Man's silk juban (under kimono) with shibori design whose motif is shogi-no-koma (pieces of Japanese chess) with Chinese characters. It also has hand-painting with gold. In excellent condition. The first half of the 20th century. W:134cm L:131cm

Baby's cotton kimono with Sekka-shibori, one kind of board-clamp dye. It has cotton lining. Handsewn but the belt is sewn by machine. Generally in good condition but some light stains in the cotton white lining and upper front. The first half of the 20th century. 59cm x 47cm

Pojagi made of figured silk satin fragments and all hand-sewn. It has cotton lining. The first half of the 20th century. In good condition but some light stains in the lining and the belt. Mostly hand-sewn except for the belt. 20th century. 37cm x 38cm

sakiori obi whose wefts are strips from old silk and cotton kimono and warps are brown silk yarn. In excellent condition. 20th century. 9.3cm x 2m34cm

Han-juban (short under kimono) made of plain weave silk and beni-itajime (clamp-board dye) with hand painted Yuzen design. The red dye is chemical which was practiced from Meiji period (late 19th century), after beni-itajime with beni(safflower), practiced in Kyoto in Edo period. The last image is beni-itajime with Yuzen dye. The lining is cotton. In excellent condition. W:57cm, L:70cm ...

Contemporary Japanese glass obidome (sash ornament) with multiple rods depicting various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Beautiful design, superb quality glasswork, very pleasant finish. Metal fixture with two loops on the back for an obi cord. Diameter 1.07 inches.

A flip calendar with a tiny woodblock print of a torii gate and a litho of The Teahouse Jiji-ga-chaya at Meguro by Hiroshige.
Date: 1934
Overall size: 5.25 x 2.5 inches.
Christmas greeting on back.
Condition: Excellent.

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset. They learned not only kimon...

Sample book of "100 hundred ancient sarasa". made of 26 silk fragments with katazome (stencil-resist dye), from No. 101 to No.126. It is made by Shiundo in Seto in Aichi prefecture. In good condition. Early 20th century. W:22cm, H:17.5cm

Neolithic/Bronze Age reddish clay, pottery jar from an unknown culture. I acquired this in a group of Chinese Neolithic pottery pieces but I can’t find any references to this being Chinese. I tend to think this from Thailand or some other Southeast Asian culture. Low fired with very good near invisible restoration. If you know what this is, drop me a line and let me know. D: 12cm/4.7in and H: 8.5cm/3.6in.

A tree from under water in a dam of Thailand. The skin of this tree was eaten by freshwater shell which makes it look naturally beautiful.

Age: Thailand, circa 19th century
Measurement: Height 58-90 C.M. (excluding stand)
Condition: Intact with original condition. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Eijer, Dieuwke, Kagamibuta, Mirrors of Japanese Life and Legend, The Baur Collection / Heinz Kaempfer Fund (Geneva / Leiden), 1994. 95 pages, numerous b/w and color illustrations. Extensive description of the history, materials, techniques of kagamibuta, its subject matter and kagamibuta makers, richly illustrated with excellent photos of pieces from the Baur Collection and from private collections. The appendix contains a list of kagamibuta makers with their signatures and biographic informatio...

Shiko Munakata (1903 ~ 1975)
Title: Onhina.
Date of this edition: 1998.
Size: Approximately 13.25 x 12.25 inches.
Published by Munakata Studio. Issued in Yaskawa calendar.
Medium: Japanese lithograph.
Condition: Excellent. Slight ripple. Full margins on all sides (not shown).

Japanese Copper Tetsubin, Copper Tea Kettle, tea pot with Bamboo wrapped handle, 10 1/4" high with handle, 8 3/4" wide with spout, 6" wide-tea pot only, design of overlapping piece of cloth on the top of the tea pot, and Pewter coated inside and under the cover. Wrapped Bamboo handle is in good condition, bottom is dented and blackened over the years, and shows three(3) needle point size of holes on the bottom.

Japanese young male Doll with Samurai hair cut, 3 5/8" high, 5 1/2" wide, 3" deep, with wearing brocade silk garment and lacquered on the carved wooden head, hands and face. The face of young male is incredibly fine and shows he is a young male. No damages.

Japanese Male Doll with Samurai hair cut, 3 5/8" high, 4 3/4" wide, 3" deep, wearing brocade silk garment. The expression of his face is very well executed and lacquered on the carved wood. The condition is very good.

Artist: Yamamoto (seal)
Gotemba in Snow
Bears artist's seal.
Publisher: Takemura Hideo. Bears round Takemura seal.
Date: 1930s. Collected after WWII but very likely from Takemura's pre-war stock.
Size: 5.5 x 3.5 inches.
Tipped at top to original greeting card.
Condition: Print is very good. Card is discolored.

Chinese Wooden Rice Cake Mold, 21" long, 2 1/4" wide, 1 5/8" deep, with natural deep cracks in the wood, it is heavy weight one(1) piece of wood.