This is a Japanese antique big boro fabric of natural indigo dye stripes cotton patched boro Material fabric . It has become a boro work of art and is very beautiful. Although it is large in size, it is not heavy. Size::Length::217cm (85.4inch) Width:: 117cm ( 46inch)

Fireman's hat from the Edo period. The outer fabric is dyed with vegetable indigo and has sashiko stitching. A dragon holding a jewel is hand-painted on the cotton lining. There are some small stains and holes, but nothing noticeable. Condition is good.Size:: Length: 62cm, hem width 85cm

This is a very elegant ramie summer children's kimono from the Edo period. The sleeves have a hand-painted bamboo pattern. The family crest is the rare mitsumorikumikaku. There are no stains or damage, and it is very carefully made.size: Length :90cm (35.4inch) / sleeve to sleeve :83cm (32.6inch)

Pair of Song Dynasty soy brown, Jian type bowls from the Dongzhang/Minho kiln in Fujian, recovered from the Lianjiang shipwreck. Good condition, no damage or repairs, there is some original kiln grit in the cavetto and a minor irregularity on the rim of one. D: 10cm/4in and H: 4.5cm/1.8in. May still be used in a tea ceremony.

This is a silk kimono used in Kyoto. This is a kimono with the word Katazome written on it by hand. There are many pictures of goldfish. And they are all painted in Eba-gara. During the Taisho period, extremely precise paintings were also painted on kimonos. It is in very good condition with no stains or damage.Size: Length 130cm /sleeve end to sleeve end 122cm.

Japanese woodblock print depicting an actor portraying a samurai by Kuniteru II (1829-1874), published by Daikokuya Heikichi (Shojudo) in 1867. The paper measures about 14 5/8"V x 10 1/4"H. The print is in very good overall condition with good impression quality and color. There are lacquer highlights in the black areas and mica at the top. There is an ample margin on the left and top. The paper is fine, the print is not backed, and the image is clearly visible on the reverse. There is no ta...

Gilded Bronze Itinerant Sivalli Monk, 19th Century, condition fair (walking cane broken), size: H. 9cm x W. 5cm x D. 4cm, nice patina, hard to find

Attractive Naga Woodcarving, gold on red patina, mounted, 19th Century,Thailand, good condition, size: H.30cm x W.5cm x D.9cm

A beautiful example of a sweet meat or pastry dish used in the Japanese tea ceremony; the rich and heavy handed design adds color and depth, yet it is restrained for a pleasant afternoon cup of tea with a light snack. You can almost envision the ceremony with the open sliding doors overlooking the garden as you are being served. This dish measures 10.25” square x 1.75” deep.

A beautiful and rare glass stupa from the Pyu area.Most of the glass has turned into a beautiful iridescent color which gives a wonderful feeling to this piece. The stupa is unusual as it has a hollow opening in the center. Age: 100 AD. Size: H. 1.9cm. W. At the base. 1.9cm. Condition: A small piece is missing at the base and because it is iridescent at the part also it probably was made that way.

Striped agate Pyu beads most likely made in India but found in Burma. These type of beads are very rare and difficult to find.Can make a nice pendant. Condition: No repairs

A beautifully gold accented imari small dish from old Japan, detailed and profusely decorated with tendrils and flora with a well painted mythical Kylin; the contrast is simply stunning and well defined, condition is excellent and the enamels well preserved, minor glaze imperfection on the backside, but hardly worth mentioning save for accuracy sake, we date this beauty to the Meiji period pre-1900. Measurements: 10.16 cm diameter (4 inches)

A black terracotta Buddha amulet in the sitting position in-cased in a stainless steel case from Thailand. Age; Pre 1900 or earlier. Size: H. 3cm. Condition: No repairs.

Artist: Oda Hironobu [signature and seal]
Descrption: Mountain scene
Date: 1930s
Size: Oban, approximately 15.5 x 10.5 inches
Publisher: Maeba Han (oval seal)
Condition: A thinning area at the upper left. Crease at left. See verso photo of small tape/pencil notes.
- Oda Hironobu was born in 1888. His prints were produced in very small quantities and are rare. The colors in the hills would be at home in a California/Western woodcut.

A very well painted and delightful Kutani tea caddy, perfect condition and has its original inner cap lid still intact also in perfect condition. It measures 11 cm (4.3 inches) high and dates pre-1920, circa 1912-15.

Small ovoid vase with short neck; lugs on two sides of the neck. Rich brown iron glaze over a gray-beige colored ceramic body, leaving the lower 1/3 part free.
Sawankhalok ware from Sukhothai, 15th -16th century. Or possibly Chinese, Jian yao, Song dynasty, 12th – 13th century
H 4.5 inches (11.2 cm).
Very good condition.

From an old private TX collection of high quality Japanese and Chinese ceramics and antiques

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a lively scene from Act 11 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The seal of the publisher, Moriya Jihei, the censor seal, and the signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) are all located at the lower right. Standard vertical oban print measuring 14"V x 9 3/4"H. Very...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring two beauties from Act 5 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the bottom of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the bottom left corner. Standard vertical oban print...