sizes (3 long, 3 medium, and 3 small), iron hardware with warabite shaped drawer pulls, two of the smaller drawers have lock plates, wonderful side hardware with handles for carrying, kiri wood has nice grain and beautiful natural over all patina, Late Edo Period (c1850) Size: 28 1/4" high x 44 1/4" wide x 16 3/4" deep.

Famille rose was introduced during the reign of Kangxi (1654–1722), possibly around 1720. It used mainly pinks or purple and remained popular throughout the 18th and the 19th centuries. This Famille rose enamel vase dates from the 19th century and has a greater range of color and tones than was previously possible on early pieces, enabling the depiction of more complex images, including flowers, fu-dog, mythical creatures, insects, and assorted scholar objects. The enamel is all original...

Chinese painting of grapes attributed to Luo Yin, a pupil of Pu Ru, 1896-1963. This was painted in the spring of 1970 according to the inscription. Luo Yin wrote several books about his master Pu Ru, known for his calligraphy and painting. This piece measures framed: 31.5" wide by 60.5" tall image:25" by 45". It has 4 seals.

Ohara Koson
Mallards in Flight
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (36)
Reference: A variation of K7.4 and plate 108 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding f...

Long a symbol of longevity, good luck, and support in many parts of Asia; in Japan the turtle has the added symbolism of being one of the cardinal protectors of Heian, the ancient capital city of Kyoto. This rendition of a turtle basking on a sunny riverbank was done by one of the most renowned and loved Waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Re...

A very attractive and rare Pair of Mandarin Ducks OSHIDORI made of slightly modified and patinated root wood. The male wIth raised head and the female looking at the ground after food. Meiji, c. 1880/1900. H 16 cm, L 25 cm. Mandarine ducks are symbol of long life fidelity as they stay together forever. It comes with inscribed Storage Box Tomobako. Condition: Excellent

Rare Large Chinese Han Dynasty Burnished Pottery Amphora (206 BC- AD 220)

A superbly conceived design; jars of this general type have been found in excavations dating as far back as the Spring and Autumn Period (770-475 BC). Although perhaps not obviously Chinese in design, this type of vessel is one of the most iconic forms of Han Dynasty pottery and is thought by many archaeologists to be anthropomorphic, with the shape and "swirling" design of the main body based on the female human form....

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.

This is a wonderful Meiji Era or Japanese golden age cloisonne box. The designs and form on this piece are very attractive and quite rare. Even the bottom has the fan shaped decorative designs. This box is in excellent condition but not perfect because the bottom enamel edges show some table wear. The box measures 4 3/4 inches by 4 inches and is2 1/4 inches tall. It is not signed.

8 Pages of a Tibetan painted manuscript. 5 paintings of Demons on each page. Undated, estimated to be 17th century or earlier. Approx size 28x 12 cm. Edges damaged and some paint loss, check images closely, can be viewed in central London and shipped worldwide.

Antique Chinese red lacquer altar cabinet/coffer. The two front swinging doors open by two metal pulls hanging from a round lock plate, the patina slightly oxidized green. The interior holds a single shelf. Above are two drawers opened with pulls, identical to the doors below. Original condition.

19th century

Dimensions : 36.35" L x 17.75" D x 35.25" H

A pair of large mixed metal birds on a custom black lacquered table by Iwase Seifu enclosed in the original signed wooden box titled So-Hato Okimono. Excellent detail, the birds are life sized, the strutting male figure signed on the posterior is roughly 9 inches long, 8 inches tall. Both are in good condition, with some wear to the silvering.

The dreamlike quality which gave Taisho period art its unique flavor is readily apparent in this sumptuous composition by Kido Soi featuring long tailed birds along a tumbling stream. Pigment on silk mounted on applied gold flake in a silk border with a red lacquer wooden frame consistent with the era. It is signed in gold, Shunyo, the name used by Kido Soi in his youth, placing the screen easily before 1930. The screen is 67.3 x 56-1/4 inches (171 x 143 cm) and is in fine condition.
Due...

A circular qingbai porcelain box of compressed drum shape with neatly lobed sides and a slightly concave base. The domed cover has a concave top, which is mould-­impressed with small chrysanthemum flowers. Both the exterior and interior of the box and cover are coated in a thin, translucent bluish­-white glaze, leaving the rims and base unglazed, exposing the sugary white body, which has some brown and black firing marks. The base is mould­-impressed with a five­-character mark reading Duan ...