An important work in the oeuvre of 20th century avant-garde oil painter Nakamura Yoshitane, his first exhibited work at the 1938 Dokuritsu Tenrankai (Independent Painters Exhibition) titled Canna and Cypress retaining the original gilt frame and published in Nakamura Yoshitane Gendai no Ningen Fukei (page 81). Thick application of pigment and very heavy texturing are key features to the work giving it a three dimensional quality. A copy of the book is included with the sale. According to the e...

A dragon rides in a swirl of movement atop this silver and damascened Koro incense burner by Chosa Yoshiyuki. The sides are decorated with images of plum and pine. The bottom is signed Yoshi-saku, and bears the stamp 900 delineating the silver content. It is 5-1/2 inches (14 cm) tall, 3-1/2 inches (9 cm) diameter and in fine condition, enclosed in a period heavy kiri-wood box.
Chosa Yoshiyuki (1915-2002) was a bronze artist and recipient of the Japanese Order of Cultural Merit. Born i...

Chinese carved jadeite bangle, wonderfully hand-carved with auspicious imagery such as a lingzhi mushroom, a bat, a chimera, and various flora.

Size: 3.25" across ( 2.25" inner )

Antique Japanese pair of beautifully carved wooden temple fu dogs, with red and gilt pigment remains, each on its own carved pedestal. Fantastic detail in each. One has its mouth open while the other's is closed, representing life and death.

Edo period (1603-1868)

Size: 17.5" L x 10.5" W x 24" H (19"H w/o pedestal)

A natural amber pendant of a good fortune frog (toad) with the underside having a string of coins for wealth. The bottom has a hole for stringing. Size: L. 3.8cm. W. 3.3cm. Condition: No repairs.

Old (1930's) Japanese Awaji Dragon Pottery Ceramic Studio Vase with Dragon Marked

It is 7.4 inches (18.7 cm) tall by 8.3 inches (21 cm) wide. It is 3.5 Lb.

It has repair at the bottom, manufacture defect of firing cracks and skip glaze (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you n...

Chinese small hardwood folding screen with hard stone panels, hand-painted front to back with scenes of immortals, scholars, and nature scenes with calligraphy inscriptions and red chops.

19th century

Size: 30" L x 21.5" H x .75" W

A ghoulish character from the Otsu-e pantheon, the Oni no Nenbutsu, a devil in priests robes, stands grinning, hammer in one hand to bang his bell and a ledger in the other in which are noted all the peoples sins. This figure is carved of wood and covered in lacquer and mineral paints. Dating from the 19th century (Later Edo period) it is 13 inches (33 cm) tall. There are some losses to the pigments accentuating the antique feel.

Vajrapāni (Sanskrit: "Vajra in [his] hand") is one of the earliest-appearing bodhisattvas in Mahayana Buddhism. He is the protector and guide of Gautama Buddha and rose to symbolize the Buddha's power.He also is know to protects the wearer. Condition: Natural age patina. No repairs. Size: See last photo

Autumn in the Mountains by Shirakura Niho Pigment on silk in a fine brocade border extended with beige and featuring ivory rollers enclosed in the original signed double wood box (nijubako). It is 26 x 56 inches (66 x 143 cm) and is in excellent condition. This is signed with his later art name Kanyu. We can see in the style as well, here he has adopted a very western watercolor approach, that this is one of his post-war works.
Shirakura Kinichiro (Niho or Jiho, Kanyu, 1896-1974) was ...

A single bead of green glass hangs like an emerald earring from the “mimi” on this Shigaraki vase by Takahashi Shunsai enclosed in the original signed wooden box. It is 10 inches (26 cm) tall and in fine condition.
Born in 1927, the second son of renowned potter Takahashi Rakusai III in Shigaraki, Takahashi Shunsai left home to study under Taniguchi Ryosai in Kyoto before returning to Shigaraki to pursue his studies of Shigaraki styles specifically under his father and spent the bett...

Chinese Cizhou type small bowl, with a character "Yuan" on the inside bottom of the bowl. Yuan Dynasty. Condition: there are some glaze chips on the rim, no other flaw beside these. Diameter: 4-3/8".

Pair of Chinese Qing dynasty Daoguang (1821-1850) mark and period scalloped edge porcelain bowls finely decorated on the exterior in famille rose enamels with birds among marsh flowers and plants set against a sea foam green background. A wave pattern accented by rust-red bats extends around the foot. Turquoise base and interior. A square rust-red six-character zhuanshu Daoguang mark is on the base. Wood stands are included. Each bowl measures 7 7/8” - 8” diameter x 2 5/8" high (excluding w...

A large framed woodblock print by artist Ouchi Makoto (1926-1989) titled "Snow", numbered 47/100, and signed in pencil, with red chop. Professionally framed in Hong Kong.

Size: (entire frame) 29" L x 23.5" H (print only) 22.5" L x 16.5" H

Chinese mounted fan painting, with scenic imagery of a forest of bamboo, with natural structures of rock in the foreground. Calligraphy and three red chops in upper left area.

Size: 24" L x 13" H (20.5" L x 10" H fan only)

Impressive Japanese ink and color on paper horizontal handscroll measuring over 30 feet in length depicting an Edo period genre scene of a large daimyo procession passing through the center of a village. The villagers are engaged in all manner of activities. As the scene unfolds, there are also scenes of battles and encampments. Scroll: 19 3/4” x approximately 32 feet in length. 19th century. Very good overall condition with typical wear and soiling visible. There are some repairs to old...

Bidoro rain down like a glass bead curtain over the terracotta clay of this Shigaraki Tsubo by Takahashi Shunsai enclosed in the original signed wooden box. It is 8-1/4 inches (20.5 cm) tall and in fine condition.
Born in 1927, the second son of renowned potter Takahashi Rakusai III in Shigaraki, Takahashi Shunsai left home to study under Taniguchi Ryosai in Kyoto before returning to Shigaraki to pursue his studies of Shigaraki styles specifically under his father and spent the better pa...

A traditional shape called Kinuta (fulling block) draped with ochre glaze over charred blacks by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Kinuta Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. A Kinuta (fulling block) is a small wooden mallet used to beat silk into a soft texture. It is a very traditional shape in Japanese pottery. This is 9 inches (23 cm) tall and in excellent condition. ...