Chinese Qing dynasty wucai baluster form porcelain jar painted with two large phoenix birds in flight among peony flowers and leafy scrolling foliage. A narrow border holding two qilong among flowers and leafy vines is at the high shoulder below a band of scrolling foliage at the neck. Brown dressed rim. Glazed interior and flat unglazed base. 17th century. 11 1/4" high. Weighs 5 1/2 lb. (2.5 kg). There is wear to the overglaze pigments. A brown kiln kiss is on one side. Two brown hairline cra...

Bashofu kimono hand-woven of ito-basho, which is a family of banana tree. Both wefts and warps are hand-plied. The brown warp kasuri yarns are dyed with extract liquid from tree or root of "sharinbai", which is a family of rose, and the very dark blue weft kasuri yarns are dyed with Ryuku-ai, vegetable indigo in Okinawa. Bashofu has been woven in many Islands in Okinawa for everyday kimono or work wear. 20th century. It has some stains and holes. W:106cm, L:116cm

A fine shoe-shaped - katsugata tea bowl of black Oribe (oribe-kuro chawan), the coarse Mino clay is covered with a thick black glaze, on one side a cartouches featuring irregular strips patterns in iron-brown glaze on creamy ground. Japan, Edo, Meiji period, 19th cent. L 13.5 cm, H 6.5 cm. Condition: Excellent with signs of use and wear.

Japanese shin hanga woodblock print titled "Omuro" by Hiroshi Yoshida (1876-1950) dated in the left margin Showa 15 (1940). Post WWII later edition. The artist's black ink stamped signature and red seal is at the lower left. The print is block titled and signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #240. Paper measures 10 3/4" x 16" (image size: 9 3/42" x 14 3/4"). Very good clean overall condition with full margins...

Ohara Koson
An Eagle on a Tree
Size: Approximately 17 cm x 12 cm. 6.625 x 4.75 inches.
Date: ca. 1910.
Koson signature and seal at lower right.
Publisher: Matsumoto (no. 442). Tag at back.
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design not listed in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland). The design is similar to K13.3 (Eagle on leafless tree) in the above catalog.

Large Chinese Neolithic Machang Painted Pottery Jar

This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared mouth, and two sturdy loop handles on opposing sides at the waist. The outside of the jar a...

Bijinga - a painting of a beautiful woman depicts otogoze/otafuku beauty. Finely painted with ink and pigments on silk. The back ground of her is decorated with gold on fan shaped design. Signed and sealed.

Some insignificant light marks and light foxing are present on the painting itself, otherwise the painting is in very good condition with age. Some insignificant light marks and a small scrach is present on the scroll end, otherwise it is in very good condition. It is mounted on beatifu...

Suoerbly cast five prong vajra, with delicate details, on the makara heads, as well as on the stylised lotus. Bronze with fine dark patina. Tibet, mid 20th century, maybe earlier. Length: 12 cm. Very good condition.

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

Black Bizen Guinimo and Tokkuri by Oiwa Tomoyuki enclosed respectively in their original signed wooden boxes. There is a wonderful dialog between the two pieces, the bottle blackened with dark dry ash buffeting the surface, while over the same darkness has been blasted molten ash on the cup, flowing around and beading on one side. The juxtaposition between the liquidity and dryness of the two, same colored, ash effects is delightful. The sake cup is 7 cm (2-3/4 inches) diameter, 5.5 cm tall, ...

An exceptionally fine porcelain bowl made for presentation, kenjo-te. The centre of the dish is decorated with an unusual version of a Karashishi which would seem to be floating upon a feather set against a net like blue ground which has been produced using the shiranaku technique. It is strikingly similar to the karashishi and feather compositions that appear on Chinese porcelain of the Wanli era. The motif would seem influenced by representations of Lions on contemporary Ming military Ran...

A square shallow bowl in the form of a Japanese rice measure, masu, which was considered to be an auspicious form decorated to the exterior with two Dragons in different stances with two eight character poems with seals. Presumably the shape was intended as a play on the word, namasu, a term used to traditionally describe a serving of pickled vegetables and the related bowl. It could possibly have been used as a guinomi, sake cup, as the vessel when filled takes a similar quantity to square s...

A perfect example of the Chossen Karatsu style of flowing glaze by master of the craft Nishioka Koju enclosed in the original signed wooden box. It is quite large for a Tokkuri, at 20.5 cm (just over 8 inches) tall and in excellent condition.
Nishioka Koju (1918-2006) was born in Saga prefecture, and after participating in kiln research began working in Karatsu style ceramics around 1950 in a kiln he built that was named by Koyama Fujio. To this kiln came Fujiwara Kei and Arakawa Toyozo,...

Japanese early 20th century woodblock print of a BIJIN by ATARO. Fine color and impression. The print measures 8 1/2" wide by 13" tall.

A nice Chinese wine jug measuring 12" (30.5 cm) high, 11" (27.9 cm) diameter. This attractive example dates late 19th century. Beautiful dark brown glaze.

Very collectible ink cake of a Chinese woman in traditional Chinese attire wearing padded armor and holding the Chinese Army (1912 -1929)flag while her left hand crosses over body and rests on the sword pummel. The detailing is excellent and this is one of those items that looks better in person than in the photos. We feel comfortable with a pre-1920 dating. It measures 5.5" (14 cm) high, 4" (10.2 cm) widest, .75" (1.9 cm) deep.

Finely crafted carved celadon jade in form of a small vase with two foo lion handles, carving is very delicate from early 20th century period, 2 inches in height with no condition issues.

18th Century, Japanese Boxwood Netsuke: Recumbent Dog

18th Century, nicely hand-carved Boxwood Netsuke depicting a recumbent Dog that appears to be pleasantly resting. Very nice stylized touches characterizes this netsuke made during the EDO Period of Japan. Unsigned. A bit larger than most netsuke of this type, with large himotoshi, common of carvings made during the 18th century, and beginning of the 19th century..

This type of netsuke were referenced in an article written b...